Catalog: Estate Jewelry: Gold: Edwardian (67)

A stunning late Victorian or Edwardian reverse carved crystal depicting a collie dog. The crystal is set in an alternating border of French cut rubies and rose cut diamonds. Following the practice of the period, the rubies are set in gold, whereas the diamonds are set in platinum--a technique used to enhance the colors of the stones. The crystal is expertly carved and painted with tremendous depth and detail. Reverse carved crystals are most often set in plain gold mountings and it is quite difficult to find examples set with gemstones. The back of the pin retains its original extended pinstem and c-clasp.

Origin: England, ca. 1900. Condition: excellent, no scratches to crystal. Dimensions: 1-1/16" diameter. Weight: 12.6 grams. Approximate Total Gemstone Weight: diamond, .50 ct; ruby, 1.30 cts.

An extremely rare French 18K gold stick pin, the head set with reverse-carved Essex crystal depicting the historic first airplane crossing of the English Channel by Louis Bleriot in 1909. Transportation-themed Essex crystal jewelry is very rare, but those clearly linked to a specific vehicle or event are truly exceptional. The colors of the painting are vibrant and there is no sign of moisture damage. The pinstem is stamped with French 18K hallmarks.

Origin: France, ca. 1909. Condition: excellent. Size: head, 11/16” diameter; overall length, 3”. Weight: 6.8 grams.

A sophisticated 18K gold necklace, the baton links enhanced with black and white en plein enamel. The batons are separated by seed pearls that reappear as a band across the middle of the teardrop-shaped onyx pendant. The pendant hangs from the clasp, so the necklace can be worn alone or with the pendant. Both the clasp and the mounting of the pendant are stamped with French 18K hallmarks and an unidentified maker’s mark.

• Origin: France, ca. 1910
• Condition: very good, some enamel nicks on the baton links visible with a loupe, but none show the underlying gold
• Dimensions: chain length, 20”; pendant length, 1-1/16”
• Weight: 14.9 grams

An exquisite openwork pansy brooch in 18K yellow gold topped with platinum. The portions representing the outer edges of the petals are set with 48 rose cut and table cut diamonds (averaging J color and ranging from SI2 to I2 clarity), while the flower is centered with a half-carat old European cut diamond (J/SI2) in a bezel mounting. The pin has an overall sparkly appearance and looks stunning against dark fabric. The back of the setting is stamped with French gold and platinum marks, as well as with the master’s mark for the Bordeaux jeweler Dagens.

Origin: France, ca. 1910. Condition: excellent; original clasp and pinstem. Dimensions: 1-1/16” x 1-1/16”. Weight: 8.3 gr. Approximate Total Diamond Weight: 1.46 cts.

A superb Edwardian ring featuring a 1.89 carat antique cushion sapphire asymmetrically flanked by a pair of old European cut diamonds (.40 and .35 carats, both I color and one with VS1 clarity and the other with SI2 clarity, in buttercup settings. The design is further enhanced with scrolls set with rose cut diamonds. As is typical of the period, the gold ring is topped with platinum to highlight the color of the stones. The sapphire has beautiful texture and color that reads blue across the room. The stone shows no indication of heat treatment and is characteristic of the best sapphire from Sri Lanka. The shank is stamped with French import marks for 18K gold and platinum.

• Origin: French import marks, but likely American, ca. 1910
• Condition: excellent
• Dimensions: 3/4" wide
• Finger Size: 5-3/4” (easily sizeable)
• Approximate Total Gemstone Weight: sapphire, 1.86 ct; diamond, .89 ct
• Weight: 5.4 grams

Phenomenally impressive late Edwardian bar pin featuring 54 diamonds set in 18K white gold. The diamonds are cut in rose-cut (smallest stones) and old-European and brilliant cuts (larger stones). The color and clarity is outstanding. The larger stones are estimated at VVS1 clarity and G color. The larger stones are .45, .38, and .38 carats. The medium-sized stones are all between .11 and .18 carats. The total weight is 2.16 carats. The setting is quite simple, pointing toward Art Deco design. The brooch retains its original pinstem trombone catch. The back is marked "750" and has a unidentified jeweler's mark "M".

Origin: Europe, circa 1920. Condition: excellent, all original. Size: 4" long, 3/8" wide. Weight: 11.0 grams. Approximate Total Diamond Weight: 2.16 carats.

An elegant teardrop-shaped 19K yellow gold locket, the front cover set with diamonds, rubies, sapphires and pearls in a pretty floral pattern. The gemstones have bright color that contrasts nicely with the high karat gold. The front cover has the slightly matte Russian finish sometimes seen in the late 19th century, while the back cover is polished. The bail is stamped with Hungarian marks for 18K and with other continental marks for 19.2K.

Origin: Europe, ca. 1900. Condition: excellent, no monograms, two extremely shallow dings on the back cover (only visible from the inside). Dimensions: 11/16” x 1-3/16” (excluding bail and jump ring). Weight: 6.1 gr. Approximate Total Gemstone Weight: ruby, .03 ct; sapphire, .10 ct; diamond, .13 ct.

A buff-cut oval amethyst perfectly offsets the superb gold setting in this Edwardian 14K gold gentleman’s ring. The stone sits in a high setting that is intricately engraved with classic motifs such as pendant bellflowers, swags, and fans that bridge the Edwardian period into early Art Deco. The ring is large, but the relatively light color of the amethyst and the use of smooth buff cut instead of full faceting keeps it from being overpowering. A woman could easily wear the ring, as well. The interior of the shank is stamped “14K.”

• Origin: America, ca. 1920
• Condition: excellent, all original
• Dimensions: shank tapering from 5/32” at the back to 1/2" wide at the front; 1/4” height from finger
• Finger Size: 9-1/2
• Weight: 8.29 grams
• Approximate Amethyst Weight: 4.11 carats

A stunning 18K yellow gold locket by Auguste Peyroula in the shape of a heart decorated with rich blue guilloché enamel enclosed in a foliate-engraved gold border. The front cover is enhanced with a pair of gold cornucopias overflowing with roses and tied with a silver ribbon studded with 16 small rose-cut diamonds. The locket is completed with a bail decorated with floral engraving. The interior of the locket retains its original lining. Both sides of the locket are stamped with Peyroula's hallmark. From 1904 until 1937, Peyroula specialized in small enameled luxury goods such as compacts, cigarette cases, lipstick cases, etc. Most were designed in cooperation with and retailed by the leading French jewelry houses of the day, including Cartier, Boucheron and Tiffany.

Origin: France, ca. 1910. Condition: excellent, no chips or cracks, light surface wear to the enamel on the back face. Dimensions: 7/8" x 1-1/4". Weight: 11.4 gr. Approximate Total Diamond Weight: .15 ct.

An elegant Edwardian heart-shaped locket worked in 18K yellow gold. The front cover is enhanced with a small rose cut diamond and three small no-heat rubies set in a stylized floral pattern with engraved stems. The decoration is reminiscent of Imperial Russian jewels of the era, but the locket bears French gold hallmarks and is marked “Déposé” indicating that the design had a copyright of sorts. The edges of both the front a back covers are finished with banded reeding décor. The chain is old, possibly original, but is gold-filled.

• Origin: France, ca. 1910
• Condition: excellent, a couple of tiny pinpoints on the back cover
• Dimensions: 3/4" x 15/16” excluding jump ring; chain, 18” long
• Weight: 2.1 grams (without chain)

A handsome pheasant struts his stuff in this expertly-carved and painted Essex reverse crystal set in 14K yellow gold. The bird is presented against a landscape subtly-colored foliage and mounted on a rail fence setting. Animal jewelry featuring crystals as large as this are increasingly difficult to find. The clasp is marked “14K.”

• Origin: America, ca. 1910.
• Condition: excellent; all original; no water damage.
• Dimensions: 2-1/4” x 1”.
• Weight: 15.6 grams.

A classic sporting bracelet featuring three reverse-carved Essex crystals depicting a fox and a pair of horses. The gold mountings are formed from snaffle bits, horseshoes, riding crops, saddle belts and stirrups. The Essex crystals are expertly carved and painted with fine depth. The reverse is stamped with 14K marks and the maker’s mark for Carter, Gough & Co.

• America, ca. 1900.
• Excellent condition; no water damage or scratches.
• Dimensions: 7 1/2” long; 15/16” maximum width.
• Weight: 26.9 grams.

A beautifully detailed 18K gold tombstone-shaped pendant dedicated to St. George. The front shows George on horseback killing the dragon with his spear. The sun is depicted in the background with a glowing red ruby cabochon. The reverse depicts a fishing boat carrying Jesus and several disciples across the stormy Sea of Galilee, with the Latin motto “In Tempestate Securitas” (“safety in the storm”). St. George medallions do not always include the ship imagery, but when it’s there, the piece was intended to protect against the perils at sea. Generally, St. George is the patron saint of knights, soldiers, scouts, fencers, and archers, but he apparently also had a knack with the plague, leprosy, and venomous snakes.

• Origin: France, ca. 1900
• Condition: excellent, sharp detail
• Dimensions: 15/16” x 1-1/16” (excluding jump ring)
• Weight: 14.4 grams
• Approximate Gemstone Weight: .05 carat.

A lovely conversion ring featuring a a guilloche enamel plaque centered with a blue sapphire cabochon. The pale blue translucent enamel is accented with engine-turned engraving and is surrounded by a border of opaque white enamel with gold accents. The ring was created from an Edwardian stickpin with the addition of a 14K gold shank (the front is 18K).

• Origin: France, ca 1910
• Condition: excellent; no enamel damage
• Dimensions: crown, 1/2" diameter
• Finger Size: 6-3/4
• Approximate Sapphire Weight: .13 ct
• Weight: 2.3 grams

An elegant Edwardian bracelet worked in fancy curly-cued gold links, each with a slash of platinum-set rose cut diamonds for a little added sparkle. A collet-set ruby appears between each of the links. The rubies have nice color and are unheated. The links are formed loosely, so the bracelet has nice movement when being worn. The tongue of the concealed clasp is stamped with French 18K gold and platinum hallmarks and with an illegible master goldsmith’s mark.

• Origin: France, ca 1915
• Condition: excellent
• Dimensions: length, 6-3/4”; width, 5/16”
• Approximate Total Gemstone Weight: ruby, 1.2 carats; diamond, .20 carat
• Weight: 14.5 grams

A lovely small locked in the form of a four-leaf clover worked in 18K yellow gold. One petal is set with a round ruby. Each of the leaves is shaped in an exaggerated heart form, perhaps to suggest the beloved contents of the interior. The interior retains the original frames and glass covers, as well as photos of the original owner’s young husband and little girl in period clothing. The locket and jump ring are both stamped with French gold marks. Interestingly, the back of the jump ring is engraved “2016,” perhaps as a reference to when the locket was passed along to another generation.

• Origin: France, ca. 1910
• Condition: excellent, all original
• Dimensions: 13/16” x 13/16” (excluding bail and jump ring)
• Weight: 7.1 grams
• Approximate Gemstone Weight: .14 carat.

A wonderful and very rare 18K gold brooch set with a reverse intaglio carved crystal ("Essex crystals") depicting a rabbit or hare made for Hermès by their manufacturing jeweler Raymond Drouet. The crystal is set in a frame in the form of a double-barrel shotgun in the break position. The gun's stock is worked in yellow gold, but the barrels, trigger and trigger guard are worked in white gold. The crystal is finely carved and expertly painted in bright colors. The back of the pin retains the original double clip pinstem and is fully hallmarked with French gold marks and the master's mark for Raymond Drouet. Drouet executed designs for both Hermès and Réné Boivin during the 1920s and 30s. Carved crystals were very popular in England and the United States, but French examples, especially incorporating figural gold work such as the shotgun, are quite uncommon.

NOTE: We are offering a pair of matching cufflinks as Item #1258417.

Origin: France, ca. 1915. Condition: excellent, sharp detail. Dimensions: 1-11/16" x 1-1/8". Weight: 9.2 grams.

A delightful enameled 18K gold love/friendship charm or pendant by Georg Adam Scheid, jeweler to the Imperial Hapsburg Court in Vienna. The rooster is carefully engraved into the gold surface and then filled with translucent enamels in shades of orange, green and yellow. The edge is enameled in black with the French phrase, "Quand ce coq chantera, mon amitié finira. (When this rooster crows, my friendship will end.)" Obviously, the gold and enamel rooster will never crow, so the friendship will never end! The pendant/charm is stamped with Scheid's hallmark, the city mark for Vienna and French import marks for 18K.

Georg Adam Scheid (sometimes listed as Georg Anton Scheid) was active 1882-1911. He was particularly noted for his enamel work and became a favored gold- and silversmith to the Imperial Family. Scheid's pieces in gold are far rarer that his silver items.

• Origin: Austria, ca 1900
• Condition: excellent; no enamel damage
• Dimensions: 9/16" (14 mm) diameter (excluding bail and jump ring)
• Weight: 2.0 grams