Catalog (2475)

A handsome dress set comprising a pair of cufflinks and three shirt studs. The 14K yellow gold faces have geometric decoration and feature bead-set round brilliant-cut diamonds. The diamonds are estimated at SI2 clarity and J-K color. Those in the studs are approximately 1/4 carat each, and those in the cufflinks are approximately 1/8 carat each. The studs have a spring mechanism and the cufflinks have toggle backs. Each piece is marked “14K.”

Origin: America, ca. 1980. Condition: excellent, all original. Size: cufflinks, 5/8” x 17/32”; studs, 5/16” x 5/16”. Approximate Total Diamond Weight: 1.0 carat. Weight: 16.0 grams.

Fabulous Art Deco 18K yellow gold box, the lid decorated with opaque red and black champlevé enamels depicting a roulette wheel. A black enamel linear pattern and fan motifs at the corners complete the very Deco design. The can be used to hold either cash or mother of pearl gambling counters. For those who are curious, the case perfectly fits $2,500 in $100 bills folded in half. The superb workmanship shows, not only in the enameling, but in the solid construction techniques such as attaching the lid with a full piano hinge for extra security. The inner lip and thumbpiece are hallmarked with the “tete d’aigle” mark in a hexagonal reserve used on French enameled 18K gold. There is also an unidentified goldsmith’s mark.

Origin: France, ca. 1920. Condition: excellent, no monogram, no enamel damage, a pinpoint ding on the bottom side of the case. Size: 3-7/16” x 2-13/16” x 3/8”. Weight: 142.5 grams (4.582 troy ounces).

A fine pair of Victorian 18K yellow gold tassel earrings. The foxtail chains are suspended from bell-shaped surmounts with bands of engraved decoration and applied flowers worked in rose and green gold. Each foxtail chain ends in a small gold sphere. The earrings have an elegant look, without being too heavy for comfortable wear. The surmounts are marked with French “tete d’aigle” hallmarks for 18K gold.

Origin: France, ca. 1860. Condition: excellent, wires are replacements. Size: 1-3/8” long. Weight: 5.5 grams.

Superb Mikimoto brooch in the shape of a harp. The harp’s sounding board is set with a row of ten fine AA pearls graduating from 3.3 to 5.8 millimeters, and the strings are studded with round brilliant-cut diamonds. The neck and column, both worked in gold, are beautifully detailed. The pearls are of exceptional quality with light cream body color and rosé overtones. The luster is very bright and the pearls are well matched. The diamonds are SI1/2 clarity and G/H color. Mikimto figural brooches are very rare, and this example is nearly certainly a custom-made piece. The back is marked with Mikimoto’s hallmark and “750” for 18K gold. The brooch is accompanied by a March 2006 written appraisal from the Mikimoto specialist at Bailey, Banks & Biddle for $3,250.

Origin: Japan, ca. 1990. Condition: excellent, all original. Size: 2-1/32” x 1-5/32”. Weight: 11.8 grams. Approximate Total Diamond Weight: .12 carat.

A stunning pair of late Victorian earrings in 18K yellow gold with diamonds, coral and onyx. The coral bead surmounts are punctuated with small collet-set diamonds and suspend gold buttercup settings, the tips accented with black enamel and holding oval cushion-cut diamonds, further suspending an enameled gold belt pave-set with rose-cut diamonds and flanked by a trio of red coral teardrops topped with small onyx beads. Everything about these earrings is of the very best quality. The diamonds are bright and well-cut, the gold settings are inventive, and the coral has the wonderful reddish hue of coral from the Italian coast near Naples. The earrings have threaded posts. Tested and guaranteed 18K gold.

Origin: France, ca. 1900. Condition: excellent. Size: 2-1/4” long. Approximate Total Diamond Weight: .54 carat. Weight: 11.0 grams.

Classic pair of double-sided Edwardian cufflinks in 14K yellow gold. The octagonal faces are engraved with concentric circles and bordered with a notched border. The faces are joined by bar connectors. The backs are marked “14K”.

Origin: America, ca. 1900. Condition: excellent, all original. Size: 17/32” diameter. Weight: 5.0 grams.

A beautiful powder jar of colorless crystal cased in rose crystal, cameo cut and then etched. The delicate pattern of wild roses stands out in rose against the frosty etched background. The design is beautifully worked. The bottom has a large concaved polished pontil. Several examples of this coloring and technique, although in different floral patterns, appears in Curtis’ exhaustive book, “Baccarat”.

Origin: France, ca. 1900. Condition: excellent, no chips or cracks. Size: 3-5/16” diameter; 2-1/4” tall.

An elegant Retro Moderne 14K yellow gold brooch in a stylized bow form, the center set with a large emerald-cut citrine of medium honey color, and the loops sprinkled with round brilliant-cut rubies. Some Retro pieces can be overly heavy, but this pin has a pleasant lightness despite its large size. The gemstones are of fine quality. Tested and guaranteed 14K gold.

Origin: America, ca. 1940. Condition: excellent, all original. Size: 3” x 1”. Weight: 15.5 grams. Approximate Total Gemstone Weight: ruby, .5 carat; citrine, 10.4 carats.

A very handsome cut crystal decanter in a most striking shade of green. The decanter, cut with vertical prisms, is very heavy and of the finest quality. The style is very similar to Moser’s post-war designs, and may in fact be by Moser, although it is unsigned.

Origin: Europe, ca. 1950. Condition: excellent, no chips or cracks. Size: 9-3/4” tall.

A wonderfully naughty Art Nouveau 18K yellow gold ring depicting a couple engaged in mutual oral stimulation. Victorian and Edwardian erotic jewelry is extremely rare, having been made only for the daring few who were willing to wear such things in public. Like other pieces of erotica, the designer was charged with making the object look as innocent as possible, only revealing its true nature upon very careful and prolonged inspection. Upon first examination, this ring appears to be a typical sinuous floral Art Nouveau design. Looking closely however, the design reveals a man and woman amorously entwined. Even the back of the shank is decorated with a pair of somewhat cleverly concealed penises. The ring is marked with French hallmarks for 18K gold.

Origin: France, ca. 1910. Condition: excellent, very little wear. Size: 1/2" wide. Finger Size: 8-3/4. Weight: 7.5 grams.

A marvelous Georgian cross pendant worked entirely in seed pearls and centering an oval cut citrine in a 9K gold push-up setting. Seed pearl jewelry became popular during the last quarter of the 18th century and remained in fashion for about fifty years. The forms were cut from pieces of mother-of-pearl then drilled with tiny holes. Strands of horsehair, bleached to become white and translucent, were used to sew hundreds of tiny natural seed pearls to the form. The center citrine adds a bit a sparkle to what would otherwise be a very chaste piece. Some of the pearls in this piece are quite large for seed pearl jewelry. Although pearls are associated with purity, crosses are difficult to find in seed pearl jewelry. The 14K gold bale is recent.

Origin: England, ca. 1775. Condition: excellent, some glue reinforcement of the horsehair in places on the back. Size: 2” x 1-3/8”.

An absolutely stunning Art Deco cross pendant in 18K yellow gold accented with diamonds and sapphires. The body of the cross is worked in pierced yellow gold, centering a nearly 2/3-carat round old European cut diamond collet-set in platinum. The piercing lightens the appearance of the cross and creates the visual effect of rays emanating from the central diamond. Each of the four arms of the cross is bordered with caliber-cut natural blue sapphires of fine quality, and terminates in a band of round brilliant-cut diamonds bead-set in platinum. The corners of the junctions of the arms are ornamented with small diamonds collet-set in platinum and cabochon sapphires prong-set in gold. The overall design is very angular, heightening the strong Art Deco treatment of this most traditional of designs. The center diamond is estimated at G color, SI2 clarity, and the smaller diamonds are of similar quality. The sapphires have excellent color saturation and clarity. This is, without a doubt, the finest Art Deco cross we’ve seen. The cross is stamped with the French “tete d’aigle” for 18K gold and has an indistinct maker’s mark.

Origin: France, ca. 1925. Condition: excellent, all original. Size: 2” x 1-9/16” (excluding bale). Weight: 11.5 grams. Approximate Total Gemstone Weight: diamond, 2.5 carats; sapphire, 3.6 carats.

A very good 14K yellow gold brooch featuring an enameled four-leaf clover. The clover's petals are beautifully detailed with enamel decoration and are centered with a prong-set round brilliant cut diamond of very fine quality. The clover is surrounded by a chunky round gold border. The back retains the original pinstem and clasp, and is hallmarked by Krementz.

Origin: America, ca. 1930. Condition: excellent; no enamel damage; a tiny ding on the outer edge of the circle. Size: 1-11/16" diameter. Weight: 10.5 grams. Approximate Total Gemstone Weight: .08 carat.

A very good Victorian brooch worked in pietra-dura. The design depicts a colorful purple iris blossom with foliage and buds against a black background. The pieces of stone are very well-cut and fit tightly into the design. The back retains the original brass pinstem and c-clasp.

Origin: Italy, ca. 1880. Condition: excellent, all original. Size: 1-1/8 diameter.

A nice pair of Victorian double-sided 14K yellow gold dumbbell cufflinks set with oval cabochon almandine garnets. The stones have nice, rich red coloring that picks up on the slightly rosy tint of the gold. The cufflinks are marked “14K”.

Origin: America, ca. 1890. Condition: excellent, all original. Size: 7/16” x 5/16”. Weight: 4.5 grams. Approximate Total Gemstone Weight: 12.0 carats.

A pretty Victorian stick pin, the head in the form of an enameled pansy centering a 1-point old mine-cut diamond. The petals are detailed in shades of white, lavender and black. The coloring is applied in a way that makes the petals look ruffled. In the Victorian language of flowers, the pansy represented remembrance. Tested and guaranteed 14K.

Origin: America, ca. 1900. Condition: excellent, no enamel damage, there are some enamel imperfections at the edges of the petals that are original to the making. Size: head, 1/4" x 1/4"; overall length, 2-1/2”. Weight: 1.5 grams.

A handsome pair of vintage 14K yellow gold cufflinks in the loveknot form, the top of each knot collet-set in white gold with a round brilliant-cut diamond. The gold tubes that form the knots have squared-off edges that make the knots more interesting than other similar knot cufflinks. The diamonds are estimated at SI2 clarity and J/K color.

Origin: America, ca. 1955. Condition: excellent, all original. Size: 9/16” diameter. Weight: 6.5 grams. Approximate Total Diamond Weight: .23 carat.

A stunning Tiffany & Co. ring by Jean Schlumberger, one of the great jewelry designers of the 20th century. He was Tiffany’s lead designer in the 1960s and was charged with creating nearly all of the company’s most exclusive pieces. His designs typically relied on naturalistic motifs. Here, two leaves are worked in platinum and studded with round brilliant-cut diamonds. The stems of the leaves are worked in 18K yellow gold and meld into the double shank that continues the organic motif. The diamonds are of very fine quality, VS clarity, G color. Schlumberger created several pieces using this motif, including the “Three Leaves Earrings” (currently available from Tiffany at $13,500), the “Five Leaves Brooch” ($16,500), the “Three Leaves Sapphire Earclips” ($62,000). The “Two Leaves Ring” currently retails for $4,400.

Origin: America. Condition: excellent, all original. Finger Size: 6-1/2. Size: 5/8” wide. Weight: 9.0 grams. Approximate Total Diamond Weight: .51 carat.