Catalog: Estate Jewelry (1615)

Silver gilt cufflinks encrusted with 2.2 carats of rose-cut pyrope garnets. The garnets have beautiful color, without being too flashy. The settings and overall workmanship is very nice. The toggle backs have Czech hallmarks for 900 silver.

Origin: Bohemia, Czech Republic, circa 1965. Condition: excellent. Size: 15/16” x 1/2”. Approximate Gemstone Weight: 2.2 carats. Weight: 11.25 grams.

A nice 18K yellow gold fob charm in the Etruscan Revival style. The triangular charm is decorated with applied rosettes along the shoulders, and the faces and bottom are enhanced with wirework. Each side is collet-set with an oval cut almandite garnet, and the bottom features a large oval cabochon aventurine quartz. The garnets have strong red coloring, and the aventurine quartz has nice sparkle (“aventurescence”) from the green mica inclusions. Tested and guaranteed 18K.

Origin: Italy, ca. 1960. Condition: excellent, all original. Size: 1-3/16” long. Weight: 6.9 grams. Approximate Total Gemstone Weight: almandite garnet, 1.82 cts; aventurine quartz, 4.25 cts.

An extremely rare and very important 18K yellow gold ring set with a white pearl and a black pearl designed by Jean Dinh Van for Pierre Cardin. The design features a squared shank with a flat open gallery enclosing the two 7.0mm pearls. The pearls are drilled and rotate freely on their axes. The pearls are of very nice quality with superb luster and natural color. The back of the shank is fully stamped with French 18K gold hallmarks and the interior is signed "Pierre Cardin".

Jean Dinh Van is one of the most important modernist French jewelers. He apprenticed at Cartier before starting his own studio in 1965. Dinh Van collaborated with most of the most avant-garde fashion designers of the era, including Pierre Cardin and Paco Rabanne. This design, created in late 1965 or early 1966, was Dinh Van's first independent commission and represented a major milestone in modern French jewelry. The simplicity and squared-off outline that eventually became his signature are already in clear evidence.

An example of the ring is included in France's permanent national jewelry collection housed at the Musee des Arts Decoratifs in Paris. It is also illustrated in "La Collection de Bijoux du Musee des Arts Decoratifs a Paris", "Jewelry & Metalwork in the Arts & Crafts Tradition", "European Designer Jewelry" and "Dictionnaire International Bijou".

Origin: France, ca. 1965. Condition: excellent, all original. Finger Size: 5. Dimensions: shank, 1/8" thick; 3/4" wide. Weight: 5.25 grams.

A large 18K gold, ruby & diamond love pendant (“medaille d’amour”) with a rebus spelling out “plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand author of “Cyrano,” in 1889. The word plus is represented by a plus sign set with a small rose cut diamond, while “moins” is represented by a minus sign set with small synthetic rubies. The medal is surrounded by a lacy Gothic-style gold border. Alphonse Augis began designing these love medallions in 1907, and the styles have changed over the years.

• Origin: France, ca. 1960.
• Dimensions: 1-3/8” diameter.
• Weight: 5.7 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .04 carat.

A fine modernist 18K yellow gold ring by Burle Marx set with an intricately carved amethyst in the “forma livre” (free form) style. Haroldo Burle Marx was particularly known for his use of large gemstones, often fashioned by carving or tumbling rather than faceting, a technique he invented in 1948. The color of the amethyst is deep purple and is nicely even throughout the stone. The gold surfaces are decorated with the fine florentined engraving typical of Marx’s pieces. The interior of the shank is signed “Burle Marx/750” and “Ind Bras/GB/791”.

Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create gifts for visiting heads of state and their wives, including Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark and Indian Prime Minister Indira Gandhi. He was also a favorite jeweler of Natalie Wood and Merle Oberon. One of his most important commissions was a gem-encrusted cross made for Pope John Paul II.

Origin: Brazil, ca. 1965. Condition: excellent, all original. Finger Size: 6-1/4. Dimensions: crown, 19 x 23 mm (3/4 x 29/32 in); shank tapers to 4 mm (5/32 in) at the back. Weight: 14.1 gr.

NOTE: We are also offering a matching pair of earrings (Item #1233381).

A fine pair of vintage 18K yellow gold earrings in the Venetian Etruscan style. Each earring features a 1.52 amethyst cabochon surrounded by smaller cabochons. The gold surfaces are enhanced with an intricate pattern of wire- and bead-work, and the edges are finished in a zigzag pattern. The earrings are marked with Italian hallmarks. The backs have omega clips, but posts could easily be added.

• Italy, ca. 1960
• Excellent condition
• 15/16" diameter
• 13.0 grams
• Approximate Total Gemstone Weight: 7.0 carats

A beautiful double-strand pearl and 18K yellow gold bracelet by Mikimoto. The bracelet comprises 48 pearls, graded as fine AA. The pearls are 6.5 to 7.00 mm. The color is medium cream with rose overtones. The luster is bright and the nacre is of medium thickness. The pearls are beautifully matched, as would be expected of Mikimoto. The strands are separated by two gold station spacers and are completed with an 18K yellow gold box clasp with repousse floral decoration and a 4.2 mm pearl. The clasp is fully hallmarked for 18K and is signed with Mikimoto’s oyster shell hallmark. The strand is accompanied by a 2010 independent NAJA appraisal confirming the above information and stating a replacement value of $4,650.

Origin: Japan. Condition: excellent, no pearl damage, secure stringing. Size: 7-1/4” long.

A handsome and heavy 14K yellow gold ring in a flattened chain link design similar to the classic Gucci “Cuban Link” design. The ring is substantial enough to be worn by a man, but the openness of the design and the split shank makes it equally attractive for a woman. The interior is stamped 14K.

Origin: America, ca. 1965. Condition: excellent. Dimensions: crown, 7/16” x 3/4". Finger Size: 8-3/4. Weight: 9.4 grams.

A classic pair of vintage 14K yellow gold cufflinks by Larter. The oval faces are collet-set with black onyx plaques inlaid with gold reserves decorated in a Florentine finish. The gold inlays are star-set with round brilliant cut diamonds of nice quality. The toggle backs are stamped with Larter’s hallmark and are also marked “14K”.

Origin: America, ca. 1960. Condition: excellent. Size: 3/4” x 9/16”. Weight: 12.5 grams. Approximate Total Diamond Weight: .1 ct.

A heavy pair of mid-century double-sided cufflinks, the faces woven from gold rope. The overall look is similar to the Parisian work of Georges Lenfant. The back faces are smaller for ease in putting them through the cuff. The faces are joined by figure-8 connectors stamped “14K.”

• Origin: America, ca. 1965
• Condition: excellent
• Dimensions: larger faces, 1/2” x 1/2" x 1/2”; smaller faces 3/8” x 3/8” x 3/8”
• Weight: 23.4 grams

A fine pair of modernist 18K yellow gold earclips by Burle Marx set with intricately carved amethysts in the “forma livre” (free form) style. Haroldo Burle Marx was particularly known for his use of large gemstones, often fashioned by carving or tumbling rather than faceting, a technique he invented in 1948. The color of the amethyst is deep purple and is nicely even throughout the stones. The gold surfaces are decorated with the fine florentined engraving typical of Marx’s pieces. The backs of the earrings are signed “Burle Marx/750” and “Ind Bras/GB/791”. The earrings have clip mechanisms, but posts could easily be added without disturbing the integrity of the earrings.

Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create gifts for visiting heads of state and their wives, including Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark and Indian Prime Minister Indira Gandhi. He was also a favorite jeweler of Natalie Wood and Merle Oberon. One of his most important commissions was a gem-encrusted cross made for Pope John Paul II.

Origin: Brazil, ca. 1965. Condition: excellent, all original.

NOTE: We are also offering a matching ring (Item #1233380).

A lovely 18K yellow gold, diamond, and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. His designs changed over time and this piece is a classic example from the 1960s. The heart-shaped medallion is surrounded by a border of smaller hearts alternating with prong-set synthetic rubies. The front is signed A.A. and the pendant is stamped with French 18K marks.

• Origin: France, ca. 1965
• Condition: very good
• Dimensions: 7/8” x 7/8” (excluding bail and jump ring)
• Weight: 4.7 grams

A wonderfully heavy vintage silver bracelet by Hermès. The bracelet has a triangular profile that stands well out from the surface of the wrist and a masterfully constructed so that it is flexible, but appears rigid when being worn. The inside edges of each link are parcel gilt, so the bracelet sometimes shows the slightest gold hue. This is probably the heaviest Hermès bracelet we have seen. The bracelet is presented in its original vintage fitted Hermès gray box. The bracelet is fully hallmarked with French first standard (950/1000 pure) silver marks and Hermès maker’s mark indicating it was made in the company’s own ateliers instead of being farmed out to other makers as was sometimes the case. The clasp is also signed “Hermès.”

• Origin: France, ca. 1960
• Condition: excellent
• Dimensions: 11/16” wide; 3/8” high; 8-1/4” long
• Weight: 148.0 grams.

A very fine and heavy vintage 14K yellow gold necklace by Tiffany & Co. The timeless braided design is enhanced by the gradual tapering of width from the center toward the clasp. The flat braided construction allows the necklace to life flat against the throat. This design has been reinvented several times over the years, and this piece likely dates from the 1960s. It is not currently available, but chains of similar weight are available from Tiffany in the $5,000 range. The clasp is marked “Tiffany & Co. 14K”.

Origin: America, ca. 1960. Condition: excellent, all original. Size: 16-1/4” long; 3/8” wide at center. Weight: 31.2 gr.

Elegant vintage 14K yellow gold brooch set with eight beautiful Mikimoto pearls. The pearls are, of course, of the very finest quality. They have bright white body color with silver overtones. The surfaces are very smooth and the nacre thick. The pearls range in size from 5 to 7.5 mm. The back of the pin is marked with Mikimoto’s hallmark and “K14”.

Origin: Japan, circa 1950s. Condition: excellent, all original. Size: 1-7/8” x 1-1/4”. Weight: 11.0 grams.

An elegant modernist long chain necklace worked in 18K yellow gold and featuring black onyx and green nephrite jade beads. The onyx beads are carved in a melon motif, while the jade beads are left smooth. The jade has even, lightly-mottled color and good translucency. At 33”, the necklace is long enough to be worn at full length or doubled. The combination of strong colors with the yellow gold is very chic. The clasp is marked by an unidentified maker “Ste F”.

Origin: France, ca. 1965-70. Condition: excellent, all original. Dimensions: onyx beads, 11.7mm diameter; nephrite beads, 8.1mm; overall length 33-1/4”. Weight: 43.6 gr.

An attractive pair of mid-20th century cufflinks in 800 silver, the square faces set with faceted plaques of synthetic green spinel in a dark olive green color. The rich color of the gemstones contrasts nicely with the silver borders. Solid bridges connect to the toggle backs enhanced with line engraving. The bridges are marked “800” and have an unidentified maker’s mark.

Origin: Continental Europe, ca. 1960. Condition: excellent. Dimensions: 11/16” x 11/16”. Weight: 13.8 grams.

An exquisite mid-century modern 18K gold and diamond necklace by André Vassort for the Parisian jeweler O. J. Perrin. The necklace comprises 47 butterfly-shaped graduated links, each separately hinged so they lie perfectly flat around the neck. The links are worked in the heavily textured style favored by Vassort. The center 21 links are each studded with a diamond so delicately set that it appears to float over its link. The diamonds are graded as E color and VVS1 clarity. The clasp is stamped with Vassort’s master’s mark and with French 18K gold marks. The necklace is presented in its original dark blue suede and moiré silk fitted box marked by the luxury jewelry house O. J. Perrin. Aside from Perrin, Vassort also created jewels for Van Cleef & Arpels, Mauboussin, Cartier, and Boucheron. He also designed privately for Hollywood celebrities. In 1969, Van Cleef asked him to design and create the coronation crown for Empress Farah of Iran.

• Origin: France, ca 1960
• Condition: excellent
• Dimensions: 17-1/2” long; 5/8” wide tapering to 3/8” at back
• Weight: 103.6 grams
• Approximate Total Diamond Weight: 1.75 carats

A very handsome pair of 18K yellow gold cufflinks, the square faces set with calibré cut blue sapphires in a raised frame. The sapphires have deep, saturated color that contrasts very nicely the surrounding gold. The surfaces are expertly engraved in what at first appears to be a basketweave pattern, but is in fact a complex plaid pattern. The cufflinks close with an unusual snap mechanism that requires the ends of the back baton face to be pressed in. Each cufflink is fully stamped with French 18K marks and with an unidentified master goldsmith mark.

Origin: France, ca. 1960. Condition: excellent, all original, sharp detail. Dimensions: 15 x 15mm (9/16 x 9/16 in). Weight: 16.3 gr. Approximate Total Gemstone Weight: 1.15 ct.

A very attractive 18K yellow gold ring set with an amethyst by the famed mid-century Brazilian designer Haroldo Burle Marx. Burle Marx is well-known for his free form designs, but his collaborations with his brother, the landscape architect Roberto Burle Marx, had a much more linear, abstract feel as in this piece. The amethyst at the center is of the very finest quality, with intensely purple color and excellent clarity. The gold is completed with the finely worked florentined finish typical of Burle Marx's work. The interior of the shank is fully signed.

Burle Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create state gifts for Queen Elizabeth, Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark, Prime Minister Indira Gandhi of India, and many others. In Hollywood circles, he was a favored jeweler to Merle Oberon and Natalie Wood.

• Brazil, ca 1970
• Excellent condition
• 1-1/16" wide at crown, tapering to 3/16" at the back of the shank
• Finger Size: 5-3/4
• 17.0 grams
• Approximate Gemstone Weight: 3.08 carats

A fine modernist 18K yellow gold ring by Burle Marx set with an intricately carved amethyst in the "forma livre" (free form) style. Haroldo Burle Marx was particularly known for his use of large gemstones, often fashioned by carving or tumbling rather than faceting, a technique he invented in 1948. The amethyst's deep purple color beautifully contrasts with the gold, which is worked with florentined engraving typical of Marx's pieces. Tested and guaranteed 18K. Marx did not always sign his pieces; this ring was either unsigned or the signature was removed when the ring was resized at the back of the shank.

Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create gifts for visiting heads of state and their wives, including Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark and Prime Minister Indira Gandhi of India. He was also a favorite jeweler of Natalie Wood and Merle Oberon. One of his most important commissions was a gem-encrusted cross for Pope John Paul II.

Origin: Brazil, ca. 1965. Condition: excellent, the ring has been sized at the back of the shank. Finger Size: 8. Dimensions: crown, 1" x 9/16"; shank tapers to 3/16" at the back. Weight: 15.3 gr.

A striking Modernist take on a traditional 18K gold floral brooch. The stark thorn-like arrangement, enhanced with Akoya pearls, has an almost brutalist style. The gold surfaces are stippled to create a matte texture that contrasts with the polished gold of the small ribbon at the base. The pearls are nice quality with ivory body color. The brooch looks equally stylish worn as a pendant. The back is stamped "18K" and has an unidentified maker's mark.

• ORIGIN America, ca. 1960
• DIMENSIONS 2 3/16" x 1 1/2"
• WEIGHT 10.2 grams
• CONDITION excellent

A lovely 18K yellow gold Sputnik ring by H Stern. The dome is bezel-set with round citrines amethysts, green and pink tourmalines, garnets and aquamarines. This design was created in the 1950s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It came to be called “Sputnik” because of its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance depending on the particular selection and placement of the stones. This particular example has a warm appearance, with an abundance of medium-tone gold and deep crimson colors. Tested and guaranteed 18K.

Origin: Brazil, ca. 1955. Condition: excellent, all original. Dimensions: dome, 11/16” diameter. Finger Size: 6-3/4. Weight: 3.5 grams. Approximate Total Gemstone Weight: 3.14 cts.

A classic pair of mid-century 14K yellow gold cufflinks, the faces comprising gold space-age swoops cradling oval cabochons of nephrite. The toggles are marked "14K" and have an unidentified maker's mark.

Origin: America, ca. 1960. Condition: excellent. Size: 3/4" x 9.16". Weight: 12.0 grams. Approximate Total Gemstone Weight: 6.38 cts.

A very attractive pair of 18K yellow gold cufflinks in the stirrup (“etrier”) style originally popularized by Cartier in the Art Deco era. The solid hinged bar passes through the cuff holes and the angled legs surround the outside of the cuffs to hold them securely together. The legs are decorated in an elegant herringbone weave pattern that creates just a little soft sparkle. The cufflinks are fully stamped with French 18K gold hallmarks and have an unidentified maker’s mark.

Origin: France, ca. 1960. Condition: excellent, all original. Size: 1” x 3/4". Weight: 13.0 grams.

A vintage 14K white gold navette-shaped cocktail ring, set with round brilliant cut diamonds and round blue sapphires. The diamonds are I/J color and I1 clarity. The sapphires are graded as medium-dark blue color and eye-clean clarity. The inside of the shank is stamped 14K.

Origin: America, ca. 1970. Condition: excellent. Dimensions: crown, 3/4" x 1/2". Finger Size: 7. Weight: 5.6 gr. Approximate Total Gemstone Weight: diamond, 1.5 cts; sapphire, 1.0 ct.

A handsome pair of 18K yellow gold cufflinks in the form of sleeve buttons. Each button has a dished surface with a matte decoration and is accented with gold "stitches". The faces are attached by chains to baton backs. The backs are hallmarked with Italian 18K marks.

Origin: Italy, ca. 1965. Condition: excellent, all original. Size: 17/32" diameter. Weight: 5.0 grams.

A classic Venetian Etruscan 18K gold charm set with oval amethysts. The gold surfaces are ornately worked with rosettes, beaded and rope-twist decoration. The amethysts have nice intense violet color that contrasts beautifully with the surrounding gold. Charms of this type are usually extremely large, but this example is in a rare smaller size that’s easier to wear on a bracelet or as a pendant. Tested and guaranteed 18K.

• Origin: Italy, ca. 1955
• Condition: excellent
• Dimensions: 11/16" wide x 1-1/8” high (excluding jump ring)
• Approximate Total Amethyst Weight: 6.99 carats
• Weight: 8.4 grams

A stunning vintage 18K yellow gold ring featuring an outstanding 1.60-carat Burmese ruby surrounded with diamonds by Tiffany & Co. Tiffany has not sold rubies since 1999 due to the U.S. embargo of Myanmar, and the design of this ring suggests it was made in the 1950s or 60s. The inside of the shank is marked “Tiffany & Co.” and “18K”.The ring is presented in its original dark blue velvet, satin-lined ring box marked “Tiffany & Co.”.

The ruby is fashioned in an oval mixed cut, measuring approximately 8.75 x 6.85 x 3.60 mm. The ring is accompanied by GIA origin report indicating that the ruby is of Burmese origin and shows no indications of heat treatment. The stone is a strongly saturated, medium-dark purplish-red color (pR 6/5). The cut displays good brilliance and proportions and a fair surface finish. The pear-shaped brilliant-cut diamonds are estimated at F color, VVS1 clarity.

Origin: America, ca. 1960. Condition: light thinning at the back of the shank. Finger Size: 8. Size: 9/16” x 1/2”. Weight: 3.9 grams. Approximate Total Gemstone Weight: ruby, 1.60 carats; diamond, 1.33 carats.

A phenomenal dress set comprising a pair of cufflinks and three shirt studs, all worked in 18K yellow gold and set with green cat's-eye tourmalines. The settings are designed in a thistle pattern similar to Jean Schlumberger's designs for Tiffany. All the details are entirely hand-engraved and each piece looks as good from the side or back as it does from the front. The fine tourmalines have strongly bluish-green color, well-placed bright chatoyancy (cat's-eye effect), and very good symmetry and polish. Each cufflink is illegibly signed. The mechanical portion of the shirt studs are marked "14K", but all the other parts of the settings are tested and guaranteed 18K.

Origin: America, ca. 1960. Condition: excellent. Size: cufflink front faces, 5/8" x 7/16"; cufflink back faces, 7/16" diameter; studs, 5/16" diameter. Weight: 22.5 grams. Approximate Total Gemstone Weight: tourmaline, 20.87 cts.

An extremely rare pair of 22K yellow gold cufflinks designed by the famous surrealist painter Salvador Dali. Inspired by his hero, Louis XIV, Dali minted a limited number of his own gold coins in 1966. The artist called his gold coin the "Dali d'or" after the "Louis d'or" coins created for the French king. The coins were minted in four sizes and values, and Dali occasionally used them to pay debts he owed to friends.

In 1967, a year after creating the money, Dali collaborated with the luxury jeweler Piaget to create a line of jewelry incorporating the remaining coins. Dali d'or jewels are quite rare, but can be found as watches, pendants, earrings, brooches and cufflinks.

Like the royal coins, Dali's personal coins featured his likeness along with that of his wife, Gala, on the front. Their faces are surrounded by laurel leaves, fleurs-de-lys and eggs, the last element a recurring symbol of rebirth in Dali's works. The same motifs are repeated on the back, but without the faces and in an even more surrealistic design. Each coin is signed and dated by Dali and is incised with its edition number. The coins used for this pair of cufflinks are #1495 and #1499.

The toggle findings are worked in 18K gold and are signed "Piaget".

Origin: Spain and France, 1967. Condition: excellent, sharp detail. Size: 1" diameter. Weight: 35.8 grams.

A handsome pair of 9K yellow gold toggle-back cufflinks, the faces depicting fox heads encircled by horseshoes. The foxes have citrine eyes. All elements are very nicely detailed. The backs are stamped with 9K gold hallmarks, the maker’s mark for Cropp & Farr, and the date mark for 1966.

• Origin: England, 1966
• Condition: excellent
• Dimensions: faces, 5/8” x 9/16”
• Weight: 9.6 grams

A very rare pair of heavy 18K yellow gold cufflinks by Tiffany & Co. designed as coiled dolphin-like sea monsters. The scales are highlighted with translucent blue champleve enamel and the eyes are set with cabochon rubies. The cufflinks are hinged and clasp together by inserting the creature's tail into its own jaws. The interior of each cufflink is marked "Tiffany 18K". There is no designer mark, but the work is very similar in style, quality and aesthetic to the designs created by Jean Schlumberger and Donald Claflin in the 1960s.

Origin: America, ca. 1968. Condition: excellent, a 1/32" nick to the enamel on one cufflink. Size: 1" x 1-18". Weight: 21.6 grams.

An impressively large 18K yellow gold Venetian Etruscan fob charm or pendant in a crown shape set with large oval amethysts enhanced with smaller round amethysts. The gold surfaces are enhanced with twisted wire, rosettes and beading. The amethysts have very rich, deep violet coloring. Marked “750” for 18K.

Origin: Italy ca. 1960. Condition: excellent. Dimensions: 1-3/8” x 1-1/8” x 1-3/8” (excluding bail). Weight: 25.2 gr. Approximate Total Gemstone Weight: 27.29 cts.

A superb pair of vintage couture 18K yellow gold and carnelian cufflinks by Pierre Cardin. The square faces, with rounded corners, support round carnelian plaques of very rich color. The gold structure beneath the carnelian shows through the translucent gemstones to create a strong geometric pattern typical of Cardin's aesthetic. Cardin was fascinated by the juxtaposition of squares and circles beginning with his famous "Bubble Dress" in 1954, and he returned to the theme repeatedly over the next two decades. The faces are attached with solid arched connectors to spherical backs.

In the 1960's, Cardin collaborated with a handful of young modernist jewelry designers such as Jean Dinh Van to create fine jewelry items. There were never many of these designs, and they were only sold at Cardin's flagship couture boutique in Paris. Some of these rare designs have now entered the permanent holdings of the French national jewelry collection at the Musee des Arts Decoratifs in Paris.

The cufflinks are signed "P. Cardin" and are fully hallmarked with appropriate French stamps for 18K gold.

Origin: France, ca. 1968. Condition: excellent, all original. Size: 5/8 x 5/8". Weight: 15.1 grams.

A particularly attractive large Italian 18K yellow gold fob charm in the Venetian Etruscan style. The lantern-shaped charm is set with four large blue chalcedony oval cabochons. The use chalcedony is rather unusual in these pendant/charms and the rich blue color is especially nice against the gold. NOTE: The blue in the photos are more intense than the actual subtle violet-blue color of the stones. The gold surfaces are enhanced with applied rosettes, beading and twisted wire decoration. Tested and guaranteed 18K.

Origin: Italy, ca. 1960. Condition: excellent. Dimensions: 15/16" x 1-1/2". Weight: 11.7 gr.