Catalog: Vintage Arts (278)

An attractive, colorful frit paperweight showing a pair of hearts shot through with an arrow and surrounded by a laurel wreath and the word "Friendship," all against a bright mottled umbrella ground. The pontil is ground and frosted. The glass is nicely free of striae and bubbles. The quality of workmanship is quite good, and the weight is certainly the handiwork of one of the better West Virginia glass makers, possibly Gentile.

Origin: America, ca. 1950. Condition: very good; extremely minor surface wear to crown. Dimensions: 3-1/4" diameter; 2" high.

A beautiful set of six red-cut-to-clear cocktail glasses designed by Charles Graffart for Val St. Lambert. Graffart was one of the three designers chosen by Val to create their entire exhibit for the 1920 Exposition des Art Decoratifs. The austere angular cutting pattern works beautifully with the overlay.

Origin: Belgium, ca. 1930. Condition: excellent, no chips or cracks. Size: 2-3/4" tall.

NOTE: We also have a matching decanter, signed "Val St. Lambert", in green-cut-to-clear (Item #1093572). Together, they'd make a stunning Christmas decanter set!

A fine sterling silver double jigger in an Art Deco pattern by Tiffany & Co. The austere style is decorated only with an incised band around each lip of the cone-shaped vessels. This severe geometric style is typical of Art Deco wares produced by Tiffany. The jigger is fully hallmarked by Tiffany and is stamped with the date mark used 1907-47.

Origin: America, ca. 1925. Condition: very good, one rim very slightly out-of-round, no monograms. Size: 4-3/4” tall. Weight: 89.0 grams.

A rare vintage sterling silver figural jigger in the form of a swing-handled fire bucket. The side is engraved “Fire Water”. The interior is gilt. The bottom is marked “Lunt Sterling 15”.

Origin: America, ca. 1935. Size: 2” tall to rim; 3-1/4” tall to top of handle. Weight: 32.3 grams.

An elegant sterling silver rollover jigger in Tiffany & Co.’s highly desirable 1961 “Bamboo” pattern. The jigger is designed so the stems on either side of the bowl rest on the rim of cocktail shaker or glass. Once filled, the jigger can simply be tipped sideways, allowing the liquid to drop into the vessel without spills. The handle is marked “Tiffany & Co. Sterling”.

Origin: America, ca. 1970. Condition: excellent, no dings, no monograms. Size: 6” long; 2-3/8” wide. Weight: 67.1 grams.

A vintage sterling silver figural jigger by Alvin, the sides marked off with enameled stoplights in green, yellow and red. Each light is accompanied by the words “Go”, “Caution” and “Stop”. The bottom is hallmarked by Alvin.

Origin: America, ca. 1960. Condition: very good, a couple of pinpoint dings on the bottom edge; no enamel damage. Size: 2-1/2” tall. Weight: 35.5 grams.

A classic mid-20th century French silver tastevin of traditional form. The bowl is decorated with angled godrons for evaluating white wines and small convex perles and larger concave cupules for use with red wines. The handle, also, is in the traditional snake form. Up until the mid-20th century, a few silversmiths in France were able to raise an entire tastevin from a single Napoleon III 5-franc coin. The work was accomplished solely with the aid of variously-sized hammers which were used to thin and spread out the original coin and a series of other tools used to form the decorations. They can often be identified by the the exact weight (always 32.5 grams before the addition of the handle). Only a handful of master silversmiths were able to create a tastevin in which the phrase “DIEU PROTEGE LA FRANCE” (“God protect France”), which originally appeared on the rim of the 5-franc coin, was still legible at the rim of the tastevin. The last silversmith with this documented ability stopped working in 1968. The tastevin is stamped with the “Minerve” mark for 800 silver and with an illegible maker’s mark.

Origin: France, ca. 1930. Condition: excellent. Size: 25/32” high; 2-3/4” diameter (excluding handle). Weight: 32.9 grams.

A classic Art Deco porcelain water jug advertising Ricard Anisette. In the south of France, tradition dictates that Ricard and other anise-flavored spirits be drunk with a side of water. Makers such as Ricard and Pernod provided advertising pitchers to local bars to increase their sales. This globe form is the classic shape from the first half of the 20th century. The bottom is marked “Ateliers de Céramique Ricard/Made in France”.

Origin: France, ca. 1930. Condition: good, there is a firing line in the spout and a flattened area on the foot, both original to the making; no subsequent chips or cracks. Size: 6” tall at handle.

A witty sterling silver vermouth dispenser in the form of a watering can by Cartier. When tipped, the dispenser lightly sprinkles just a drip of vermouth into the glass for the perfect martini. The bottom is marked "Sterling" and is signed "Cartier".

Origin: France, ca. 1955. Condition: excellent. Size: 3" tall. Weight: 49.1 gr.

A rare vintage ruby glass cocktail in the form of a fire extinguisher. The side is silkscreened with instructions for use such as, “In emergencies charge with ingredients, shake well and dispense freely until conflagration is under control.” The shaker retains its original coppertone steel lid and interior strainer.

Origin: America, ca. 1950. Condition: excellent, no chips or cracks to glass, no splits to metal. Size: 11-1/2” tall.

A classic late Art Deco or early modernist porcelain water jug advertising Ricard Anisette. In the south of France, tradition dictates that anise-flavored aperitifs should be served with water to dilute the drink. Makers such as Ricard and Pernod provided advertising pitchers to local bars and cafes to increase their sales. This squared-off rectangular form is less common than the traditional globe-shaped pitcher and became popular after World War II. The bottom is marked "Ateliers de Céramique Ricard/Made in France".

Origin: France, ca. 1950. Condition: excellent, no chips or cracks. Size: 9" x 3-3/4" x 5-1/2" tall.

A beautiful Art Deco green-cut-to-clear decanter designed by Charles Graffart for Val St. Lambert. The pyramidal shape capped by an inverted stopper is very linear and perfectly accents the austere overlay cutting pattern. The base is signed "Val St. Lambert" and the stopper is engraved with a number that matches the number inside the decanter's neck.

Origin: Belgium, ca. 1930. Condition: excellent, no chips or cracks. Size: 9-1/8" tall.

A very nice Arts & Crafts bronze round tray with verdigris patina by Carl Sorensen. The surface is decorated in uneven concentric rings of darker and lighter green mottled patination, separated by thin bands of polished bronze. The outer edge is finished with a pair of cast handles in a pattern similar to Georg Jensen's "Blossom" design. Little is known about Sorensen other than that he worked in the Philadelphia area around 1900 and his pieces may have been retailed at Tiffany & Co. The bottom of the tray is marked "Bronze CS" and "Carl Sorensen". The handles are marked "1196".

Origin: America, ca. 1900. Condition: excellent, fine original patina. Size: 13" diameter (15" at handles).

A very nice cut crystal cocktail shaker in cobalt blue overlay. The design is a classic pattern of angular mitres emanating from oval printies. The shaker is acid-signed on the bottom "Japan". Cut glass in the Art Deco style was one of the industries established in Japan during the Occupation following World War II, and the products are always of fine quality that easily compete with European products of the same era. The shaker is completed with its original chrome plated top.

Origin: Japan, ca. 1947. Condition: excellent, no chips or cracks to the glass or metal. Size: 11" tall.

A very fine and extremely rare Art Deco sterling silver cocktail shaker by exclusive Tuttle Silvermsiths. At the end of the Art Deco era, just before modernism began to take a firm hold, a few leading American silver companies started reinterpreting Stuart adn Georgian silver designs for modern purposes. This shaker is just such an example. The urn finial cresting above the everted rosette cap is a new take on late Stuart and early Georgian design, as is the overall severe cylindrical shape and the double-reeded banding. The final look is an extraordinary blending of 17th century design and the "skyscraper" design of the 1920s and 30s. The bottom of the shaker is marked with Tuttle's maker's mark, as well as the retailer's mark for Shreve, Crump & Low. It is also marked "London Reproduction 1660-1684". And finally, it is marked with the monogram for Harry S. Truman with the Roman number I, indicating the that shaker was made during the first Truman administration (1945-49). Tuttle is not a widely-known American silver company precisely because all its products were made entirely by hand and were extremely expensive. It was available only to the elite.

Origin: America, 1945-49. Condition: excellent, a few insignificant waves from "ice cube dings" only visible in strong, raking light. Size: 14-1/2" tall. Weight: 1,106 grams.

Terrific Gorham silverplate figural shot glass in the form of an early American leather fire bucket. The front side is enameled with the emblem of the Chicago Fire Department surrounded with the words “Little Giant Engine Co. 1871”. The back side is modeled to show the leather handle. The bottom is marked “Gorham EP YC3098 CAP 3oz.” Origin: America, ca. 1955. Condition: excellent, no dings, minute wear to enamel on word "Fire Dept". Size: 2-3/4” tall.

A nice set of sterling silver cocktail picks, the tops decorated with colorful enameled roosters. The use of the rooster (“cock”) motif in Art Deco barware was a play on the word “cocktail”. Each pick has a hook on the back of the rooster so that it can hang from the edge of the glass. Each is fully hallmarked for Birmingham, 1927. The picks are presented in their original fitted case embossed Abercrombie & Fitch.

Origin: England, 1927. Condition: all original, no enamel damage, box has significant wear. Size: 3-3/16” long. Weight: 13.5 grams.

A rare Art Deco double jigger in brown and speckled yellow bakelite.

Origin: America, ca. 1940. Condition: excellent. Size: 3-19/32” tall.

A sterling silver double jigger in International's classic1939 Art Deco "Royal Danish" pattern. The jigger is marked with one of International's older hallmarks. The double jiggers in this pattern are difficult to find.

Origin: America, ca. 1945. Condition: very good, one pinpoint to the side and a few pinpoints on the rim visible upon close inspection, no monogram. Weight: 65.5 grams. Size: 4-9/32" tall.

A rare, complete set of sterling silver demitasse spoons in the "Flowers of the Months" pattern by Tiffany & Co. presented in their original fitted case. The finial of each spoon features an illustration of a different seasonal flower such as a holly, clover, iris, pansy, poppy, etc. The bowls are parcel gilt. The back of the spoons are stamped with the Tiffany hallmark used 1907-1947. These spoons were made for only a short duration and complete sets are quite difficult to find. The inside of the original case is stamped "Tiffany & Co. New-York Paris London".

Origin: America, ca. 1926. Condition: spoons are mint condition, the outside of the box shows some wear and discoloration to the silk covering. Size: 4-11/16" long. Weight: 204.0 grams.

A vintage sterling silver vermouth dispenser by Gorham in the form of a syringe. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe, then dispensed in precise doses into your favorite cocktail. Marked “Gorham Sterling 429 Pat. Pend.”.

Origin: America, 1967-70. Condition: excellent, no monograms, no dings. Size: 6-3/8” long.

A fine sterling silver double jigger in an Art Deco pattern by Tiffany & Co. The only decoration are incised bands around the lip of each cone-shaped vessel. This severe geometric style is typical of the Art Deco wares produced by Tiffany. The jigger is fully hallmarked by Tiffany and is stamped with the date mark used 1907-1947.

Origin: America, ca. 1925. Condition: excellent, three tiny pinpoint dings. Weight: 86.5 grams. Size: 4-3/4” tall.

A wonderful heavy sterling silver double jigger by modernist silversmith Alphonse La Paglia. The two tapered vessels are joined by a series of silver spheres and rings that are reportedly intended to represent flower bulbs and roots. The overall appearance is severe and very elegant. La Paglia originally worked in the U.S. for Georg Jensen USA, then at International Silver beginning in 1952 until his death the following year. His designs were produced until 1957. The jigger is marked with one of La Paglia's hallmarks used at International and with the pattern number 116.

Origin: America, 1952-57. Condition: excellent, light ding on one edge; no monograms. Size: 3-32/32" tall. Weight: 11.0 grams.

A very nice antique Chinese glass paperweight featuring a lampwork poinsettia. The bright red petals are arranged in a double row around a sulfur yellow millefiori center and are accented with a green stem and a pair of leaves. The Chinese copied this design from New England Glass Company paperweights of the 19th century. The glass in this example is relatively good quality, with only few small bubbles, and is considerably larger than many examples. The base is ground and polished concave.

Origin: China, ca. 1930. Condition: excellent, no chips, cracks or significant surface wear. Size: 3-1/4" diameter.

A rare, complete set of Art Deco sterling silver demitasse spoons in the "Zodiac" pattern by Tiffany & Co. presented in their original fitted case. The finial of each spoon features a streamlined illustration of a zodiac sign. The bowls are parcel gilt. The back of the spoons are stamped with the Tiffany hallmark used 1907-1947, and are also marked with the patent date 1926. These spoons were made for only a short duration and complete sets are quite difficult to find. The inside of the original case is stamped "Tiffany & Co. New-York Paris London".

Origin: America, ca. 1926. Condition: spoons are mint condition, the outside of the box shows considerable wear to the silk covering. Size: 4-1/8" long. Weight: 162.0 grams.

A good bronze footed trumpet vase by Carl Sorensen. The surface is patinated in a dark mottled green and is enhanced with parallel engraved lines forming bands decorated in a darker green patination. The small foot makes this one of Sorensen's more unusual vase designs. Sorensen made a variety of decorative metalwares, but little is known about him. He worked in Pennsylvania, and his pieces were possibly sold by Roycroft and Tiffany. The base is signed "Carl Sorensen" and also has his hallmark.

Origin: America, ca. 1930. Condition: excellent, a slightly flattened area along the upper rim is just barely visible when seen from the right angle. Size: 6-1/2" tall.

A pretty Art Deco cut glass perfume bottle with an intaglio stopper. The periwinkle blue body is cut in a diamond pattern, while the flat round stopper has lapidary cut edges and an intaglio four-leaf clover. The overall effect is very sweet. The flat base is acid-etched “Made in Czechoslovakia” inside an elongated oval.

Origin: Czechoslovakia, ca. 1920. Condition: excellent, no chips or cracks. Size: 3-3/4” tall.

An elegant Art Deco ruby glass cocktail shaker with sterling silver overlay in a grapevine pattern. The glass has a very intense ruby coloring, and the bottom has a polished pontil-a reliable sign of quality glass. Each side of the shaker is enhanced with a stylized grapevine motif worked in sterling silver overlay. The shaker is finished with a chrome-plated top.

Origin: America, ca. 1935. Condition: excellent, all original, no chips or cracks, no splits to metal. Size: 11-1/4".

Superb and extremely rare silverplated cocktail shaker in the "Ile de France" pattern by Meriden Britannia Plate Co. This is one of the most desirable of the high style Art Deco shakers. The ocean liner "Ile de France" was launched in 1926--not as the largest ship afloat, but intentionally as the most elegant ship in the world. This shaker was intended to celebrate that achievement and took its streamlined design elements from the ship itself. The pour spout protrudes from the side of the shaker at an angle and is strongly suggestive of the liner's angled bow. The shaker is severe in its decoration, using only stepped concentric rings to relieve the plain surfaces. The angular handle and cap are carved from strongly figured rosewood. The bottom of the shaker is marked with the pattern name and Meriden's marks.

Origin: America, 1927. Condition: excellent, extremely light surface wear to plating and a little bit of roughness are the edges of the pouring spout. Size: 9" tall.

A nice bronze trumpet vase by Carl Sorensen. The surface is patinated in a mottled green, and the lower part of the vase is enhanced with parallel bands of various widths. A matching band appears around the outer top rim. Sorensen made a variety of decorative metalwares, but little is known about him. He worked in Pennsylvania, and his pieces were possibly sold by Roycroft and Tiffany. The base is signed “Carl Sorensen” and also has his hallmark.

Origin: America, ca. 1930. Condition: very good, patination is excellent, there is a slightly flattened area along the upper rim visible when viewed from just the right angle. Size: 5-7/16” tall.

Sterling silver gravy ladle in Gorham's 1964 "La Scala" pattern. This is one of the heavier and more expensive patterns produced by Gorham in the mid-20th century.

Origin: America, ca. 1964. Condition: near mint, no dings or monograms. Size: 6-7/8" long. Weight: 87.0 grams.

A very handsome set of twelve sterling silver coffee spoons in a hammered Arts & Crafts design reminiscent of Georg Jensen. The design is very well-conceived, with the arching rows of beads echoing the slightly round indentations left by the hammering process. The spoons are just a bit larger than traditional demitasse spoons, but certainly smaller than teaspoons. The backs are stamped with the guarantee mark of Christian Frederik Heise, who was assay-master in Denmark from 1904 until 1932. They also bear the year mark for 1926. The spoons are presented in their original silk-lined fitted box.

Origin: Denmark, 1926. Condition: excellent, period monograms on the backs of handles. Size: 4-3/4” long. Weight: 149.0 grams.

A pretty pair of Dresden porcelain candlesticks with traditional hand-painted floral decoration. Dresden candlesticks are rather uncommon. The squared bases are intricately pierced and decorated with flowers and gilt highlights. The columns are similarly decorated. Bobeches separate the columns from the candle sockets. The bobeches are original and have not been repaired, but at some point, a previous owner decided to paint her own flowers on the bottom sides of the bobeches and to add more gilding along the rim. Each candlestick is marked by an unidentified maker in underglaze blue, and is also marked "Dresden Germany".

Origin: Germany, ca. 1920. Condition: excellent with alternations as noted above. Size: 9-1/2" tall.

Intensely colored amethyst glass inkwell finished with a gilt brass collar. The severe cubic form is relieved by canted, curved corners. The base is acid-stamped "Made In Czecho-Slovakia", indicating a date between the World Wars.

Origin: Czechoslovakia, ca. 1930. Condition: excellent, all original, no chips or cracks. Size: 2" x 2" x 2".

A very handsomely decorated set of 12 sterling silver demitasse spoons. The handles are finely decorated with a cast and pierced stylized bellflower. The swirling character of the finial design nicely contrasts with the more angular line of the lower handles and the oval bowls. The backs are fully marked with Swedish hallmarks for 830 silver, including the town mark for Norberg.

Origin: Sweden, ca. 1940. Condition: excellent, all original, no monograms. Size: 4-1/16" long. Weight: 92.0 grams.

An elegant sterling silver small letter opener in Kirk’s “Repousse” pattern. The wide end is beautifully decorated with a pattern of roses and foliage against a stippled background. The flat edge is marked off so it can be used as a ruler. The back is marked with the Kirk hallmarked used 1932-61.

Origin: America, ca. 1950. Condition: excellent, very light wear to the first few 1/16” makers on the ruler at the pointed tip. Weight: 26.5 grams.

A very handsome cut crystal decanter in a most striking shade of green. The decanter, cut with vertical prisms, is very heavy and of the finest quality. The style is very similar to Moser’s post-war designs, and may in fact be by Moser, although it is unsigned.

Origin: Europe, ca. 1950. Condition: excellent, no chips or cracks. Size: 9-3/4” tall.

A terrific Art Deco spun aluminum ice bucket for chilling wine and champagne. The front is decorated with a copper plaque depicting the label of a very well-known French winery in Alsace. The winery is famous for its Riesling, but also for Crémant, a sparkling wine native to Alsace. Alsatian wines are traditionally bottled in tall, narrow bottles, hence the shape of this bucket. The bottom is marked "URBA Made In France". Ice buckets were offered by wineries to cafés and distributors as a way of advertising their products.

Origin: France, ca. 1930. Condition: surface scratching from normal use. Size: 10-3/4" tall.

Gorgeous vintage Hermes silk scarf (“carré”) worked in rich shades of medium blue, cream, golds, browns and greys. The design illustrates various 18th century gilded carriage or chariot wheels, including one emblazoned with an image of the Sun King, Louis XIV. The hand-rolled edges (rolled toward the front) are plump. “Hermès Paris” is worked into the design, as is the signature of the desiger, Caty Latham.

Origin: France, ca. 1995. Condition: the scarf has never been cleaned, and shows a little smudge and a pale stain near the edge, no tears. Size: 35” square.

A beautiful set of six silverplated scallop shell dishes by Tiffany & Co. The dishes are worked with wonderful detail—even the feet have a decorative treatment similar to snail shells. These dishes are perfect for butter, mints, nuts, or even individual servings of cocktail sauce. The bottoms are marked “Tiffany & Co/Makers/Silver-Soldered”.

Origin: America, ca. 1950. Condition: excellent, no plating wear. Size: 3-13/32” x 4-5/8” x 1-3/16” high.

A remarkable sterling silver bonbon spoon by Watson. The detail is easily equivalent to work by Tiffany, Whiting or the other great Victorian silversmiths. The bowl is decorated fully with grape leaves, clusters of fruit, and delicate tendrils finished with intricate piercing. The handle, designed as knarled grape vine, widens into a large cluster of fruit surrounded with foliage at the tip of the handle. The back of the handle is also decorated to match. The back is marked with Watson’s old hallmark.

Origin: America, ca. 1905. Condition: excellent, all original, sharp detail. Size: 6-3/8” long. Weight: 64.0 grams.

Nice Art Deco brass cocktail shaker in the form of a wine bottle. The bottle separates at the shoulders to reveal the strainer and the lip of the bottle removes for pouring. The bottom of the shaker is indented just as a glass wine bottle is. We’ve had many figural cocktail shakers, but this is the first bottle we’ve had.

Origin: probably America, ca. 1935. Condition: untouched patina, a couple of ding nears the bottom edge and another at the shoulder. Size: 3” diameter; 12” tall.

A handsome set of four sterling silver salt dips with cobalt blue glass liners. The silver walls are intricately pierced in the 18th century style and are raised on scrolled feet. The salts have fitted cobalt blue glass liners. The salts are fully hallmarked for Birmingham, 1934 and have an unidentified maker’s mark “WA” in a shield.

Origin: England, 1924. Condition: excellent, no dings, cracks or chips. Size: 2-3/16” x 1-11/16” x 1-1/4” tall. Silver Weight: 74.0 grams.

Lovely pair of sterling silver short candlesticks, the sockets with an engraved design and flaring outline suggestive of a tulip blossom. The design has a nice Art Deco feel and is really much more interesting than the typical short candlesticks of this type. The bottoms are marked “Sterling” but have no maker’s mark.

Origin: America, ca. 1950. Condition: excellent, the bottom edge of one stick has a few truly pinpoint-sized dings (not really visible except when upside down). Size: 4-3/8” tall; 3-1/2” diameter at base.

A terrific pair of Art Deco sterling silver tension-hinged sugar tongs or “nips” by W. & S. Sorensen. The twisted upper handles are decorated with gilt crown-shaped finials and the tong ends repeat the twisted pattern of the upper handles. The tongs could be used for sugar cubes, candies, or even olives. Hallmarked by Sorensen. The tongs are very well made and are quite heavy.

Origin: Denmark, ca. 1930. Condition: excellent, all original, traces of original gilding intact. Size: 4-3/8” long. Weight: 30.5 grams.

Superb and very rare copper bowl in the form of three bound leaves by acclaimed silversmith Alfredo Sciarrotta. Most of Sciarrotta’s work was in sterling silver, but he did make a limited line of copper and brass wares early in his career. The designer’s work is instantly recognizable from the quality of workmanship, the heaviness of the material, and of course the naturalistic shapes accented with delicately curling edges and engraved veining. The copper dishes have more realistic appearance than the works in silver, with more detail along the edges of the leaves and in the veining. The dish is raised on three brass ball feet.

Sciarrotta was smuggled out of Italy into the US during World War II to work on submarine technology. Afterwards he settled in Newport, RI and created a small line of hand-made sterling silver hollowware. These were retailed in his own shop and eventually by a few select stores including Shreve Crump & Low, Gorham, Bailey Banks & Biddle, and Cartier. This copper example has the earlier and less common hallmark that Sciarrotta used only at his own studio. Sciarrotta’s designs are in several museum collections including the Smithsonian.

Origin: America, ca. 1948. Condition: excellent, no dings or monograms, excellent patina. Size: 9-7/8” diameter; 3-1/8” tall. Weight: 565.0 grams.

Pretty set of eight bone china coasters by Royal Worcester. Each has a hand painted transfer-printed floral bouquet design. The outer edges are ridged and the rims are gilt. In addition to their original purpose, the coasters could also be used for nut dishes or even butter pats.

Origin: England, ca. 1970. Condition: excellent, no chips or cracks. Size: 3-9/16" diameter.

Elegant sterling silver basket of sterling silver, pierced to reveal a cobalt blue glass liner. The neo-Gothic style piercing is accented with a tiny band of beading just below. The basket is raised on a foot. The swing handle is unadorned. The bottom is hallmarked by Redlich.

Origin: America, ca. 1930. Condition: excellent, no dings or cracks, no monogram. Size: 5-1/2” tall to top of handle; 4-1/4” diameter. Silver Weight: 122.5 grams.

Phenomenal Art Deco cocktail shaker and six matching cocktail glasses by Gorham. The gently curving surface has a quilted appearance created by deeply incised vertical and horizontal lines. The spout and handle are attached to the body with a cobweb-like decorative device. The cocktail glasses are raised on tall stems with knops decorated to match the bowls. The same decorative element is repeated where the stems meet the flaring bases. The interiors of the bowls retain the original gilding. The bottom of each piece is fully hallmarked for Gorham with the year mark for 1928. The shaker is marked with the pattern number GA 13825 and the glasses with GA 13826.

This set was featured in Gorham's 1929 catalogue under the heading, "Sterling Splendor: Eminently Indispensible Silver Necessities of the Luxurious Modern Home." The set was the most expensive shaker offered by Gorham and cost the equivalent of a car or a small farm. Partly as a result of its sellling price, this set is one of the rarest cocktail shakers ever made. Gorham produced silver in the Art Deco and modernist style for only a short period (1926-29) under the guidance of famed silversmith Erik Magnussen worked there. Though it has been attributed to Magnussen (Visakay), it was probably not one of his designs since none of the very few examples are signed by the designer.

Origin: America, 1928. Condition: excellent; shaker has no dings, deep scratches or monograms; two of the glasses have a small flat ding on the edge of the weighted base. Size: shaker, 12" tall; glasses, 5-1/8" tall. Weight: 2,064 grams.

A terrific set of 12 Art Deco silverplated knife rests. The design on the ends combines severely linear elements with bas-relief details—the ultimate in Art Deco styling. Each “porte-couteau” is marked with unidentified French hallmarks.

Origin: France, ca. 1920. Condition: excellent. Size: 3-1/8” long.

Beautiful cranberry-cut-to-clear glass decanter. The generously-sized bottle has terrific color and very nice quality cutting of hobstars, strawberry diamond, and notched prism motifs. The stopper has a blown teardrop and is cut in a matching pattern. The bottom is cut with a full hobstar. The neck and stopper are engraved with matching numbers (signifying that this is the original stopper). The bottom is signed in script.

Origin: Belgium, ca. 1930. Condition: mint. Size: 16" tall.

Astounding set of 12 Art Deco sterling silver swizzle sticks with star-shaped ivory finials by Jean Puiforcat, one of France’s most important silversmiths. The silver is beautifully gilt to accent the natural color of the ivory. The swizzle sticks are presented in their original red felt-lined fitted box marked “Puiforcat Orfèvre Paris”. Puiforcat is extremely high-end and articles that bear the Puiforcat mark are always of the absolute finest quality and rarity.

Origin: France, ca. 1935. Condition: excellent, all original. Size: 4-5/16” long; ivory stars, 1-1/16” diameter. Weight: 130.5 grams.

PLEASE NOTE: This item cannot be shipped outside the United States.

Sterling silver pastry server in Georg Jensen’s 1927 “Viking” pattern (also called “Nordisk”). This is one of the rarest Jensen patterns, and was designed by the master himself. It is beautifully crafted of the heaviest silver and combines traditional Scandinavian motifs with an Art Deco sensibility. The reverse is stamped with the hallmark used until 1930. This pattern has been out of production for many years, and is extremely hard to find.

Origin: Denmark, 1927-30. Condition: excellent, sharp detail. Size: 7-1/2” long. Weight: 70.5 grams.

A set of six sterling silver coffee spoons by Asprey & Co. Each spoon has a brownish-black bakelite “coffee bean”—a decorative device popular in England during the Art Deco period. Each spoon is fully hallmarked for Asprey, 1931. The spoons are presented in their original silk- and velvet-lined fitted box, the lid of which is imprinted “Asprey/166 Bond St/London”.

Origin: England, 1931. Condition: excellent, all original, no monograms. Size: 3-7/8” long. Weight: 43.0 grams.

Pretty sterling silver sardine fork in Manchester's 1951 "Amaryllis" pattern. The design is somewhat similar to Chantilly, and has a very Victorian feel. The fork could be used for sardines, as well as for a variety of hors d'oeuvres. The back of the handle is stamped with Manchester's hallmark.

Origin: America, ca. 1951. Condition: excellent, no monogram. Size: 5-1/2" long. Weight: 23.5 grams.

Lovely pair of porcelain compotes in the "Dresden Garland" pattern by Schumann. The pierced rims are heavily decorated with colorful flowers and gilding. Each compote is centered with a floral bouquet surrounded by entwined gilt and floral garlands. The decorative motifs are echoed on the pedestals. The bottoms are marked by Schumann.

Origin: Germany, ca. 1920. Condition: mint. Size: 7-1/2" diameter; 4-5/8" tall.

Very fine pair of George VI sterling silver master salt dishes. The salts are raised on paw feet surmounted by lion masks. The everted rims are gadrooned. The salts retain the original cobalt blue glass liners. The salts are identical, but were made in different years by the same silversmith. One has the date mark for 1936 and the other for 1939. The only difference is that glass liner in one is a little thicker than the other.

Origin: London. Condition: excellent, all original, no dings or monograms. Size: 2-7/8" diameter; 1-1/2" tall. Weight: 202.0 grams (silver only).

Handsome pair of large cobalt glass oval open salt dishes in pierced sterling silver holders. The bottoms are hallmarked by Watrous.

Origin: America, ca. 1930. Condition: excellent. Size: 3-3/16" x 2-1/4" x 1-1/16" tall.

Very nice set of eight sterling silver cocktail picks with rooster finials brightly decorated in translucent basse-taille enamels. The engraved decoration underneath the enamel lends realistic feathery details to the roosters. The exposed areas of silver are gilt. The backs are marked "925S Norway Sterling."

Origin: Norway, ca 1950. Condition: excellent, no enamel damage. Size: 3-13/16" long. Weight: 29.5 grams.

Nice pair of vintage sterling silver candlelabra in a classic style. The double twisted-armed sockets unscrew so that they can be used as two single candlesticks, as well. The bases are marked "Empire Sterling Weighted".

Origin: America, circa 1950. Condition: excellent, all original, two sockets have a 1/16" ding on the lower sides, no monograms. Size: candlelabra, 9-3/8" tall, 8-1/2" wide; candlesticks, 6-1/2" tall.