Catalog (2433)

An elegant Art Nouveau glass vase decorated with enameled poppies. The blossoms are worked in shades of cream, yellow, rose and violet, while the foliage is stained a reddish-purple and highlighted with a complex, lacy pattern of gilding. The upper rim of the vase is decorated with a band of stained and gilt flowers, as well. The vase is blown in pillar form with an optic paneled design. The workmanship is very fine. Unsigned, but almost certainly the product of Mont Joye (also known as Verreries Saint-Denis or Legras).

Origin: France, ca. 1900. Condition: excellent, no cracks, no enamel or gilding wear, a 1/32" flake at the upper rim. Size: 8".

An interesting pair of Modernist free form tumbled spotted moss agate stones in sinuous 14K yellow gold cage settings with bean backs. The agates have interesting spotted markings in shades of gray and brown as well as surface-reaching matrix in a cream color. The settings are clearly hand-crafted and designed specifically for the stones. Tested and guaranteed 14K.

Dimensions: faces, 11/16” x 11/16”. Weight: 15.0 gr.

A fine Victorian shell cameo pendant/pin depicting Diana, goddess of the hunt, the moon and nature (Artemis in Green mythology). The setting is beautifully worked in the Etruscan taste with delicately formed bead, wire and rosette decoration. The carving makes nice use of the shell's coloring to add details to the goddess' gown. She holds three of her attributes—a bow, a quiver of arrows and a crescent moon tiara. Diana/Artemis, being a virgin goddess, was regarded as the protector of women, especially during childbirth. The cameo is indistinctly signed by the artist. The back retains the original pinstem and pendant hook. The clasp is a slightly later replacement in 10K. The pinstem is stamped for 12K gold and the setting is tested and guaranteed 12K.

• England, circa 1865
• Excellent condition; clasp replaced; no cracks to shell
• 2-5/32" x 1-3/4"
• 14.25 grams

Gorgeous pendant comprised of a 14 karat yellow gold sunburst, with white gold accents, centered by a .89 carat round brilliant-cut blue sapphire of dark, vividly saturated, very slightly greenish-blue color. The stone exhibits notable green and blue pleochroism is likely Australian in origin. The chain in the photo is not included. The clasp is marked "14K".

• America, circa 1930
• Excellent condition, all original
• 1-5/16" diameter
• 9.0 grams
• Approximate Gemstone Weight: .89 carat

A delightful 14K gold frog with emerald eyes sits atop a simple band in this witty stickpin conversion ring. The gold is beautifully stippled for a realistic appearance that sets off the bright green eyes. Frogs in Victorian jewelry often symbolized fertility. Tested and guaranteed 14K.

• America, ca 1900.
Excellent condition, sharp detail.
• Dimensions: frog, 1/2" x 3/8".
• Size 6 1/4.
• Weight: 2.2 grams.

A tiny enameled violet and a free-hanging baroque freshwater pearl enhance the dainty 10K gold pendant, complete with a curb link chain. Violets were used to represent the sentiments of love and faithfulness in the Victorian era. The pearl has nice luster that contrasts prettily with the colors of the enamel. The chain is marked 10K, and the pendant is tested 10K.

• Origin: America, ca. 1900.
• Condition: excellent; all original.
• Dimensions: pendant, 1-1/4" x 9/16"; overall necklace length, 16".
• Weight: 3.3 grams.

Gorgeous Qing Dynasty Chinese export porcelain vase with Rose Medallion enameled decoration. The body has a beautiful white color and intricate painted decoration of peonies, quince fruit, waterlilies, butterflies and birds. The foot, rim and shoulder are decorated with enameled flowers against a gilt background. The shoulder border is punctuated with reserves framing peony blossoms.

Origin: China, circa 1850.

Condition: excellent, no chips or cracks, normal wear to gilding, a tiny bit of wear to some of the enamels.

Size: 10" tall; 4" wide at shoulder; 3-1/8" wide at mouth.

A classic second standard (800/1000 pure) silver tastevin from the Loire Valley of France. The origins of tastevins can often be identified by the tastevin’s shape. In this case, the bowl is rather shallow and completely without decoration. The handle is formed in the shape of a thin, curvy snake, but is worked without extra decoration such as scales or details to the head. This example is rather early, as is evidenced by signs of hand hammering and the small lathe mark in the middle of the bowl. The bottom is stamped with the original owner’s name, P. Roux. These classic tastevins from the Loire Valley are charming for their simplicity. Stamped with French silver marks and an unidentified maker's mark.

• Origin: Loire Valley, France, ca. 1840
• Condition: excellent
• Dimensions: 2-7/8” diameter (excluding handle)
• Weight: 29.9 grams

Two classical satyr masks peer out from the sides of this Art Nouveau watch fob pendant. Each snarling face is surrounded by whiplash curls of gold that rise to the top of the fob. The bottom surface is engraved with a period “JEM” monogram. The gold surface has soft matte bloomed texture characteristic of the period. The jump ring is original. Stamped “10K.”

• Origin: America, ca 1890
• Condition: excellent, all original
• Dimensions: 7/8” x 5/8” x 1-1/2”
• Weight: 3.9 grams

A wonderful Victorian equestrian pin in the form of a horseshoe nail enhanced with a cluster of small natural pearls, sapphires, and rubies. Nails were a popular motif in Victorian jewelry, and the red, white, and blue color scheme had momentary popularity around the time of the American centennial in 1876. This piece is a pin, but can easily be worn as a pendant suspended from a chain without alteration. Tested and guaranteed 14K.

• Origin: America, ca 1876
• Condition: excellent
• Dimensions: 2-1/8” long
• Weight: 5.6 grams

A lovely set of six sterling silver and plique-a-jour enamel cocktail picks by acclaimed Norwegian silversmith and enamelist Johan G. Kjaerland. Kjaerland worked in Bergen, Norway, and was particuarly well-known for his excellent plique-a-jour enamels. This is the first set of cocktail picks we've seen in plique-a-jour. Each is hallmarked appropriately.

• Origin: Norway, ca. 1900
• Condition: excellent, no enamel damage, gilding intact
• Dimensions: 3-11/16" long
• Weight: 16.7 grams

A lovely Art Nouveau enameled 14K gold wreath pin by Krementz. The leafy wreath, worked in shaded green enamels is studded with tiny gold berries, four seed pearls and four small old European cut diamonds. The sparkle of the diamonds against the colored enamel is very nice. The back retains the original pinstem and c-clasp, marked with Krementz’ hallmark.

Origin: America, ca. 1900.

Size: 7/8” diameter.

Approximate Total Gemstone Weight: .06 carat.

A fun vintage 14K yellow gold tie bar by Richardson & Co. in the form of a baseball bat. Figural tie bars, often doubling as money clips, were popular from the 1930s to the 50s. They were often sporting themes, such as skis, golf clubs, and fishing rods, but this is the first baseball bat we’ve seen. The back is stamped “14K” and also has Richardson’s hallmark.

• Origin: America, ca. 1940
• Condition: excellent
• Dimensions: 2-5/8” long
• Weight: 4.8 grams

A lovely silver and gold necklace with pendant in the shape of two conjoined hearts, one with the word “Mizpah” and the other with the verse “The Lord watch between thee and me when we are absent one from another.” “Mizpah” stems from the Hebrew word for “watchtower,” and was used in jewelry to symbolize protection for loved ones during an extended absence. In an era of months-long travel and extended warfare, the Mizpah became a tangible reminder of being loved and protected from afar. The hears are further adorned with appliqued gold flowers and foliage. “Mizpah” is most frequently seen alone, without any verse or other sentimental decoration. Originally a brooch, the hearts now hang from an old silver chain. The reverse bears hallmarks for Chester, England and an unidentified maker’s mark “SB.”

• Origin: England, ca 1890 (the date mark is partially obscured, but appears to be 1891
• Condition: good, converted from a brooch, some dings on the heart engraved with the verse
• Dimensions: pendant, 7/8” x 1-3/8”; necklace length, 19-3/8”
• Weight: 9.6 grams

An elegant boxed set of gilt sterling silver demitasse spoons with fox head finials. Each spoon is stamped with the hallmark for William Suckling. Each is also stamped “Swaine & Adeney,” one of London’s most exclusive luxury goods shops for more than 270 years. The spoons are presented in their original velvet- and silk-lined fitted case. An extra spoon, apparently from a second box, is included.

• Origin: Birmingham, England, 1938
• Condition: excellent, gilding intact; box shows typical wear
• Dimensions: spoons, 3-13/16” long
• Weight: 84.3 grams.

A beautiful Art Deco cobalt blue overlap cut crystal perfume bottle in “Design 7623” by Cristalleries de Nancy. The bottle is cut alternately with clear pillars accented with stars at either end and blue pillars accented with printies rising to a step-cut shoulders and panel-cut neck. The hollow-blown stopper is cut to match with a large star cut at the apex. The base is stamped with the acid signature “Cristal Nancy France.” Cobalt blue is probably the rarest color in this particular pattern. The pattern was likely designed by the company’s artistic director, August Houillon. Cristalleries de Nancy was established in 1921 and after winning the gold medal at the 1925 Art Deco Exhibition in Paris, it became the primary challenger to Daum during the Art Deco period. Luxury perfume bottles and dresser accessories were the company’s specialty until it closed in 1934.

• Origin: France, 1921-34
• Condition: excellent, no chips
• Dimensions: 2-1/4” x 2-1/4” x 6-1/4

An interesting pair of vintage 14K yellow and white gold cufflinks, the faces set with rectangular dark blue sapphires. The toggle connectors are hinged for comfortable wear. The cufflinks are marked by "14K" and "585".

Origin: America, ca. 1950. Condition: excellent. Dimensions: 3/4" x 3/4". Weight: 11.7 gr. Approximate Total Sapphire Weight: .50 ct.

Lovely Edo period porcelain plate with underglaze blue decoration of a shoreline with an outcropping of pine trees on a cliff, a flock of birds, a small village of huts, and three mountain peaks; the edge decorated with blossoms against a dark blue background. The reverse is conservatively decorated with simple brush strokes. The body is very white and of fine quality, the glaze is equally fine, slightly tinted and with a smoth orange peel texture. The sides of the plate are slightly ridged to create a lobed effect.

Origin: Japan, late 18th/early 19th century. Condition: virtually mint, the very slightest of knife scratching to the glaze surface. Size: 9" diameter; 1.25" high.