Catalog (2433)

A very fine 14K gold stickpin in the form of a horse's head by Sloan & Co. They eye is set with a small ruby cabochon. The horse is entirely three-dimensional, worked with as much detail on the back as the front. The stick pin can easily be converted to a pendant or ring. The base of the neck is stamped with Sloan's 14K gold mark.

• Origin: America, ca. 1900.
• Dimensions: head, 7/8" 5/8"; overall length, 2 15/16".
• Weight: 3.1 grams.
• Condition: excellent.

A striking 14K yellow gold ring, the medallion depicting a yachting scene in engine-turned engraving of extraordinary quality. The scene depicts a yacht in the foreground with a more distant boat in the background. The design is completed with waves, seagulls and a lighthouse atop a rocky cliff. Originally an Edwardian blazer button, our jeweler added a 14K gold shank to make a wonderful seafaring ring. The back is stamped "14K" and has an unidetified American maker's mark.

• America, ca. 1910.
• Excellent condition, sharp detail.
• Dimensions: crown, 5/8" diameter.
• Finger Size: 6-1/4.
• Weight: 4.3 grams.

A fabulous Art Nouveau 14K gold ring set with a round brilliant cut peridot flanked by seed pearls. The gem is set in a distinctly Gothic revival quatrefoil design. The gold surfaces are hand-finished and have a matte surface typical of Art Nouveau jewels. The peridot has excellent color and clarity that contrasts beautifully with the bright white pearls. Converted from a stickpin, the piece is now a gorgeous ring. The crown retains the original maker's mark for Shanley Jewelry Company, of the leading Art Nouveau jewelers in the U.S.

• America, ca. 1920.
• Condition: excellent; converted from a stickpin.
• Dimensions: crown, 5/8" x 5/8".
• Finger Size: 6-1/4.
• Weight: 2.6 grams.
• Approximate Total Peridot Weight: 1.61 carats.

A delightful set of six sterling silver Art Deco cocktail picks with finials in the form of the Devil. The little naked figure grasps a flaming torch in one upraised hand and his tail is replaced by the business end of the cocktail pick. No doubt, the picks were intended to remind one, rather tongue in cheek, of the sin of drinking! Each pick is fully hallmarked for Barker Brothers Silver Ltd. The picks are presented in their original velvet- and silk-lined fitted case.

• Origin: Birmingham, England, 1929.
• Condition: picks are excellent; box is very good with minor discoloration to the velvet lining.
• Dimensions: picks, 3-17/32” long.
• Weight: 26.8 grams.

A lovely pair of French Victorian 18K gold earrings set with sapphires and rose cut diamonds. Each earring features a prong-set blue sapphire surrounded by a cluster of ten rose cut diamonds, bead-set in an engraved background. The backs are finished with a hand-pierced gallery. The sapphires and diamonds have particularly good color and clarity for the period. This style of earrings was popular in the 1850's when popular hairstyles that covered the ears rendered large earrings irrelevant. Smaller earrings, "dormeuses" ("sleepers") were worn to keep the piercings open while awaiting the inevitable return of grander styles. Stamped with French 18K marks.

• Origin: France, ca. 1855.
• Condition: very good, all original, a minor repair to one earwire.
• Dimensions: 3/8" x 9/16" (from top of earwire).
• Weight: 2.4 grams.
• Approximate Total Gemstone Weight: sapphire, .38 carat; diamond, .10 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example maintains the “crêpe de chine” textured background, but pairs it with the simple beveled border used in the 1950s. The use of a rose cut diamond and the A-Augis signature suggest the earlier part of that period. The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1950.
• Condition: excellent; sharp detail.
• Dimensions: 13/16” diameter (excluding bail and jump ring).
• Weight: 3.5 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .06 carat.

An elegant Art Deco panel-cut crystal perfume bottle in the "Frise Verte" pattern by Baccarat. The sides are cut in an austere panel design adorned at the shoulder with a band of cameo etched floral decoration in green. The geometric cameo pattern contrasts handsomely with simplicity of the panel cutting. The bottle's lip is also overlaid in green. The bottom is cut with a 24-ray star and the stopper is lapidary cut. The pattern appears in Baccarat's 1916 catalogue.

• Origin: France, ca. 1916.
• Dimensions: 6 1/4" tall.
• Condition: excellent; no chips or cracks.

A wonderful Victorian 14K gold comet pin worked in the Etruscan Revival style. The pin is decorated with ornate granulated rosettes and ropetwist motifs surrounding a single square Persian turquoise cabochon set at the comet's nucleus. The gold surfaces are bloomed for a soft sheen. Tested and guaranteed 14K.The pin was likely produced to commemorate the appearance of Halley's Comet in 1835.

• Origin: America, ca. 1835.
• Dimensions: 2 1/8" long.
• Weight: 4.4 grams.
• Condition: excellent, all original, no dings or missing decorative elements.

A nice quality and heavy 18K gold watch key enhanced with black enamel and seed pearls suspending a pair of foxtail chain tassels and a dog clip clasp. This was originally the cross bar and fob attachments for a Victorian watch chain. With the entire assembly attached to a necklace using the existing jump ring, the key and and tassels would make stunning "charms" and another charm of your choice could be attached to the dog clip. This last charm could be changed up depending on your mood! Stamped with French 18K gold marks.

• Origin: France, ca. 1890
• Dimensions: watch key, 1 1/2" long; longer tassel, 1 11/16"
• Weight: 7.9 grams.
• Condition: excellent.

A lovely set of six sterling silver demitasse spoons in the “Wild Rose” variant of the “Vine” pattern. The bowls are in the elongated shape often seen in Tiffany demitasse spoons and are enhanced with soft matte gilding. Each is stamped with the Tiffany hallmark used 1873-1891. The spoons are accompanied by a Tiffany felt bag of more recent vintage.

The “Vine” pattern was created by Tiffany’s chief designer, Edward C. Moore, in 1872. The design included a variety of floral and vegetable elements including wild roses, tomatoes, gourds, irises, and wheat sheaves. Though pieces had different motifs, they were intended to be used together as a reference to the Japanese decorative concept of mismatching that became popular in Europe and America after Japan was opened to international trade in the 1850s. Few pieces in the pattern were made after the mid-1880s.

• Origin: America, ca 1880
• Condition: excellent, original gilding intact, sharp detail
• Dimensions: 4” long
• Weight: 63.9 grams

A lovely conversion ring featuring a a guilloche enamel plaque centered with a blue sapphire cabochon. The pale blue translucent enamel is accented with engine-turned engraving and is surrounded by a border of opaque white enamel with gold accents. The ring was created from an Edwardian stickpin with the addition of a 14K gold shank (the front is 18K).

• Origin: France, ca 1910
• Condition: excellent; no enamel damage
• Dimensions: crown, 1/2" diameter
• Finger Size: 6-3/4
• Approximate Sapphire Weight: .13 ct
• Weight: 2.3 grams

A lovely Art Nouveau 14K yellow gold honeymoon pin in the form of a crescent moon decorated with blue and white enamel forget-me-nots surrounding an enameled pansy set with a .025-ct round brilliant diamond. The pansy is the more uncommon type where the petals have elegantly-chased decoration. In Victorian flower language, both the pansy and the forget-me-not symbolized “think of me.” When flowers and crescents were used together, the symbolism was “honeymoon,” and these were popular gifts given to new brides by either their grooms or close family.

• Origin: America, ca. 1900
• Condition: excellent, no enamel damange
• Dimensions: 7/8” x 11/16”
• Weight: 2.8 grams
• Approximate Total Diamond Weight: .025 carat

Very nice Chinese export porcelain tea pot in Canton decoration. The slightly tapered drum-shaped body is decorated with typical Canton scenes of islands, bridges, boats, etc. and is accented with a raincloud border along the top edge. The lid, spout and handle are also decorated with typical motifs. The color is very nice with terrific clarity and depth. Likewise, the body is of nice color.

Origin: China, circa 1820. Condition: excellent, no chips or cracks. Size: 6-1/2” tall to top of finial; 8-1/8” wide from spout to handle.

A handsome pair of 18K yellow gold double-sided cufflinks from the era of Napoleon III. The navette-shaped faces are simply decorated with interlaced swirls. The faces are joined by chains. The cufflinks are stamped with French "tete de cheval" hallmarks for 18K.

Origin: France, ca. 1860. Condition: excellent, sharp detail. Size: 3/4" x 5/16". Weight: 6.0 gr.

A handsome pair of 18K white gold cufflinks, the faces set with octagonal mother-of-pearl plaques centered by small square blue sapphires. The mother-of-pearl surfaces are finely crosshatched to match the engraving of the gold at the corners. The faces are joined by chains. Marked "18Ct."

Origin: England, ca. 1930. Condition: excellent. Size: 7/16" x 7/16". Weight: 7.0 grams

A handsome pair of double-faced cufflinks set with turquoise in 14K yellow gold. The turquoise stones have fine color and nicely arranged matrix. The bar connectors are marked “14K” and have an unidentified maker’s mark “D”.

Origin: America, ca. 1910. Condition: excellent, all original. Dimensions: 5/8” x 3/8”. Weight: 8.3 gr.

A nice pair of 14K yellow gold and ruby cufflinks, the round faces accented with engraved lines and a stippled finish that suggests a quilted design. The intersections of the engraved lines are set with round brilliant-cut rubies. The backs are marked "14K". We have seen matching cufflinks, set with rubies or with sapphires, stamped with Tiffany's retailer mark, so it's likely they were made by one of the higher-level Newark jewelers.

Origin: America, ca. 1955. Condition: excellent. Dimensions: 5/8" diameter. Weight: 10.2 gr. Approximate Total Gemstone Weight: .14 ct.

An elegant second standard (800/1000 pure silver) French tastevin. Rather than the typical "perles" and fluted "godrons", the bowl of this tastevin is decorated with repousse grape leaves and berries in the 18th century style. This treatment is the classic Dijonais interpretation of the form. The handle is in the tradition form of two entwined snakes grasping an apple in their mouths, thought to remind drinkers of temptation and sin. The tastevin is fully hallmarked and has an unidentified maker's mark (EE with a plumb bob).

• France, ca. 1925
• Condition: excellent, sharp detail, a small porosity blemish (1/4") under the rim on one side
• Dimensions: 3-1/4" x 4-3/16" x 1"
• Weight: 55.7 grams