Catalog: Estate Jewelry: Gold (1010)

A lovely 18K yellow gold, diamond, and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. His designs changed over time and this piece is a classic example from the 1960s. The heart-shaped medallion is surrounded by a border of smaller hearts alternating with prong-set synthetic rubies. The front is signed A.A. and the pendant is stamped with French 18K marks.

• Origin: France, ca. 1965
• Condition: very good
• Dimensions: 7/8” x 7/8” (excluding bail and jump ring)
• Weight: 4.7 grams

An elegant square locket worked in 14K yellow gold. The locket is simply decorated with an engraved laurel leaf border. The cover is set with four rubies surrounding a demantoid garnet. The bail is placed at a corner, so the locket hangs in a diamond shape. The interior retains the original frame insert. Tested and guaranteed 14K.

• Origin: America, ca 1910
• Condition: very good, a few pinpoint dings to back cover, never monogrammed
• Dimensions: 1” corner to corner
• Approximate Total Gemstone Weight: ruby, .14 carat; demantoid, .08 carat
• Weight: 4.1 grams

A colorful 18K gold and gemstone ring from the “Rainbow Collection” by H Stern. Created in the 1980’s, the collection was intended to show off the variety of colored gemstones available from Stern’s Brazilian mines and also the artistry of the company’s designers in the subtly graduated colors that reproduce the colors of the rainbow spectrum. The selection includes garnet, amethyst, citrine, peridot, and blue topaz. The interior of the shank is marked “750” for 18K and bears Stern’s hallmark. One side of the shank is engraved with a star centering a small diamond, also a Stern branding.

• Origin: Brazil, ca 1985.
• Dimensions: 7/32" wide at front, tapering to 5/32” at the back.
• Finger Size: 7 1/2.
• Weight: 4.7 grams
• Approximate Total Gemstone Weight:2.14 carats.
• Condition: excellent; all original.

A gorgeous enameled pansy, worked in several shades of purple and lavender is featured in this ring converted from a Victorian earring. The enamel has a soft velvety appearance and is accented at the center with a small pearl. The pansy is set on a sturdy 14K gold split shank. Pansies are generally associated with remembrance, but in Victorian flower symbology, they also carried the sentiment, "Think of me." So whether you're in love or just feeling nostalgic, this ring is perfect!

Origin: America, ca. 1900.

Condition: converted; no enamel damage; excellent condition.

Dimensions: crown, 3/4" x 11/16".

Finger Size: 7 1/4.

An outstanding Venetian Etruscan Revival 18K yellow gold fob charm in the form of a crown. The bottom of the charm is set with a 9-carat oval brilliant amethyst of nice color. The sides of the charm are set with small round glass gemstones imitating small amethysts. The upper scrolls of the crown enclose a round cultured pearl. The gold surfaces are heavily decorated with rosettes and wirework. Tested and guaranteed 18K.

Origin: Italy, ca. 1960. Condition: excellent. Size: 1” x 1-1/4” x 1-3/8”. Weight: 15.7 grams. Approximate Gemstone Weight: 9.04 cts.

A lovely antique 14K yellow gold floral wide band depicting twining branches of roses, each set with a ruby at the center of the petals. The flowers are separated by round brilliant cut diamonds. The band is finished with scalloped edges. The diamonds range from SI1 to I1 with G color. As is typical of the wartime period, the gold has generous weight and the rubies are synthetic. The interior is stamped with “14K” and with an unidentified American maker’s mark.

• Origin: America, ca 1945
• Condition: very good, typical surface wear to rubies
• Finger Size: 6
• Dimensions: 3/8” wide
• Weight: 6.2 grams
• Approximate Total Gemstone Weight: ruby, .5 carat; diamond, .18 carat

A delightful pair of Art Nouveau daisy stud earrings, the petals formed from Mississippi River pearls arranged around a textured gold disc representing the flower's seed head. The freshwater pearls have attractive luster that contrasts nicely with the brightness of the gold. Tested and guaranteed 14K. These earrings would look particularly nice worn with a very similar pearl daisy pendant (Item #1402839) in our collection.

• Origin: America, ca 1900
• Condition: exellent; converted from the original screwbacks
• Dimensions: 1/2" diameter
• Weight: 2.2 grams

A fine 18K yellow gold Sputnik charm or pendant by H Stern. The sphere is bezel-set with 21 round citrines, amethysts, pink and green tourmalines, aquamarines, and garnets. This design was created in the 1950’s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It came to be called “Sputnik” because of its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance depending on the particular selection and placement of the stones. This example is a little darker than most examples, with lots of deeply saturated greens and golds. The sputnik design was made in rings, earrings, pendants, bracelets, brooches and charms. Charms are among the less common forms, and this example is large enough to be worn as a pendant. Tested and guaranteed 18K.

Origin: Brazil, ca. 1955. Condition: very good, a 1/8” ding on one side between the gemstones. Dimensions: 1” diameter. Weight: 5.0 gr. Approximate Total Gemstone Weight: 6.34 cts.

For anniversary or wedding jewelry, there’s nothing more romantic than Alphonse Augis’ love token jewelry. Usually, they are round medallions, but this exceptionally rare piece is in the form of a love letter using a rebus to spell out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow,” a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand, author of “Cyrano de Bergerac” in 1889. The word “plus” is symbolized by a plus sign and the word “moins” by a minus sign set with a synthetic ruby. Augis created the love token in 1907, and this is the only example we’ve seen in a love letter form. The pendant is stamped with Augis’ maker’s mark and with French 18K gold marks.

• Origin: France, ca 1930
• Condition: excellent
• Dimensions: 11/16” x 25/32” (excluding bail)
• Weight: 2.3 grams

Victorian 15K gold garnet lover's knot hair locket. The locket features an unusually bright large garnet cabochon surrounded by a gold frame in a rope twist motif tied with a lover's knot to form the bail. The reverse features a small rock-crystal compartment containing woven hair. Hair lockets could either be love tokens or mourning jewelry or sentimental jewelry. The lover's knot does little to clarify which is the case for this particular piece, though the absence of an engraved date on the reverse suggests that it might have been a love token. Tested and guaranteed 15K.

• England, circa 1835.
• 1" x 5/8"
• Weight: 6.9 grams
• Approximate Total Gemstone Weight: 15.33 carat

An 18K yellow gold Sputnik charm or pendant by H Stern. The sphere is bezel-set with round amethysts, citrines, aquamarines, garnets, and green tourmalines. The Sputnik design was created in the 1950s to showcase the variety of colored gemstones available from Stern’s Brazilian mines. It later came to be called “Sputnik” for its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a different appearance depending on the specific colors of the stones and their arrangement. This pendant has soft, mostly darker tones. Since it’s a complete sphere, this piece is technically a charm, but can be worn as a pendant. Charms are among the most difficult Sputnik forms to find. Marked 18K.

• Origin: Brazil, ca. 1955
• Condition: very good; one green tourmaline has a surface chip
• Dimensions: 7/8” diameter
• Weight: 5.0 grams
• Approximate Total Gemstone Weight: 4.96 carats

An outstanding Egyptian Revival 20K gold pendant necklace in the form of a uraeus, representing the Eye of Ra, set with a coral and turquoise cabochons and coral beads. The wings are highlighted with ropetwist and milgrained details. A pair of cobras flank the coral cabochon. The Eye of Ra personified the goddess Wadjet, who watched over childbirth and served as the protector of children. This piece was originally a brooch, but with the addition of an 14K gold chain, is now an elegant, colorful necklace. The wings are tested and guaranteed 20K, and the chain is marked 14K.

• Origin: America, ca. 1925.
• Dimensions: wings, 1 3/8" x 1 3/8; overall length, 19 1/4".
• Weight: 5.1 grams.
• Condition: very good, a small area of porosity on the head of the cobra to the right visible with a loupe.

The wonderful gold medal won by James Ephraim Narraway at the 1929 tournament of the Correspondence Chess League of America (CCLA). The medal features a black and white enameled chessboard surrounded by a laurel wreath and surmounted by a crown. The back is engraved “C.C.L.A. 1929 Leaderhip ‘A’ 1st Prize Won By J. E Narraway.” The medal was likely originally attached to a neck ribbon, but would be really nice worn today as a pendant or on a chunky charm bracelet. Tested and guaranteed 10K gold.
Narraway was a three-time Canadian champion and a North American champion. In correspondence chess, each player mailed his next move to his opponent via mail. The first known game of correspondence chess was played between the Byzantine Emperor Nikephoros I and the Calip of Baghdad, Harun al-Rashi in the late 9th century. Even with the advent of postal service, a game organized by Narraway in 1891 lasted for more than three years. Though he lived to age 90, the 1929 game in 1929 was to be Narraway’s last gold medal win, at the age of 72.

• Origin: America, 1929

Condition: excellent, no enamel damage

Dimensions: 1-1/4” diameter (excluding bail and jump ring)

Weight: 16.4 grams.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with rose cut diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, in a streamlined modern style with a hidden bail, is in one of the rarest versions. Fully marked with 18K gold marks, and Augis’ signature and maker’s mark.

Origin: France, ca. 1970. Condition: excellent; the marks on the bottom edge of the pendant in the second photo are lighting reflections only. Dimensions: 3/4” x 3/4”. Weight: 3.8 gr. Approximate Total Gemstone Weight: diamond, .01 ct; ruby, .07 ct.

A very finely-made Victorian memorial ring worked in 18K yellow gold and plaited hair. The ring is designed as belt, ornately decorated with open navette- and trefoil-shaped reserves, each showing the loved one’s hair. The gold surfaces are nicely engraved, and the whole is finished off with an ornate buckle centered with a escutcheon engraved with the initials “MW”. In Victorian symbology, the belt represented not only eternal love, but also strength and protection. A ring such as this, tightly surrounding the finger, would be an ever-present reminder. Buckle rings, even those with hair panels, were not always for mourning, but rather sentimental pieces. Since the band is not engraved with a name or death date in the interior, it’s quite likely that this ring was intended as a romantic symbol. The interior of the band is stamped with 18K gold marks for Chester in the year 1883. Rings of this type are much more common in lower purity gold such as 9K or 12K.

• Origin: Chester, England, 1883.
• Dimensions: band, 8/32” wide; buckle, 10/32” wide.
• Finger Size: 9-1/2.
• Weight: 3.1 grams.
• Condition: excellent; sharp detail; hair is perfect.

A nice 18K rose gold Sputnik ring by H Stern in a desirable smaller size. The dome is bezel-set with nineteen round citrines, amethysts, pink and green tourmalines, garnets and aquamarines. This design was created in the 1950s to highlight the range of colored gemstones available from Stern's Brazilian mines. Each piece has a unique appearance depending on the particular selection and placement of the stones. The gems in this ring have nice contrast between the paler aquamarines and the darker garnets and amethysts. Sputnik rings can be quite large, but this one is small enough for a delicate hand or to be worn on a pinky finger. Tested and guaranteed 18K. Origin: Brazil, ca. 1955. Condition: excellent, all original. Dimensions: dome, 5/8" diameter. Finger Size: 6-1/2. Weight: 3.2 gr. Approximate Total Gemstone Weight: 1.46 cts.

A large friendship token pendant or charm featuring a hand holding a gem-set bouquet. The design is presented against a stippled background outlined with an engraved border. The bouquet is set with a cabochon ruby, an emerald cut emerald and a brilliant cut sapphire. Jewelry featuring a hand and flower motif were usually given as tokens of affection or friendship in the Victorian era. The back is stamped “18K.”

• America, ca. 1900
• Excellent condition
• Dimensions: 1-1/8” diameter
• Approximate Total Gemstone Weight: ruby, .08 carat; emerald, .05 carat; sapphire, .05 carat.
• Weight: 7.8 grams.

A heavy 18K yellow gold lantern-shaped fob charm decorated with ornate beading and twisted wirework in the Victorian Etruscan Revival style. The fob is further enhanced with vermicelli stippled engraving on the upper shoulders—an unusual treatment. The sides are set with navette-shaped carnelian cabochons in scalloped collet settings. The carnelians have nice caramel coloring and good translucency. Tested and guaranteed 18K.

Origin: Italy, ca. 1960. Condition: excellent. Size: 1-1/2” long (excluding jump ring). Weight: 10.9 grams.