Catalog: Estate Jewelry (1615)

Sterling silver watch fob by George W. Shiebler. An outstanding example of the "Medallion" or "Curio Medallion" line, this watch fob is comprised of a horizontal log-like bar inscribed with the Greek letters "XAPIE" suspending five discs depicting Greek gods and goddesses. Pictured from left they are Zeus, unknown, Pallas Athena, unknown, and Mercury. The two unknown images are female and probably depict Aphrodite, Hera or Demeter. The surfaces are hand worked and intentionally "distressed" so that the piece appears to truly be an ancient jewel. The handmade chain is original to the fob. The back is stamped with Shiebler's hallmark, the retailer's mark for Bailey, Banks & Biddle, and the pattern number "1043". All Shiebler Medallion pieces are rare, but this is the first complete watch fob we've seen. It could be extended with a few links to be worn as a bracelet.

Origin: America, 1880-90. Condition: all original, light wear from normal use. Size: fob, 1-3/4" x 1-7/16"; overall length, 6-9/16". Weight: 18.5 grams.

A pair of truly exceptional Shakudo cufflinks, the faces being a matched pair of mixed-metal plaques representing all the signs of the Chinese and Japanese Zodiac, including tigers, boars, dragons, rats, roosters, rabbits, snakes, oxen, dogs, monkeys, sheep and horses. The detail work is amazing and the design is one of the most complex we've seen. The plaques are mounted on custom-fitted 950 silver backs with toggle mechanisms. The shakudo plaques date to the 19th century Meiji period and the silver fittings are around 1950.

Origin: Japan. Condition: excellent, original patina, sharp detail. Dimensions: 1-1/4" x 5/8". Weight: 12.2 grams.

A set of three classic 14K yellow gold and mother of pearl shirt studs by Larter. The mother of pearl has particularly nice iridescent coloring. The simple design allows them to be worn with a variety of cufflinks, as well. Each stud is marked 14K and has the Larter hallmark.

Origin: America, ca. 1910. Condition: excellent. Dimensions: 1/2" diameter. Weight: 5.7 grams.

A very fine pair of double-sided cufflinks by Seaman Schepps. Each of the faces is made from a single blue sapphire that has been tumbled rather than faceted, and then set in a framework of curling gold wirework. The setting is substantial, yet its delicacy allows the rich violet-blue color and internal characteristics of the sapphires to take center stage. Schepps was among the earliest of American jewelry designers to use cabochon and tumbled stones as primary gemstones. Even after 50 years, his colorful designs still seem completely contemporary. Each cufflinks is marked for 18K gold, is signed with Schepps’ hallmark and has the design serial number. These links originally retailed for $5,500.

Origin: America, ca. 2005. Condition: excellent, all original. Size: faces approximately, 5/8” x 1/2”. Weight: 12.6 grams. Approximate Total Gemstone Weight: 34.0 carats.

An attractive pair of Scandinavian .835 silver cufflinks, the oval faces set with amber cabochons with silver ropework borders. The amber is a light orangey-honey color with excellent clarity. The solid connectors are marked only “835” for the silver content and “3” for a pattern number.

Origin: Scandinavian or Baltic region, ca. 1970. Condition: excellent. Size: 3/4” x 19/32”. Weight: 10.5 grams.

A classic pair of Art Deco double-sided cufflinks featuring high-domed cabochons of carnelian and aventurine quartz set simply in silver collets. The faces are joined with removable connectors. The color contrast of the gems is rather striking. The faces are marked “830”.

Scandinavia (excluding Denmark), ca. 1930. Condition: excellent. Dimensions: faces, 1/2” diameter. Weight: 7.5 gr. Approximate Total Gemstone Weight: carnelian, 9.72 cts; aventurine, 12.18 cts.

Edwardian 14K gold crescent moon pendant necklace set with round sapphires and pearls. The sapphires have a lovely medium blue color with just a hint of violet. The pearls are slightly button-shaped and have very pretty luster. In Victorian and early Edwardian jewelry, the crescent shape symbolized feminine power personified in the moon goddess Selene/Juno. Brides were often given a crescent pin to wear during their honeymoon. Tested and guaranteed 14K.

• Origin: America, ca. 1900
• Dimensions: pendant, 1-7/8" wide; overall necklace length, 18"
• Condition: excellent; converted from a brooch
• Weight: 3.4 grams
• Approximate Total Sapphire Weight: .62 carat.

A beautifully romantic French Art Nouveau heart-shaped coin purse, bordered in square cut blue sapphires and centered with a heart-shaped sapphire. The sapphires have very slightly violetish-blue sapphires color and eye clean clarity. The frame is engraved in a geometric pattern and the closure is set with cabochon sapphires. The frame's interior is engraved with a pair of serial numbers, indicating the purse was made by one of the more important French joailliers at the turn of the century. The frame retains the original bail that would originally have allowed the purse to be suspended from a bracelet or finger ring at a formal ball or similar society event. The back of the frame is stamped with French hallmarks. We've never before seen a heart-shaped gold mesh purse!

• Origin: France, ca. 1900.
• Condition: excellent; no damage to mesh.
• Dimensions: 1-11/16" x 1-11/16".
• Approximate Total Sapphire Weight: 5.03 carats.
• Weight: 18.9 grams.

A stunning pair of 14K yellow gold cufflinks, the double faces set with bright red garnet cabochons. Unlike many garnet cufflinks, the stones have bright coloring without the brownish overtones that are typical of garnets. The backs are stamped 14K and are signed by Sansbury & Nellis.

Origin: America, ca. 1925. Condition: excellent. Dimensions: 9/16" x 7/16". Weight: 7.4 gr. Approximate Total Gemstone Weight: 9.2 cts.

An extremely rare pair of 22K yellow gold cufflinks designed by the famous surrealist painter Salvador Dali. Inspired by his hero, Louis XIV, Dali minted a limited number of his own gold coins in 1966. The artist called his gold coin the "Dali d'or" after the "Louis d'or" coins created for the French king. The coins were minted in four sizes and values, and Dali occasionally used them to pay debts he owed to friends.

In 1967, a year after creating the money, Dali collaborated with the luxury jeweler Piaget to create a line of jewelry incorporating the remaining coins. Dali d'or jewels are quite rare, but can be found as watches, pendants, earrings, brooches and cufflinks.

Like the royal coins, Dali's personal coins featured his likeness along with that of his wife, Gala, on the front. Their faces are surrounded by laurel leaves, fleurs-de-lys and eggs, the last element a recurring symbol of rebirth in Dali's works. The same motifs are repeated on the back, but without the faces and in an even more surrealistic design. Each coin is signed and dated by Dali and is incised with its edition number. The coins used for this pair of cufflinks are #1495 and #1499.

The toggle findings are worked in 18K gold and are signed "Piaget".

Origin: Spain and France, 1967. Condition: excellent, sharp detail. Size: 1" diameter. Weight: 35.8 grams.

A very fine 14K rose gold brooch mounted with a Scottish Terrier carved from banded agate. The dog's head is beautifully rendered, using the stone's natural banded coloring to represent the dark colored muzzle and ears that contrast with the brighter carnelian of the fur. The eyes are represented by small round cut demantoid garnets set in a manner that nearly completely hides the gold collets holding the stones. The workmanship of the carving is first-rate. The setting is rather simple an does not detract from the beauty of the hardstone carving.

Faberge was a leading creator of hardstone carvings, and used carvings created in his own workshops as the shops of others. In Paris, Cartier was determined to compete with Faberge and also produced hardstone carvings. The Cartier versions, however, tended to be a little less realistic and rarely relied on the natural color variations of the stone material. The coloring technique strongly suggests that this carving is the product of a Russian workshop contemporary with Faberge, and possibly that of the master himself.

There appears to be a rubbed-out hallmark on the back side. This is occasionally seen in Russian pieces that had their marks obliterated shortly after the Revolution as their owners tried to smuggle jewels out of the country. Tested and guaranteed to be 56 zlotniks (slightly purer than 14K).

Origin: Russia, ca. 1905. Condition: excellent, all original. Size: 2-9/16" x 1-1/16". Weight: 15.3 grams. Approximate Total Demantoid Weight: .1 ct.

A fabulous 14K yellow gold and platinum brooch by William Ruser commissioned to celebrate the astounding victory of the Pittsburgh Pirates over the New York Yankees in the 1960 World Series. The brooch is designed as one of Ruser's classic waif-like children, this time dressed in a pirate's costume. One eye is set with a blue sapphire and the other is covered with a platinum eyepatch highlighted with matte black enamel. A platinum earring dangles from one ear. In one hand he holds a baseball bat and in the other a World Series crown set with sapphires and a ruby. The pirate appears to be walking across a bouquet of flowers made of natural freshwater pearls. Each flower is centered with a prong-set brilliant round-cut diamond. Small gold flowers centered blue sapphires complete the bouquet. The back is engraved "Pittsburgh Pirates World Champions 1960". It is also signed by Ruser and marked appropriately for 14K gold and platinum.

Ruser was famed for his jewels featuring dogs, cherubs and children. He was favored by major Hollywood stars such as Joan Crawford and Loretta Young. He also accepted unusual commission opportunities that allowed for creative use of his favorite design elements. This is one of the wittiest examples of Ruser's work we've seen. He used only the finest raw materials and the design is masterful. Along with a tie bar he designed for one of the stars of the Indy 500, this brooch is probably the finest example of Ruser's sports-related commissions.

Origin: America, 1960. Condition: excellent, all original. Size: 2-1/4" x 2". Weight: 27.0 grams. Approximate Total Gemstone Weight: ruby, .02 carat; sapphire, .43 carat; diamond, .15 carat.

An elegant love knot pendant in 18K gold and platinum set with rose cut diamonds and a ruby at the center. The gold surface has a matte finish typical of French jewelry at the end of the 19th century. The pendant was originally a scarf clip and still retains the clip mechanism. A double bail allows it to be worn as a pendant. The bail's surface finish matches the rest of the knot, and the maker's marks are applied to the bail rather than to the body of the clip, suggesting that the double bail is original to the piece. NOTE: The chain is shown only for display purposes.

• France, ca. 1900.
• Excellent condition; original finish; no dings.
• 11/16" diameter (excluding bail).
• 2.8 grams.

Art Nouveau 14K gold crescent pendant necklace set with round brilliant cut diamonds and rubies. The quality of the gemstones is superb, with VVS2/G diamonds and vivid very slightly purplish-red rubies that show no indications of heat treatment. In Victorian and early Edwardian jewelry, the crescent shape symbolized feminine power personified in the moon goddess Selene/Juno. Brides were often given a crescent pin to wear during their honeymoons. This cresent was originally a brooch and has been converted into a split-chain pendant necklace. The symbology and striking color is perfect for today's strong woman! Marked 14K.

• Origin: America, ca 1900.
• Dimensions: pendant, 1-1/16" wide; overall necklace length, 19".
• Condition: excellent.
• Weight: 3.9 grams.
• Approximate Total Gemstone Weight: ruby, .35 carat; diamond, .22 carat.

An elegant pair of 18K yellow gold and amber earrings, the square cabochon amber simply set in the gold frame. The prongs holding the amber become an important part of the overall design. The amber has fine, even coloring with a tinge of red, and superb clarity. The backs are stamped for 18K and with the maker’s mark for Laboratorio Ruber, Milan.

Origin: Italy, ca. 2000. Condition: excellent. Dimensions: 3/4" wide; 1-5/32” long to top of wire. Weight: 15.4 gr.

Lovely necklace and bracelet comprised of 10mm rose quartz and aventurine beads. The strands are hand knotted between each bead. The clasps are gilt sterling silver. The necklace is 26" long; the bracelet is 8" long. Excellent condition.

A very attractive 18K yellow gold ring set with an amethyst by the famed mid-century Brazilian designer Haroldo Burle Marx. Burle Marx is well-known for his free form designs, but his collaborations with his brother, the landscape architect Roberto Burle Marx, had a much more linear, abstract feel as in this piece. The amethyst at the center is of the very finest quality, with intensely purple color and excellent clarity. The gold is completed with the finely worked florentined finish typical of Burle Marx's work. The interior of the shank is fully signed.

Burle Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create state gifts for Queen Elizabeth, Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark, Prime Minister Indira Gandhi of India, and many others. In Hollywood circles, he was a favored jeweler to Merle Oberon and Natalie Wood.

• Brazil, ca 1970
• Excellent condition
• 1-1/16" wide at crown, tapering to 3/16" at the back of the shank
• Finger Size: 5-3/4
• 17.0 grams
• Approximate Gemstone Weight: 3.08 carats

A fine 14K yellow gold griffin stickpin by Riker. The eye is set with a bright faceted ruby and the claw grasps an old European cut diamond. As with all Riker pieces, the gemstones are of excellent quality. This stick pin could be worn as is, or converted to a ring or necklace charm. The reverse is stamped with Riker's hallmark.

• America, circa 1880
• Head, 5/8" x 1/2"; overall length, 2-1/2"
• 1.8 grams
• Approximate diamond weight: .05 carat