Catalog: Estate Jewelry: Gold: Art Nouveau (166)

A magnificent French Art Nouveau 18K gold and diamond slide locket, the front cover featuring a a fierce griffin clutching an old European cut diamond in its mouth. The beast is beautifully chased and engraved with a lot of detail in the feathers and fur. The griffin is presented against an ornately pierced Renaissance style background that would allow small peaks to show through of any portrait or photo enclosed in the locket. In Greek mythology, griffins were the guardians of the most treasured and priceless possessions, and its role on the front of a locket mimics that idea. The diamond is of equally high quality, graded as G color, VVS1 clarity. The bail has partially obscured French hallmarks.

Origin: France, ca. 1890. Condition: excellent, sharp detail; a few small pinpoint dings on the back cover; no monogram. Dimensions: 1-1/16" diam (excluding bail). Weight: 14.6 gr. Approximate Diamond Weight: .24 ct.

A very fine 18K gold watch pin depicting a mythological griffin grasping a pearl in its mouth. The back-swept wings are bordered with rose cut diamonds set in silver. The detailing for the feathers and scales is superb, and even the reverse is realistically engraved. The design is deeply three-dimensional. Mythological subjects were particularly popular in at the beginning of the Art Nouveau period. The reverse is stamped with an 18K hallmark. The back also retains the original watch hook, clasp and pinstem. A bail could easily be added for wear as a pendant.

• Origin: Europe, ca 1880
• Condition: excellent; all original
• Dimensions: 1-1/4" diameter
• Weight: 17.5 grams

Two classical satyr masks peer out from the sides of this Art Nouveau watch fob pendant. Each snarling face is surrounded by whiplash curls of gold that rise to the top of the fob. The bottom surface is engraved with a period “JEM” monogram. The gold surface has soft matte bloomed texture characteristic of the period. The jump ring is original. Stamped “10K.”

• Origin: America, ca 1890
• Condition: excellent, all original
• Dimensions: 7/8” x 5/8” x 1-1/2”
• Weight: 3.9 grams

An outstanding Art Nouveau 14K yellow gold locket, the front cover decorated in with an ornate pond scene incorporating rippling water, waterlilies and cattails under the watchful eye of the “man in the moon” and seed pearl stars. The scene is very original and is beautifully worked. The back cover has a period three-letter monogram “GEG”. The interior retains both original frames and one of the glass covers. Marked “14K”.

Origin: America, ca. 1900. Condition: excellent, sharp detail, no dings. Size: 1-1/16” diameter (excluding bail). Weight: 7.9 grams.

A heavy French 18K gold and diamond pendant depicting a mythological griffin. The creature has the body of a lion and the head and wings of an eagle. His open jaws clasp an old European cut diamond set in a milgrain platinum collet. The diamond is graded as I color, VS2 clarity. The griffin is surrounded by a circle of woody foliage. The back is engraved to match the texture of the front. The piece can be worn as a brooch or as a pendant suspended from the loops at the wing tips. The bottom has an additional loop that could be used to suspend an optional gemstone or pearl drop. The pendant is stamped with French 18K guarantee marks and a partial goldsmith’s mark.

• Origin: France, ca. 1890
• Condition: excellent, sharp detai
• Dimensions: 1-9/16” x 1-3/16”
• Weight: 12.6 grams
• Approximate Diamond Weight: .15 carat

Very nice Art Nouveau 10K yellow gold stickpin in the form of a lady’s head. A 4-pt. old mine-cut diamond of very good quality is set at the end of her trailing hair. The surface of the gold has the “bloomed” texture characteristic of Art Nouveau jewelry.

Origin: probably American, circa 1900. Condition: excellent, all original. Size: head, 11/16” x 7/16”; overall length, 2-7/8”. Weight: 1.5 grams.

A stunning Art Nouveau medallist brooch depicting Athena, goddess of wisdom and war, and patron of the arts, in 18K gold. The goddess is depicted with several of her attributes, including a dragon-topped war helmet, a wreath of olive leaves, an owl, and a drama mask representing the arts. Her helmet is studded with a star-set ruby and a band of rose-cut diamonds and she wears a necklace of rose-cut diamonds. This design was created by Louis Armand Rault, a lead designer for Boucheron 1868-75. This is once of his most iconic designs, though it is unusual in having quite so many gemstones added. Rault apparently licensed many of his designs to various makers, though the gold examples are French more often than not. This example is fully stamped with French marks for 18K and has an illegible maker's mark. The front is also marked with Rault's monogram. The pin could easily be converted to a pendant with the addition of a folding bail.

• Origin: France, ca. 1880.
• Condition: excellent; sharp detail; all original.
• Dimensions: 1" diameter.
• Weight: 5.0 grams.
• Approximate Gemstone Weight: ruby, .02 carat; diamond, .05 carat.

A beautiful Art Nouveau bracelet worked in 18K yellow gold featuring oval blue sapphire cabochons accented with laurel wreath settings and alternating floral plaque links. The gold is very finely worked. The sapphires have medium dark, strong blue color (B6/5) and eye-clean clarity. They show no indications of heat treatment. The bracelet is completed with a concealed box clasp. The clasp is stamped with French gold hallmarks used outside Paris 1847-1919. The maker’s mark is partly obscured, but we have seen the mark before (the goldsmith must have used a damaged punch, because his marks are always partially missing) on expertly-made heavy gold items with intricate piercing, often set with cabochon gemstones, from around 1880-1900.

Origin: France, ca. 1890. Condition: excellent. Dimensions: 3/8” wide; 7 -1/4” long. Weight: 11.5 gr. Approximate Total Gemstone Weight: 2.6 cts.

A lovely Art Nouveau 18K yellow gold floral pendant. The flowers are represented by small rose cut diamonds and a round brilliant ruby. The gold foliage is finely engraved in a naturalistic pattern. The brooch suspends a drop-shaped natural pearl with fine luster. The ruby, though small, has fine red color and excellent clarity. The pendant is suspended from its bale with a double chain. Fully stamped with French 18K gold hallmarks.

Origin: France, ca. 1900. Condition: excellent, all original. Size: 1-9/32” wide; 1-3/8” long (not including chain); 2-1/4” long (including chain). Weight: 4.1 grams. Approximate Total Gemstone Weight: ruby, .16 ct; diamond, .10 ct.

A lovely 18K yellow gold bracelet designed as floral plaques separated by bezel set blue sapphire cabochons. Each elegantly pierced gold plaque depicts a rose encircled by scrolls and flanked by additional flowers. The backs of the plaques are engraved in a matching motif. The high-domed cabochons have fine deep blue coloring and show no indications of heat treatment. The clasp is stamped with French 18K marks.

• Origin: France, ca. 1890
• Condition: excellent, sharp detail
• Dimensions: 9/16” wide; 7-3/8” long
• Weight: 22.8 grams
• Approximate Total Sapphire Weight: 3.12 carats

A lovely Art Nouveau 14K yellow gold honeymoon pin in the form of a pearl-studded horseshoe enclosing a beautifully-enameled violet. The petals are worked in realistic shades of purple fading to pinkish-cream at the centers and the flower is accented with a bright green leaf. In the Victorian language of flowers, the violet was used to symbolize faithfulness. Combined with a horseshoe for good luck, a pin of this sort almost certainly would have served as a going-away gift. The original clasp is stamped 14K and has Krementz' hallmark.

Origin: America, ca. 1890. Condition: excellent, all original, no enamel damage. Size: 13/16" x 3/4". Weight: 3.3 gr.

A fine Art Nouveau medallist brooch depicting Demeter (Ceres), goddess of the harvest, in 18K gold by Louis Rault. She is shown in profile with several of her attributes a tiara of wheat and poppies and a scythe. The wears a rose-cut diamond earring, a diamond toga clasp, and a third in her tiara. Louis Armand Rault was a lead designer for Boucheron 1868-75 and this is one of his signature designs. The brooch is stamped with French 18K gold marks and also with an illegible maker's mark. The front is also marked with Rault's monogram. The brooch could easily be converted to a pendant with the addition of a folding bail.

• Origin: France, ca. 1880.
• Condition: excellent; sharp detail; all original.
• Dimensions: 1" diameter.
• Weight: 7.4 grams.
• Approximate Total Diamond Weight: .03 carat.

An superb 14K yellow gold Art Nouveau locket, the cover decorated with an ornate image of a Valkyrie, one of the "Choosers of the Slain" in Norse and Germanic mythology. The image is beautifully detailed with fine facial features, flailing hair and, of course, the winged helmet set with an old European cut diamond for a touch of sparkle. She is depicted in mid-flight with a background of swirling clouds. The interior retains the original frames and covers. The back has a period "CEC" monogram. Tested and guaranteed 14K.

Noted for both their beauty and their iron will, the Valkyries were responsible for choosing who would die a hero and who would simply die. Once the heroes were ensconced in the afterlife, the Valkyries provided them with wine, food and various other desirable services for all eternity.

Origin: America, ca. 1890. Condition: excellent; sharp detail. Dimensions: 1-1/16" diameter. Weight: 6.6 gr. Approximate Total Diamond Weight: .03 ct.

An elegant Art Nouveau bracelet worked in 18K gold, each link is the form of a pansy enclosed in a scrolling border. The Victorian floriography (the “language of flowers”), the pansy represented the sentiment “think of me.” Jewels with pansies were often given as a romantic gesture or by the parents of a young woman upon her marriage. The bracelet is stamped with 18K fineness marks and an unidentified goldsmith’s mark.

• Origin: France, ca. 1900
• Condition: excellent
• Dimensions: 7-7/8” long; 1/2" wide
• Weight: 16.4 grams

A heavy French 18K gold and diamond pendant depicting a mythological griffin. The creature has the body of a lion and the head and wings of an eagle. His open jaws clasp an old mine cut diamond. The diamond is graded as G color, SI1 clarity. Griffins in brooches are often shown in a crouching position, but in this example, the creature is standing upright in a more assertive pose. The piece can be worn as a brooch or as a pendant suspended from the loops at the wing tips. The pendant is stamped with French 18K guarantee marks and with the master goldsmith’s mark “Vve G” for “widow Godivier.” In rare instances, more enterprising French women were able to successfully assume control of the family business after their husbands had died.

• Origin: France, ca. 1904-1911
• Condition: excellent, sharp detail
• Dimensions: 1-1/2” x 1-3/8”
• Weight: 15.1 grams
• Approximate Diamond Weight: .21 carat

A lovely, and rather heavy Art Nouveau 18K gold watch pin decorated with finely cast and engraved fuchsia blossoms and leaves. Even the overall inverted teardrop shape of the pin is reminiscent of the drooping profile of a fuschia. In Victorian flower language, the fuschia represented "good taste." Pin retains the original clasp and watch hook. It could also be worn as a pendant with the addition of a couple of hidden loops to the back that could be attached to a split chain. Tested and guaranteed 18K.

• Origin: America, ca. 1890
• Condition: excellent
• Dimensions: 1-1/8" x 1-1/16"
• Weight: 5.7 grams

A fine early French Art Nouveau orchid brooch, the flower petals carved from banded agate around old mine cut diamond stamens, all set atop an elegant gold stem set with rose cut diamonds. The flower is a single piece of agate, finished with a matte surface to suggest the texture of a real flower petals. The carver left streaks of a darker colored agate on the back to create the delicately-colored veining that shows through the petals. The petal at lower left is turned back on itself to enhance the realistic effect. The reverse is stamped with a "tete de Mercure" hallmark indicating 18K gold that was intended to be sold abroad. There is also an illegible master goldsmith's mark.

• Origin: France, ca. 1880
• Condition: excellent; all original; a few tiny fleabites on one petal visible only with 10X magnification
• Dimensions: 2-5/8" x 1-1/4"Weight: 10.25 grams
• Approximate Total Diamond Weight: .85 carat.

A fine Art Nouveau medallist stickpin depicting Demter (“Ceres”), goddess of the harvest and the seasons, in 14K gold by Louis Rault. She is shown in profile with several of her attributes including a tiara of wheat and a scythe. Louis Armand Rault was a leading designer for Boucheron 1868-75 and this is one of his signature designs. His designs were sometimes licensed to other jewelers, hence this American 14K version. The stickpin is finished in a soft bloomed texture. The pinstem is stamped iwth Carter, Gough's 14K mark. The stickpin could easily be converted to a ring or pendant.

• Origin: America, ca 1880
• Condition: excellent, sharp detail
• Dimensions: head, 9/16” diameter, length, 2-1/2”
• Weight: 2.0 grams

A lovely early Art Nouveau 18K gold sliding locket by the acclaimed medallist Jean-Baptiste Emile Dropsy. The front cover shows a bare-shouldered woman wearing a diamond necklace and hair ornament feeding a diamond seed to a bird in mid-flight, all surrounded by a bough of chestnut leaves. The diamond accents (“habillé”) add a bit of sparkle to the design. The bird appears to be a dove, representative of “love” in Victorian symbology, while the chestnut leaves represent the sentiment “do me justice.” Taken together, the message means some along the lines of wishfulness for being treated well in love. Dropsy was an early Art Nouveau designer and his female designs tend to be a bit more teasing Gibson Girl than the more overtly sexy nudes that came along a decade or so later. The back cover is decorated with a curved spray of roses complete with thorns. Roses were also used to symbolize love, and when thorns are present, sometimes hinted that love is not without occasional pain. The interior of the locket retains its original frames and mirrored glass, which could be replaced with photos if desired. The locket is stamped with French 18K gold marks.

• Origin: France, ca 1895
• Condition: excellent, all original, a small ding on the back cover visible in strong raking light
• Dimensions: 1-1/8” x 1-1/8”
• Weight: 11.9 grams
• Approximate Total Diamond Weight: .06 carat

An important 18K yellow gold and natural semi-baroque pearl necklace in the "Lierre" ("Ivy") design by Edouard Aimé Arnould. The necklace features five foliate plaques set with pearls flanked on either side with a long- and short-link chain. The sculptural quality of the leaves is enhanced with areas of bright polish contrasting with areas in a slightly matte finish, a technique repeated on the back sides, as well. The natural pearls have excellent luster with faintly lavender/rose overtones. In Victorian symbolism, ivy represented the bonds of love in marriage. One can imagine a bride, even today, wearing such a necklace with her gown! Each section of the necklace is stamped with French 18K marks, and the central plaque is signed "Arnould".

Arnould was among the most important of the French Art Nouveau jewelers and is well listed in most of the scholarly references of the period. He opened his studio at 7, rue Racine, Paris in 1890. In 1911, a French design journal credited him with "jewels of the best taste." Around 1900, Maison Arnould published a catalog. The final photograph in this listing shows the necklace as it was listed in the catalog. It's interesting to note that the necklace was available with or without the natural pearls, and that the price nearly doubled for the pearl version. Other pages of the catalog show the "Lierre" design used for pendants, bracelet charms, hair barrettes, brooches, rings, bracelets and cufflinks.

Origin: France, ca. 1900. Condition: excellent. Dimensions: overall length, 16-1/2"; length of floral plaques together, 6-1/2"; center plaque, 2" x 1-3/4". Weight: 31.2 grams.

A lovely Art Nouveau 14K yellow gold medallion pin depicting Hamlet’s beloved Ophelia (the brooch uses the French spelling “Ophelie”) surrounded by cattails, willow branches and waterlilies, all symbols of her watery grave after she was spurned by Hamlet. Her hair is studded with small old mine cut diamonds. The back has a hook that would have been used to suspend a watch. The back retains the original c-clasp (marked 14K) and extended pinstem. Unlike most Art Nouveau medallion pins, this example is not hollow and is heavy. This design was created by the French jeweler Emile-Séraphin Vernier (1852-1927) and was introduced at the 1908 Exposition de la Parure de la Femme in Paris.

Origin: America, ca. 1900. Condition: excellent, sharp detail. Size: 1” diameter. Weight: 7.4 grams. Approximate Total Diamond Weight: .1 carat.

An elegant Art Nouveau 18K gold, platinum and diamond pendant and brooch depicting a young woman with flowing flower-bedecked hair. She represents the Spring season, “Printemps.” Each of the flowers is centered a rose cut diamond and the maiden wears a necklace of rose cut diamonds, as well. The gold surface is bloomed for a slightly matte finish. The pendant/brooch is faintly heart-shaped and is finished along the edges with 54 rose cut diamonds set in platinum. The pinstem unscrews from the back, so the jewel can be worn as a pendant from the two pendant loops at the top corners. This design was commissioned in 1886 from the medallist Emile Séraphin Vernier by the esteemed house Fonsèque et Olive which was one of Paris’ most successful Art Nouveau jewelers.

• Origin: France, ca. 1890
• Condition: excellent
• Dimensions: 1-1/16 x 1-1/8”
• Approximate Total Diamond Weight: .75 carat
• Weight: 8.9 grams

A very fine, beautiful Art Nouveau gold brooch featuring a row of three kittens sitting on a diamond-studded platform. The kittens are finely cast with excellent attention to detail. The cat at the far right appears to be licking his neighbor while the one of the opposite end seems completely aloof from the proceedings. The bar supporting the cats is topped with silver in the traditional style of French Art Nouveau jewelry and is set with antique cushion-cut diamonds of very nice quality. Interlaced gold volutes are suspended below the diamond platform. The back retains the original pinstem and c-clasp, both marked with “tete d’aigle” stamps for 18K gold. The clasp also bears an illegible maker’s mark. The back is also stamped with a serial number, “6044”, indicating it was sold by an exclusive jeweler. While dogs are a relatively common theme in 19th century jewelry, domestic cats are much less so.

Origin: France, ca. 1880. Condition: excellent, all original. Size: 1-1/2” x 1-1/2”. Weight: 16.7 grams. Approximate Total Diamond Weight: .675 carat.

An elegant Art Nouveau 14K yellow gold locket depicting the head of a lion in 3/4 profile on the cover. His eyes are set with round faceted rubies (natural and untreated) and he grasps a 5-pt old European cut diamond in his jaws. The flowing mane is just visible behind the head and blends into the swirling border that completes the design. The plain back cover was never engraved.

• America, ca 1890
• Very good condition; a few small pinpoints on the back cover
• 1-1/8" diameter
• 6.5 grams
• Approximate Gemstone Weight: diamond, .05 carat; ruby, .05 carat

An elegant pair of French Art Nouveau 18K yellow gold earrings designed in a openwork pattern of irises. The flowers and foliage are highlighted with delicate engraving. The gold surfaces are enhanced with the soft matte texture typical of French jewels of the period. The wires appear to be replacements and are stamped with French 18K marks.

Origin: France, ca. 1890. Condition: excellent. Dimensions: 3/4" 3/4". Weight: 4.7 grams.

A lovely 18K yellow gold Art Nouveau pendant depicting Erato, the goddess muse of lyric poetry, by the noted French medallist Lucien Joseph René Janvier (b 1878). The goddess is depicted with a crown of laurel leaves on her flowing hair and with a cithara (ancient lyre-like instrument), her traditional emblem in the background. Janvier was particularly known for his medallist jewels and his shortened signature appears in the design just behind the goddess’ head. Tested and guaranteed 18K.

Origin: France, ca. 1900. Condition: excellent; sharp detail. Dimensions: 1-1/4 x 1-1/16” (excluding bail and jump ring). Weight: 13.8 gr.

A wonderful Victorian/Art Nouveau pendant and brooch in the form of a mythological griffin grasping a diamond in its jaws. The creature’s open-winged pose is somewhat unusual for this type of jewel, as they tend to be more curled up in a more circular position. The pose, however, makes for wear as a dramatic pendant hanging from the pendant loops on each wing. The back also has a removable fitting so it can also be worn as a brooch. And finally, there is a watch hook at the bottom that could suspend a watch or a dangling gemstone. The griffin is worked with in great detail and even the back is enhanced with engraved feathers and scales. The old mine cut diamond has good color and VS1 clarity. The pin stem is stamped with French 18K gold hallmarks.

• Origin: France, ca. 1890
• Dimensions: 2-3/4” x 1-3/8”
• Condition: excellent, sharp detail
• Weight: 18.1 grams
• Approximate Diamond Weight: .33 carat

A very fine French Art Nouveau 18K yellow gold festoon necklace comprising three gold plaques exquisitely engraved in a pattern of roses and their foliage. The plaques are curved to create a "festoon" look, and are suspended from a gold chain set with natural seed pearls. The backs of the plaques are lightly engraved with a reverse image of the roses—a hidden luxury that speaks to the quality of the piece. Each plaque also includes stems with pronounced thorns, perhaps as a reminder of the selflessness of love. Victorian floriography adoped red roses to represent love from the myth of Aphrodite and Adonis. As she raced to the side of her fallen mortal lover, Aphrodite pricked her toe on the thorn of a white rose and her blood forever stained the flower red. The necklace is stamped with French 18K gold marks, and with an illegible maker's mark.

• Origin: France, ca 1895
• Condition: excellent
• Dimensions: necklace length, 16-3/4"; central plaque, 1-7/8" wide, 1-1/4" high
• Weight: 21.9 grams

A stunning Art Nouveau 18K gold brooch featuring an enameled and engraved portrait of Pallas Athena, the Greek goddess of wisdom, horses and olives. Her beautifully engraved helmet is adorned with a small rose cut diamond. Her armor and the embroidery along the edges of her gown are also engraved. The quality of the painted enamel facial details and the background champleve enamel in royal blue is gorgeous. The edges of the medallion are enhanced with natural pearls. The back retains the original pinstem and c-clasp, both stamped with French 18K marks. A folding bail could easily be added to the piece can be worn as a pendant.

• Origin: France, ca 1890.
• Condition: excellent; all original; no enamel damage.
• Dimensions: 1-3/32" diameter.
• Weight: 8.4 grams.

Outstanding pair of early Art Nouveau 18K yellow gold earrings set with aquamarines. The surmounts, each set with three aquamarine beads, support double chains suspending shields set with oval aquamarines, in turn fringed with chain drops terminating in balls. The shields have foliate decoration that just begin to show the Art Nouveau sensibility. The chain elements are textured in the style more often associated with Etruscan Revival pieces. The aquamarines are of very fine quality with superb color and clarity. The earrings have lots of movement. They are long, yet are light enough to be worn comfortably. The earrings have been converted to screwbacks, but could easily revert to wires or even posts. Tested and guaranteed 18K gold.

Origin: America, ca. 1890. Condition: excellent. Size: 2-7/16” long. Weight: 15.0 grams. Approximate Total Gemstone Weight: 12.35 carats.

An exquisite Art Nouveau pendant/brooch in 18K gold with diamonds, pearls, and enamel. A lily pad, enameled in translucent shades of green, yellow, and rose centers the brooch, and is surrounded by whiplash curves of 95 round diamonds. A large diamond-set lily blossom appears at the top of the frame. All the diamond areas are set in silver-topped gold, as was the custom in French jewels of the period. The design is accented with pearls, including a pearl drop at the bottom. The piece has a brooch attachment, but also has a pair of small bails so it can be worn as a pendant. The brooch fitting, where the original French hallmarks would have been, has been replaced. Tested and guaranteed 18K gold.

• Origin: France, ca 1900
• Condition: excellent, brooch fitting replaced, no enamel damage
• Dimensions: 1-7/16” x 2-3/16” (36 x 55 mm)
• Approximate Total Diamond Weight: 1.9 carats

An elegant Art Nouveau 14K gold pendant and watch pin depicting the Greek goddess Pallas Athena. The design is worked in the medallist style more typical of French Art Nouveau jewelry, but this piece is American. The workmanship is first rate. Athena was the goddess of wisdom, horses and olives, and was the patroness of Athens. Here she is shown wearing her helmet, but it is adorned with wings instead of the usual dragon. Her identity is confirmed, however, with the sprigs of olive leaves and fruit tucked into her helmet. The edges of the pendant are set with small natural pearls. The back is stamped "14K" and retains the original folding bail, pinstem and watch hook.

NOTE: The pendant is shown with an optional 16" 14K gold chain.

• Origin: America, ca. 1900.
• Condition: excellent; sharp details; all original.
• Dimensions: 1-1/8" diameter.
• Weight: 6.0 grams.

A heavy French 18K gold and diamond pendant depicting a mythological griffin. The creature has the body of a lion and the head and wings of an eagle. His open jaws clasp an old mine cut diamond. The diamond has bright (G-ish) color and is VVS2 clarity. The griffin is depicted against a background of swirling foliage. The back is engraved to match the texture of the front. The griffin has two loops on the backs of the wingtips so it can be worn as a pendant. It originally also had a removable pin stem which is no longer present. The pendant is stamped with French 18K guarantee marks and a partial goldsmith’s mark.

• Origin: France, ca. 1890
• Condition: excellent, sharp detail, removable brooch mechanism absent
• Dimensions: 1-5/8” x 1-3/8”
• Weight: 11.6 grams
• Approximate Diamond Weight: .05 carat

A stunning French 18K yellow gold and diamond pansy brooch in the Art Nouveau taste. The petals are beautifully decorated in translucent enamels shading from silvery white to cream to rose. The outer ruffled edge of each petal is outlined in small rose cut diamonds. The pansy is centered by a larger rose cut diamond of unusually good color and clarity. As is typical of 19th century French jewels, the diamonds are set in silver. Each petal is cast separately and then attached to the others with a screw mechanism. The back has a replaced pinstem and clasp. Tested and guaranteed 18K gold.

Origin: France, ca. 1890. Condition: excellent, one 1/8" area of flaking enamel visible under magnification. Size: 1-1/4" x 1-1/4". Weight: 18.1 grams. Approximate Total Diamond Weight: 1.385 cts.

A very good French Art Nouveau 18K gold watch pin in the form of a mythological creature that appears to be a dragon with outspread feathered wings. The details are beautifully worked. The reverse is engraved to match the front. The creature grasps an antique cushion cut diamond in its jaws. The pin retains its original watch hook on the back. This piece could easily and inexpensively be transformed into a pendant with the additional of two pendant hooks at the wingtips. The back is marked with French 18K gold hallmarks, an illegible master goldsmith’s mark, and a design number indicating that the piece was made by a renowned maker of the period.

• Origin: France, ca. 1890
• Condition: excellent, sharp detail
• Dimensions: 1-1/4” x 1-1/8”
• Approximate Total Diamond Weight: .10 carat
• Weight: 12.7 grams

An interesting 10K Victorian pin in the form of a mythological creature coiled around a flame-like pillar. The creature appears to be an Ophis, a winged serpent from Greek mythology said to guard the myrrh fields of ancient Arabia. The monster grasps a seed pearl in it's jaws. The surfaces have a semi-matte bloomed finish. Tested and guaranteed 10K.

• Origin: America, ca. 1890
• Condition: excellent
• Dimensions: 1-3/8" x 1-3/16"
• Weight: 2.6 grams

An elegant Art Nouveau bracelet comprising foliate shaped links set with round amethysts alternating with fleur-de-lis shaped links. The amethysts have the deep violet coloring typical of the best quality Siberian material. Tested and guaranteed 14K gold.

• Origin: America, ca 1895
• Condition: excellent
• Dimensions: 7-1/2” long
• Weight: 19.4 grams
• Approximate Total Amethyst Weight: 5.22 carats

A lovely 14K yellow gold Art Nouveau bracelet comprising a series of round floral plaques, each hinged separately for comfort. The center five plaques are set with a round brilliant cut ruby at the middle of each blossom. The rubies have a strong purplish-red color that contrasts nicely with the yellow gold. Each plaque is pierced around the flower petals for added delicacy. The concealed clasp is marked “14K”.

Origin: America, ca. 1895. Condition: excellent, sharp detail. Size: 7-1/2” long; 1/2” wide. Weight: 12.8 grams. Approximate Total Gemstone Weight: ruby, 1.02 cts.

A lovely Art Nouveau pendant worked in gilt silver depicting a pair of hounds against a background of oak leaves and acorns. The quality of the casting and chasing is very nice. The reverse is marked "800".

• Origin: Europe, ca 1900
• Condition: excellent
• Dimensions: 1-9/32" diameter
• WeightL 13.0 grams

A very pretty Art Nouveau honeymoon pin worked in 10K yellow gold enhanced with enamel and seed pearls. The iris blossom is beautifully decorated in translucent shades of purple and greenish-yellow enamel and is centered by a small seed pearl. The flower appears against a crescent moon studded with graduated-size seed pearls. In the Victorian language of flowers, these elements were understood to symbolize “honey” (the flower) and “moon” (the crescent), thus representing “honeymoon”. These small pins were often given by grooms to their new brides as a wedding gift. For some reason, irises are somewhat uncommon in enameled jewelry. Though unsigned, the workmanship and style of this example suggests a Newark maker. The original clasp is marked “10K”.

Origin: America, ca. 1900. Condition: excellent, no enamel damage. Size: 7/8” x 13/16”. Weight: 2.3 grams.

A gorgeous enameled clover, worked in several shades of green is featured in this ring converted from a Victorian earring. The enamel has a soft velvety appearance and is accented at the center with a small pearl. The clover is set on a sturdy 14K gold split shank. Four-leaf clovers are generally associated with good luck, but in Victorian flower symbology, they also carried the sentiment, "Be mine." So whether you're in love or just feeling lucky, this ring is perfect!

• Origin: America, ca. 1900.
• Condition: converted; no enamel damage; excellent condition.
• Dimensions: crown, 3/4" x 3/4".
• Finger Size: 7.
• Weight: 3.7 grams.

A delightful Art Nouveau daisy pendant/pin, the petals formed from long Mississippi river pearls arranged around a textured gold disc studded with a rich reddish-orange citrine. The pearls have very attractive lustre. The back retains the original folding bail and pinstem/clasp, and is stamped with the mark for Charles S. Crossman & Co.

Origin: America, ca. 1900. Dimensions: 1-1/16" diameter. Weight: 6.1 grams. Approximate Total Citrine Weight: .43 carat.

A rare Art Nouveau brooch worked in 18K gold depicting Eros, the Greek god of love and harmony. “Amor” is the Latin version of his name, and English-speakers usually refer to him as “Cupid.” He is shown here with a quiver of arrows used to inflame love in the hearts of his targets. The quiver’s strap is set with small rose cut diamonds for an added bit of sparkle. The name “Amor” is included in the design to the left of Amor’s head. The brooch is signed “F Vernon” for Frédéric-Charles-Victor de Vernon, a noted French medallist and sculptor. This particular design was first exhibited by Vernon at the 1903 Paris Salon. The back is stamped with French 18K gold marks.

• Origin: France, ca. 1903
• Condition: excellent
• Dimensions: 1-3/32” diameter
• Approximate Total Diamond Weight: .10 carat
• Weight: 5.8 grams

An elegant heavy gold bracelet comprised of linked chains decorated with three-leaf clovers. In Victorian flower symbology, clover leaves, regardless of their number signified good luck, but they also held the meaning “think of me.” Kauffer was the primary jeweler of the Ecole de Nancy, France’s most important group of Art Nouveau artisans. He exhibited at the Louvre during his lifetime. Unlike the more florid Art Nouveau designs by Parisian jewelers, Kauffer’s designs tended to be more linear and graphic. The bracelet’s clasp is stamped with the 18K gold marks used outside Paris until 1919, with Kauffer’s maker’s mark, and also with Kauffer’s signature.

• Origin: France, ca 1910
• Condition: excellent
• Dimensions: 7-1/2” long.
• Weight: 32.7 grams.

14K gold Art Nouveau pendant necklace featuring a flower set with a blue sapphire center and a seed pearl bud enclosed within a heart-shaped frame of foliage. The gold has a slightly greenish cast and is engraved to suggest the velvety leaves. Originally a brooch, the pendant now hangs on a 14K gold split chain as an elegant necklace. Tested and guaranteed 14K.

• Origin: Continental Europe, ca. 1900
• Condition: excellent.
• Dimensions: pendant, 1" x 1"; necklace length, 18-3/4".
• Weight: 4.2 grams.
• Approximate Total Sapphire Weight: .06 carat.

Exquisitely rare Art Nouvean plaque pendant by master jeweler and enamelist Eugene Feuillatre. The overall bell-shaped outline mimics the shape of the flowers surrounded the golden maiden at the center of the pendant. The flowers are worked with en plein enamels in subtle shades of pale green and gold translucent enamels, and are surrounded by openwork filled with plique-a-jour enamels in milky opalescent shades of pale rose and blue. Every detail is perfectly worked. The best of the French Art Nouveau jewelers believed that a jewel should look as good from the back as from the front. The back of this piece features fine hand-engraved details showing the maiden's flowing hair and the delicate veining of the flowers' leaves and petals. the back is signed with Feutillatre's cartouche and is marked with a bigorne (a 19th century French guard against forgeries) and the "tete d'aigle" guarantee for 18K gold.

Eugene Feuillatre was born in Dukerque in 1870 and began exploring enameling techniques at the age of 18. He was hired by Lalique to execute his enamel designs and continued that association until around 1898 when he exhibited to great acclaim at the Paris Salon of the Societe des Artistes Francaises, where the Musee des Art Decoratifs (the decorative arts wing of the Louvre) acquired one of his works for its permanent collection. By the following year, he was exhibiting regularly at the New Gallery (London) and the Libre Esthetique (Brussels) alongside jewelry luminaries such as Lalique and Fouquet. Feuillatre exhibited successfully at the international expositions in Paris (1900) and Milan (1902). Today, he is considered among the greatest French fathers of Art Nouveau jewels.

Origin: France, ca. 1900. Condition: excellent, absolutely no enamel damage. Size: 1-1/4" x 2-9/16" (excluding bail). Weight: 13.7 gr.

A superb Art Nouveau 14K yellow gold locket, the front cover decorated with a scene depicting a maiden in flowing drapery amidst a rose garden with Classical ruins in the background. A cherub reaches down to touch her shoulder. The upper edge is set with a fine 5-pt ruby of slightly purplish-red color. Locket designs of this complexity are quite uncommon. The back cover is engraved "Aunt Dora to Dora 1906". The interior is marked "14K".

Origin: America, 1906. Condition: excellent, one pinpoint ding on back cover. Size: 1-3/16" diameter. Weight: 9.4 grams.

A fine Art Nouveau 14K yellow gold enameled pin with swirling foliage surrounding a bezel-set aquamarine. The enamel is worked in delicate translucent enamel in shades of blue, green and cream. Small seed pearls flank the nicely-colored aquamarine. The clasp is marked with Krementz' 14K hallmark.

NOTE: We are also offering a matching pin set with an amethyst and enameled in shades of violet (Item #1414819)

• Origin: America, ca 1900
• Condition: excellent; two 1/16" enamel nicks barely visible without magnification
• Dimensions: 1-1/2" x 9/16"
• Weight: 3.25 grams
• Approximate Total Aquamarine Weight: .7 carat.

A classic Art Nouveau brooch / pendant decorated with lush pale blue, medium blue, cream, and yellow matte enamels. The flower is centered with a round diamond. The pin is unmarked but is certainly by one of the Newark jewelers. The back retains the original pinstem and clasp. A bail could easily be added for wear as a pendant. Tested and guaranteed 14K.

• Origin: America, ca. 1900
• Condition: excellent, no enamel damage
• Dimensions: 7/8” x 7/8”
• Weight: 4.3 grams
• Approximate Diamond Weight: .02 carat.

A lovely 14K yellow gold pendant necklace, the scrolling elements enhanced with translucent enamel in the Newark style and centering a bezel-set oval pink tourmaline. The pendant suspends a baroque freshwater pearl flanked by two pink tourmaline briolette drops. The overall appearance is very pastel and lovely. The back of the pendant is marked “14K” and has the maker’s mark for Ehrlich & Sinnock.

Origin: America, ca. 1900. Condition: excellent, no enamel damage. Dimensions: necklace length, 17”; pendant, 1” x 1-3/8”. Weight: 4.9 grams. Approximate Total Gemstone Weight: tourmaline, 1.0 carat.

A fine Art Nouveau 14K yellow gold enameled pin with swirling foliage surrounding a bezel-set amethyst. The enamel is worked in delicate translucent shades of violet, cream and green. Small seed pearls flank the nicely-colored amethyst. The clasp is marked with Krementz' 14K hallmark.

NOTE: We are also offering a matching pin set with an aquamarine and enameled in shades of blue and green (Item #1414818)

• Origin: America, ca 1900
• Condition: excellent; no enamel damage
• Dimensions: 1-1/2" x 9/16"
• Weight: 3.6 grams
• Approximate Total Amethyst Weight: .75 carat.

A stunning Art Nouveau 14K yellow gold pansy pin enameled in rich shades of dark plum, violet, cream and saffron. The jeweler used a matte enamel to suggest the velvety texture of pansy petals. The flower is centered with a prong-set round cut diamond that adds a nice sparkle against the matte enamel. The back of the pin is marked for 14K and also has a maker's mark that we've not seen before. The pansy is most definitely a Newark or New York piece and is very similar to pansies by Hedges and Larter. Unlike most other pansies, the pin has rather substantial weight. The pansy was a popular flower for jewelry and in the Victorian language of flowers, it signified remembrance.

Origin: America, ca. 1900. Condition: excellent, all original, no enamel damage. Size: 1-1/4" x 1-1/4". Weight: 12.3 grams. Approximate Diamond Weight: .09 ct.

A lovely Art Nouveau enameled pin worked in 18K gold. The ornate multi-curved frame encloses a trio of grape leaves decorated with translucent enamel suspending a cluster of grapes formed from small pearls. The pin has a very delicate and elegant look. In the Victorian language of flowers, the grape symbolized "charity." Mark 10K.

Origin: America, ca. 1900. Condition: excellent, no enamel damage, all original. Dimensions: 15/16” x 7/8”. Weight: 2.9 grams.

A lovely Art Nouveau locket worked in 14K yellow gold depicting a poppy blossom and buds. In the Victorian language of flowers, the red poppy represented "consolation," certainly an apt choice for a locket that might hold a portrait. The interior of the locket retains both of the original frames and glass covers. The jump ring is marked "10K", but the locket is tested and guaranteed as 14K.

Origin: America, ca. 1900. Condition: excellent; sharp detail; the back cover appears to have had a monogram removed. Dimensions: 1-1/8" diameter. Weight: 6.9 gr.

A delightful pair of Art Nouveau daisy stud earrings, the petals formed from Mississippi River pearls arranged around a textured gold disc representing the flower's seed head. The freshwater pearls have attractive luster that contrasts nicely with the brightness of the gold. Tested and guaranteed 14K. These earrings would look particularly nice worn with a very similar pearl daisy pendant (Item #1402839) in our collection.

• Origin: America, ca 1900
• Condition: exellent; converted from the original screwbacks
• Dimensions: 1/2" diameter
• Weight: 2.2 grams

A delightful Art Nouveau 14K yellow gold circle pin, the center set with an enameled trillium blossom. The petals are beautifully enameled in translucent shades of ivory and green. The gold surface below the enamel is intricately engraved. The blossom is centered by a pale coral bead. The periphery of the circle brooch is set with small seed pearls. The back retains the original pinstem and clasp marked 14K and bearing the hallmark for Bippart, Griscomb & Osborn.

Origin: America, ca. 1900. Condition: excellent, no enamel damage, the swivel bale has been removed but can be replaced with no solder work necessary. Size: 31/32" diameter. Weight: 3.5 grams.

A very rare 14K gold and diamond Art Nouveau medallion watch pin featuring a portrait of Sacagawea. She is shown in profile, wearing a feathered headdress and a bear claw necklace, gazing out over plains dotted with teepees. An old mine cut diamond (G, VVS2) glimmers in place of the sun on the far opposite side. This piece was likely made at the time of the centennial anniversary of the Lewis & Clark Expedition in 1905. The back retains the original watch hook and pinstem. The clasp is marked for 14K and has Larter’s hallmark. The piece can easily be converted to a pendant with the addition of a bail.

• America, ca. 1905.
• Excellent condition; sharp detail
• 3/4” diameter
• Weight: 5.2 grams
• Approximate Total Diamond Weight: .025 carat

The pansy carries the message "Think of me" in the Victorian language of flowers. Certainly, the giver of this beautiful enameled gold pansy ring will be thought of often and fondly. The beautiful violet, cream, yellow and black enamels have a velvety texture to suggest the feel of a real pansy's petals and the whole is set off by a sparkling old mine cut diamond at the center. Originally a Victorian stick pin, this flower is now ready for daily wear with the addition of a 14K gold split shank.

• Origin: America, ca. 1900.
• Condition: converted from a stick pin; enamel is in perfect condition except for a small area about 3/32" that is mostly hidden by the petals in front of it (much less noticeable in person than in the photos).
• Dimensions: pansy, 9/16" x 9/16".
• Finger Size: 6-3/4.
• Weight: 3.4 grams.
• Approximate Total Diamond Weight: .03 carat.

A lovely Art Nouveau pendant in 14K yellow gold by Bippart, Griscom & Osborn. The curving gold frame encloses a flower with petals made from baroque Mississippi River pearls centering a bezel-set round blue sapphire. Another freshwater pearl hangs from the bottom of the pendant. The gold surfaces have a softly bloomed texture. The bail is original and is marked by Bippart.

• Origin: America, ca 1900
• Condition: excellent
• Dimensions: pendant, 2-1/2" x 5/8"; chain 15"
• Weight: 5.6 grams
• Approximate Sapphire Weight: .11 carat

A gorgeous enameled pansy, worked in several shades of bluish-purple is featured in this ring converted from a Victorian pin. The enamel has a soft velvety appearance and is accented at the center with a small pearl. The pansy is set on a sturdy 14K gold split shank. Pansies are generally associated with remembrance, but in Victorian flower symbology, they also carried the sentiment, "Think of me." So whether you're in love or just feeling nostalgic, this ring is perfect! Tested and guaranteed 14K.

NOTE: We are offering a matching pendant converted from the same Victorian pin. Item #1412579

• Origin: America, ca. 1900
• Condition: converted from a brooch; no enamel damage
• Dimensions: crown, 3/4" x 11/16"
• Finger Size: 6 1/2
• Weight: 4.0 grams.