Catalog: Estate Jewelry: Cufflinks and Accessories: Gold (427)

An extremely attractive pair of cufflinks worked in 18K white gold, the faces featuring plaques of black mother of pearl set with diamonds. Black mother of pearl is much less common than the usual light color and displays a beautiful pearly luster with overtones of green and rose that can be clearly seen in the photos. The diamonds have bright color, estimated at F, and VVS clarity. Solid connectors join the faces to hinged toggles. The connectors are marked “750” for 18K gold, and have an unidentified maker’s mark “LG”.

• Origin: probably Continental Europe, ca. 1980
• Dimensions: 5/8” diameter
• Weight: 7.6 grams
• Approximate Total Diamond Weight: 2.0 carats.

An elegant pair of classic Edwardian double-sided cufflinks, the octagonal faces decorated with engine-turned engraving in the form of a spray of acanthus leaves against a stippled background. The faces are completed with an octagonal platinum border. The backs are marked “14K-Plat” and have the maker’s mark for Carter, Gough & Howe. The backs are also engraved with a period “RD” monogram.

• Origin: America, ca. 1915
• Condition: excellent
• Dimensions: 1/2" diameter
• Weight: 8.0 grams

An elegant pair of classic Edwardian double-sided cufflinks, the octagonal faces decorated with engine-turned engraving in the form of a spray of acanthus leaves surrounded by a laurel wreath border. The connectors are marked “14K.”

• Origin: America, ca 1910
• Condition: excellent
• Dimensions: 9/16” diameter
• Weight: 7.0 grams

A classic pair of French 18K yellow gold cufflinks in a variation of the “mors de filet” or “snaffle” design. Each of the flip-up ends is pierced in a woven design. Each cufflink is fully hallmarked and has the master goldsmith's mark for Gaetan de Percin.

• Origin: France, ca. 1955

• Condition: excellent, all original

• Dimensions: 9 x 16 mm (5/8 x 3/8 in)

• Weight: 9.9 grams

A handsome pair of 18K yellow and white gold cufflinks set with diamonds and sapphires fromthe Coera Collection by Lunia. The rectangular faces are divided assymetrically into a matte-finished hammered yellow gold section studded with calibre cut sapphires, and a white gold section pave-set with round diamonds. The gemstones are of fine quality (sapphires medium-dark blue and diamonds I/VS1). The faces are connected by chains to baton backs finished in the matte hammered style. The backs of the faces are marked "18K" and are signed Coera.

• Origin: America, ca. 2000
• Condition: excellent
• Dimensions: 1/2" x 3/4"
• Weight: 12.0 grams
• Approximate Total Gemstone Weight: diamond, .6 carat; sapphire, .5 carat

A handsome pair of Modernist 14K yellow gold cufflinks in the form of three-sided pyramids. Each side is has an incised border surrounding a bead-set round sapphire. The stones have very attractive cornflower blue color. The connectors to the toggle backs are stamped "14K."

• Origin: America, ca 1960
• Condition: excellent
• Dimensions: faces, 25/32" x 25/32" (20 x 20 mm)
• Weight: 11.0 grams
• Approximate Total Sapphire Weight: .28 carat.

A fine pair of French 18K yellow gold double-sided cufflinks, the faces decorated with champleve and en plein opaque red and black enamels. The connectors are stamped with French 18K marks and an illegible master goldsmith's mark.

• Origin: France, ca 1925
• Condition: excellent, no enamel damage
• Dimensions: faces, 19/32" x 13/32"

A fine pair of French 18K gold, enamel and sapphire cufflinks. The round faces are decorated with champleve enamel in a soft translucent French blue shade surrounded by a border of opaque white with gold accents. Each face is centered with a sapphire sugarloaf cabochon. The faces are connected with chains to gold torpedo backs. Each cufflink is stamped with French 18K gold marks.

• Origin: France, ca. 1910
• Condition: excellent, no enamel damage
• Dimensions: 1/2" diameter
• Weight: 7.0 grams
• Approximate Total Sapphire Weight: .26 carat

A handsome pair of early Art Deco double-faced cufflinks in 14K yellow gold enhanced with black champleve enamel. The faces are decorated with engine-turned engraving in a striped pattern surrounded by enameled borders. The faces are attached with bar connectors, stamped with 14K hallmarks for an unidentified maker.

• Origin: America, ca. 1920
• Condition: excellent, no enamel damage or monograms
• Dimensions: faces, 9/16" diameter
• Weight: 8.0 grams

A classic pair of Art Deco 18K gold and lapis cufflinks by Gaetan de Percin, the jeweler responsible for most of the classic Hermes jewelry designs in the 1930s and 40s. This design is from that era. The ends of the batons are set with lapis cabochons in the deep violet-blue color sometimes referred to as "Afghan". The connectors are slightly arched to draw the cuffs close together. Aside from Hermes, de Percin created jewelry for Carter, Van Cleef & Arpels, Tiffany, Chanel, Dior and Boucheron. The connects are stamped with de Percin's hallmark and the guarantee marks for 18K.

• Origin: France, ca. 1935
• Condition: excellent
• Dimensions: faces, 13/16" long
• Weight: 13.1 grams.

A handsome pair of 14K gold double-sided cufflinks, the faces set with dark green jasper plaques. The gold has a soft “bloom” sometimes seen on jewels from the late 19th century. The jasper plaques are deeply colored, appearing nearly black except in bright light when the green comes through. Tested and guaranteed 14K.

• Origin: America, ca 1930
• Dimensions: faces, 19/32” x 9/16”
• Condition: excellent, all original
• Weight: 11.8 grams

A stunning pair of Art Nouveau 14K gold cufflinks by Carrington, the faces designed as dolphins stylized as sea monsters. The creatures are beautifully designed with detailed scales, fins and gaping mouths. The eyes are set with G/VS1 old mine cut diamonds. The faces are joined by oval connectors sufficiently long to fit through a thick cuff. The backs are stamped with Carrington’s 14K hallmark.

• Origin: America, ca. 1900
• Dimensions: faces, 3/4" x 7/16”
• Condition: excellent, sharp detail
• Weight: 14.3 grams
• Approximate Total Diamond Weight: .10 carat

A fine pair of 14K gold cufflinks set with high-domed amethyst cabochons by David-Andersen. The amethysts have deep, rich coloring and excellent clarity. David-Andersen is widely known for its enameled silver jewelry, but also made a very limited number of pieces in gold. Each cufflink is stamped “D-A 585”.

• Origin: Norway, ca. 1965
• Dimensions: faces, 1/2" diameter
• Condition: excellent, all original
• Weight: 11.7 grams
• Approximate Total Amethyst Weight: 21.42 carats

A very attractive pair of Art Deco cufflinks featuring sugarloaf cabochons of moss agate (“dendritic agate”) in simple 14K gold collet settings. The agates have a very nice pattern of wispy green inclusions against a creamy translucent background. The connectors are marked “14K” and have an unidentified maker’s mark.

• Origin: America, ca. 1925
• Dimensions: faces, 9/16” x 9/16”
• Condition: excellent, all original
• Weight: 11.0 grams

A handsome pair of late Victorian cufflinks worked in 18K yellow gold with platinum accents around oval bloodstone cabochons. The combination of metal colors against the deep blackish-green and red of the bloodstone is quite striking. The faces are attached with bar connectors. Tested and guaranteed 18K and platinum.

NOTE: Bloodstone is very difficult to photograph due to its dark coloration. Some of the photos shown here were backlit to show the translucency of the stones, but in normal lighting the appear opaque greenish-black with subtle red mottling.

• Origin: America, ca 1905
• Dimensions: faces, 3/4" x 9/16”
• Weight: 8.8 grams

A heavy pair of 18K yellow gold baton cufflinks, the faces with Florentined engraving and bands of round rubies at either end. The rubies have nicely saturated, strongly purplish-red coloring and eye-clean clarity. The back batons are finished with reeded engraving. The toggle connectors are marked with French 18K gold import marks.

• Circa 1950
• Excellent condition
• Dimensions: longer batons, 27/32"
Weight: 14.8 grams
• Approximate Total Ruby Weight: .50 carat.

A handsome pair of mid-century modern 14K gold and malachite cufflinks reminiscent of an Aztec design. The arch cabochons of malachite have very nice color n markings. The gold surfaces are stippled for added textural interest. The toggle backs are stamped "14k."

• Origin: America, ca. 1970.
• Dimensions: faces, 1 1/8" x 23/32"
• Weight: 18.0 grams.
• Condition: excellent

A pair of Modernist 14K gold and sapphire cufflinks in the brutalist style. The gold surfaces are etched in a Florentine finish that contrasts nicely with the rich blue sapphires. The toggles are marked "14K".

• ORIGIN America, ca 1970
• DIMENSIONS 1 1/8" x 3/8"
• WEIGHT 14.8 grams
• APPROXIMATE TOTAL GEMSTONE WEIGHT: sapphire, .84 carat
• CONDITION excellent

A handsome pair of double-sided cufflinks featuring oval carnelian cabochons simply set in 14K yellow gold mountings. The carnelians have exceptionally rich color and translucency, creating a particularly striking look. Each cufflink is stamped "585" for 14K and also with an unidentified European maker's mark "FA".

• Origin: Continental Europe, ca. 1940.
• Dimensions: faces, 1/2" x 11/16".
• Weight: 9.5 grams.
• Condition: excellent.

A handsome pair of 14K yellow gold cufflinks in a brushed finish with prong-set sapphires. The design of a cut-out triangle superimposed over a solid triangle creates a layered effect that lends a nice feeling of depth to the cufflinks. The toggle backs are marked "14K".

li>Origin: America, ca. 1950.
• Dimensions: faces, 3/4" x 3/4".
• Weight: 13.5 grams.
• Approximate Total Sapphire Weight: .15 carat.
• Condition: excellent, one toggle has a minute ding on the edge.

A very rare pair of 14K yellow gold, diamond and lapis lazuli cufflinks designed by Erté in the "La Dentelle-State I" pattern. The faces of the cufflinks are shaped as stylized birds, with lapis cabochons for eyes. The exposed gold surfaces are engraved and cast in an intricate pattern of geometric bars and swirls to suggest feathers. Short bands of bead-set single-cut diamonds finish the design.

Known throughout his career as a costume designer and illustrator, Erté began designing jewelry in 1979. At the time of his death in 1990, he had produced just over 300 different designs, most of them made in rather small limited editions. Only 100 examples of the "La Dentelle-State I" cufflinks were made. The backs are signed "Erté", "CFA 14K", and "11/100".

• Origin: America, ca. 1980.
• Dimensions: 2 1/8" x 7/8".
• Weight: 20 Condition: excellent. Size: 2-1/8" x 7/8". Weight: 20.1 grams.
• Approximate Total Gemstone Weight: lapis, 4.8 carats; diamond, .42 carat.

A fine pair of mid-century modern 14K yellow gold and diamond cufflinks by Larter. The heavy gold faces are decorated with parallel lines and the canted edges are bead-set with brilliant round-cut diamonds. The diamonds are of very good quality, estimated at I color, VS clarity. The stones are set in white gold enhanced with milgrain borders. The backs are completed with the older type of toggle mounting. The backs are stamped with Larter’s hallmark.

Origin: America, ca. 1950.

Dimensions: faces, 5/8" x 1/2".

Weight: 13.5 grams.

Approximate Total Diamond Weight: .50 carat.

Condition: excellent; all original.

A classic pair of double-sided 14K yellow gold cufflinks, the round faces enhanced with engine-turned engraving and opaque black champleve enamel borders. The borders are further accented with a gold strapwork motif. The connectors are marked with unidentified American hallmarks, “HB” and “14K”.

• Origin: America, ca. 1920.
• Condition: excellent, no enamel damage.
• Dimensions: 19/32” diameter.
• Weight: 9.2 grams.

A classically elegant pair of 18K yellow gold and blue sapphire cufflinks in a highly-functional “wrap-around” style. The cufflinks comprise a doubled length of Russian braid chain that passes through the cuff hole and attaches on the other side to the solid clasp. The chains are comfortable to wear, flexing easily, but staying firmly closed from the tension of the cuff fabric. The clasps are set at either end with a rich blue sapphire cabochon. Each cufflink is fully stamped with French 18K gold marks, the master goldsmith’s mark and a serial number, and is signed “Boucheron.”

• Origin: France, ca. 1950.
• Dimensions: clasp length 15/16”; chain diameter, 3mm.
• Approximate Total Sapphire Weight: 1.68 carats.
• Weight: 14.6 grams.
• Condition: excellent; all original.

A striking pair of double-sided cufflinks worked in 18K yellow gold. Each hexagonal face is decorated with a blue and white champlevé enamel pattern that highlights its “quilted” texture. Each face is centered with a triangular sapphire cabochon bezel-set in platinum. The sapphires have bright color that beautifully accents the enamel. The faces are connected by chains. Each cufflink is marked “18Ct” and has another unidentified mark. They are well-traveled, also bearing old London import marks and French import marks.

• Origin: Continental Europe, ca. 1920.
• Dimensions: faces, 9/16” x 9/16”.
• Approximate Total Sapphire Weight: 1.24 carats.
• Weight: 6.4 grams.
• Condition: excellent; all original; no enamel damage.

A handsome pair of Edwardian cufflinks worked in 18K yellow gold. The round faces are set with concave mother-of-pearl plaques, each centering a bezel-set pink sapphire cabochon. The color contrast is quite attractive. The connectors are removable for ease in putting on the cufflinks. The cufflinks have nice weight and are comfortable to wear. Each is marked “18K” and also bears French import marks.

• Origin: possibly England or America, ca. 1910.
• Dimensions: faces, 9/16” diameter.
• Approximate Total Sapphire Weight: 1.12 carat.
• Weight: 8.7 grams.
• Condition: excellent; all original; no dings or chips.

An elegant pair of18K yellow gold Art Nouveau cufflinks set with rose-cut and single-cut diamonds. The cufflinks have a classic design of whiplash curves typical of French jewelry, but the overall appearance is more akin to Russian cufflinks of the era. Indeed, the cufflinks are stamped with French import marks. The diamonds have good color and brilliance against the bloomed texture of the gold setting. The torpedo backs are connected by wired bridges.

• Origin: Continental Europe, possibly Russia, ca. 1895.
• Dimensions: faces, 3/4” x 13/32”.
• Approximate Total Diamond Weight: .72 carat
• Weight: 6.5 grams.
• Condition: excellent; all original.

A handsome 14K gold and amethyst dress set presented in its original fitted leather, velvet and silk case embossed "Tiffany & Co. New York Paris London." The amethyst cabochons are simply mounted in collet settings. The gold has a slightly rosy tint that beautifully accents the rich color of the amethysts. Tiffany relied on Newark makers such as Krementz, Larter and Carrington to supply many of their cufflinks. Sometimes, the pieces were re-hallmarked by Tiffany, and sometimes not. These cufflinks are not marked, but are etched with individual inventory numbers as Tiffany fequently did. They set is original to the fitted case. Tested and guaranteed 14K.

• Origin: America, ca. 1890.
• Condition: cufflinks and studs, excellent; case, negligible wear.
• Dimensions: cufflinks faces, 11/16" x 3/8"; studs, 5/16" diameter.
• Weight: 12.9 grams.
• Approximate Total Amethyst Weight: 27.49 carats.

A classic pair of Mid-Century “around the cuff” mesh cufflinks set with square cut sapphires and round diamonds. This classic style securely holds the cuff and is heavy enough to know you’re wearing them. At the same time, the flexible mesh makes them very comfortable. The gemstones have excellent color and clarity. The overall look is clean and streamlined. Each cufflink is fully hallmarked by Gubelin and bears a serial number.

• Origin: Switzerland, ca. 1950.
• Condition: excellent.
• Dimensions: 3/8” (10mm) wide.
• Weight: 22.7 grams.
• Approximate Total Gemstone Weight: diamond, .05 carat; sapphire, 1.45 carats.

A handsome pair of Art Deco 14K yellow gold double-sided cufflinks, each face enhanced with “quilted” engraving studded with round brilliant cut diamonds and sapphires. Cufflinks in this design are often marked “Tiffany & Co.” They were made by one of the Newark jewelers such as Larter for retail at Tiffany’s New York store. They always have generous weight and use high-quality gemstones. Sometimes, as in this case, they are marked only “14K”.

• Origin: America, ca. 1940.
• Condition: excellent; all original.
• Dimensions: faces, 1/2" x 1/2”.
• Weight: 11.6 grams.
• Approximate Total Gemstone Weight: diamond, .18 carat; sapphire, .80 carat.

A handsome pair of 18K yellow gold cufflinks featuring collet-set rectangular garnet plaques in a deep wine red shade. The faces are connected by chains to classic baton backs. The cufflinks are stamped with French 18K gold marks and an illegible master goldsmith's mark.

• Origin: France, ca. 1940.
• Dimensions: faces, 9/16" x 11/16" (14x18mm).
• Condition: excellent.
• Weight: 13.2 grams.

A fantastic and rare pair of 14K yellow gold Art Nouveau cufflinks by Krementz, the double faces depicting Native American warriors. The facial and hair details are beautifully worked in a design that also includes a bow and a quiver of arrows. Krementz made at least two different designs depicting Native Americans, with this being the more ornate of the two. The backs are fully marked by Krementz.

• Origin: America, ca. 1900.
• Condition: excellent; sharp detail.
• Dimensions: large faces, 3/4" x 17/32"; small faces, 1/2" x 3/8".
• Weight: 5.0 grams.

This classic Boucheron baton design has been in fashion since the Art Deco era. Worked in 18K gold, the removable batons are elegantly decorated with simple reeded engraving. Each cufflink is signed "Boucheron Paris" and is stamped with French 18K marks and serial numbers.

• Origin: France, ca. 1950.
• Condition: excellent.
• Dimensions: batons, 7/8" long.
• Weight: 10.7 grams.

A very fine pair of Art Deco cufflinks, the front faces comprising carved natural green jadeite discs edged in black enamel. The jade plaques, with bright grass green coloring with moderate mottling and translucency, are carved in a traditional stylized floral motif. The faces are connected to yellow gold backs engraved with concentric rings in a target pattern. The front and back faces are constructed with identical structural elements, so they are entirely original. The faces are joined with clips so a face can be removed when fitting into a cuff hole. The faces and connectors are stamped with French 18K gold marks and with an illegible master goldsmith’s mark.

• Origin: France, ca. 1920.
• Condition: excellent; no cracks to jadeite; a couple of minute fleabites to the enamel on one face; gold faces have light surface scratching consistent with age.
• Dimensions: front faces, 11/16” diameter; back faces, 5/8” diameter.
• Weight: 11.1 grams.

A classic pair of mmid-Century modernist cufflinks by Lucien Piccard, featuring a circlet of round brilliant-cut garnets around a central plaque of gold enhanced with a Florentine finish. Piccard more often used synthetic sapphires or synthetic rubies in his cufflink designs. The garnets have a subtle, deep red coloring that contrasts beautifully with the richly-textured gold without being too flashy. Signed "Lucien Piccard" and marked "14K."

• Origin: America, ca. 1950.
• Condition: excellent; all original.
• Dimensions: faces, 3/4" diameter.
• Weight: 11.4 grams.
• Approximate Total Gemstone Weight: 1.25 carats.

Red speckles stand out brightly against the dark greenish-black background of the bloodstone plaques featured in this pair of double-sided Victorian cufflinks by Larter. NOTE: the color contrast is more apparent in person than shown in the photos due to the reflectivity of the stones. Bloodstone, or Jasper, is also considered to be the "traditional" birthstone for March, while Aquamarine is considered to be the "modern" birthstone for March. Bloodstone is aligned with the Zodiac sign of Aries and is noted for its "healing properties." The stones are edged in 14K yellow gold borders engraved with a foliate motif. The oval faces are attached with figure-eight connectors signed with Larter's hallmark.

• America, ca. 1900.
• Excellent condition; all original.
• 5/8" x 1/2" (faces).
• 7.2 grams.