Catalog: Estate Jewelry: Gold: Victorian (269)

A beautiful enameled oval locket in 18K gold, the cover decorated with a wreath of blue enameled forget-me-nots, each centered with a small rose cut diamond, against a black background. The design is encircled with additional black taille d’epargne enameling. The back is also decorated with blue forget-me-nots surrounded with taille d’epargne enameling and has a shield-shaped reserve that was never monogrammed. In Victorian floriography (the "language of flowers") forget-me-nots represented faithfulness, true love, and remembrance. The exposed gold surfaces on both the front and back are enhanced with engraved and stippled decoration. The interior retains the original glass covers and photos of two 19th century gentlemen. The bail is stamped with French 18K gold marks.Origin: France, ca. 1855

Condition: excellent, less than 5% loss to taille d’epargne enamel, mostly on the back

Dimensions: 15/16” x 1-3/8” (excluding bail and jump ring)

Weight: 13.2 grams

Approximate Total Diamond Weight: .08 carat

A beautiful late Victorian 18K yellow gold and platinum ring set with a 1/2-carat oval ruby bordered with rose cut diamonds set in platinum. The ruby is graded as slightly purplish-red color, medium-dark tone and moderately strong saturation (slpR 6/4) and shows no indicated of heat or other treatment. The carat weight of rose cut diamonds cannot be accurately determined by measurement, but they have the visual appearance of being about a half carat in total weight. Tested and guaranteed 18K gold and platinum.

• Origin: America, ca. 1900
• Very good condition; the back of the shank is an old sizing replacement that was obviously custom-made to match
• Dimensions: crown, 7/8” diameter
• Finger Size: 7-1/4
• Weight: 3.4 grams
• Approximate Total Gemstone Weight: ruby, .50 carat; diamond, .50 carat

An elegant pair of Victorian 18K yellow gold earrings fashioned as lover’s knots, with neither beginning nor end. The gold surfaces are decorated with an ornate foliate pattern, enhanced with flush-mounted antique cushion-cut diamonds, sapphires and rubies. The gemstones are of fine quality, with deeply saturated color and eye-clean clarity. The use of red, white and blue stones was particularly popular around the time of the American Centennial celebration in 1876. Tested and guaranteed 18K.

• Origin: America, ca. 1876
• Condition: excellent; replaced wires
• Dimensions: 3/4” x 1-1/8” from top of wire
• Approximate Total Gemstone Weight: diamond, .52 carat; ruby, .23 carat; sapphire, .23 carat
• Weight: 8.7 grams

An extraordinarily fine Victorian 14K yellow gold and enamel pocket watch chain in the Aesthetic style. The heavy chain comprises ribbed open links joined by doubly-interlocking textured open links. Near each end, the chain is set with a shell-motif bead accented with opaque black taille d’epargne enamel. The original t-bar is heavily decorated with acanthus leaves and geometric motifs typical of the Aesthetic era, all enhanced with enamel. At 15-1/4” long, the chain is just long enough to be worn about the neck as a short necklace or doubled twice at the wrist as a bracelet. And of course, it can still be used with a pocket watch and fob. Tested and guaranteed 14K.

Origin: America, ca. 1870. Condition: excellent, all original, enamel intact. Size: 15-1/4” long. Weight: 27.0 gr.

A fine Victorian 14K gold and platinum locket ornately decorated in the Etruscan style with a lily pond scene. The scene includes rose gold cattails, green gold lily pads, and platinum lily blossoms. The remainder of the locket is enanced with ropetwists, wire work, and appliques. The locket opens at the back to reveal a photo compartment. The locket is completed iwth its original matching bail.

• Origin: America, ca. 1860
• Condition: excellent; a few minor pinpoints on the back cover
• Dimensions: 1-3/8" x 2-3/16" (including bail)
• Weight: 14.6 grams

An impressively sized 14K gold locket ornately decorated in the Etruscan style with rosettes, shaped appliques, and rope twists. The center features a bouquet worked with rose gold foliage and platinum blossoms and buds. Exposed areas of gold have a soft bloomed finish. The back features an oval hinged locket opening. The locket retains the original matching bail. Tested and guaranteed 14K gold.

• Origin: America, ca 1860
• Condition: excellent, a few very minor dings on the back locket cover
• Dimensions: 1-3/8” x 2-5/8 long (including bail)
• Weight: 18.0 grams

A striking late Victorian 14K yellow gold crucifix set with sapphires, an old European cut diamond and seed pearls. The diamond is graded at I/SI2 and the sapphires are finely colored and show no indication of heat treatment. The gold surface is "bloomed" for a soft matte texture that enhances the gold color but is subdued enough for the religious purpose of the pendant. The bail is original and is stamped for Bippart, Griscom & Osborn, one of the finest Newark jewelers of the era.

• Origin: America, ca 1900
• Condition: excellent, all original
• Dimensions: 1-1/2" x 2-1/14" (excluding bail)
• Weight: 9.2 grams
• Approximate Total Gemstone Weight: sapphire, .80 carat; diamond, .23 carat

A very rare Victorian 15K rose gold brooch in the form of the Princes of Wales’ feathers set with Scottish jasper and bloodstone. The feathers are joined with a crown and a banner with the Prince’s motto “Ich Dien.” The gold surfaces are ornately engraved. The back bears a registry mark, dating the brooch to 1891, the 50th anniversary of Queen Victoria’s eldest son's investiture as Prince of Wales. Due to his mother’s extraordinarily long life, he was the first prince to mark a half-century in that position. Upon his succession, he ruled as Edward VII. Scottish agate jewelry was rarely set in gold, and this is one of the finest examples we’ve seen. The back is stamped with the registry (patent) number. Tested and guaranteed 15K.

• Origin: England, 1891.
• Condition: excellent; no stone damage or wear to gold; all original.
• Dimensions: 1-1/4” x 1-5/16”.
• Weight: 6.2 grams.

A classic Victorian 14K yellow gold fob seal, the surfaces ornately decorated in a repousse pattern of flowers and foliage. Fobs in this design are more typically English than American. It is very generously sized to make an impression when being worn. The citrine plaque is engraved with the monogram “WKV”, so we’ll just assume that was for William K Vanderbilt (LOL!) The ring is marked “14K.”

• Origin: America, ca. 1840
• Dimensions: 1” x 7/8” x 1-1/2” (excluding ring)
• Weight: 19.5 grams

A classic Victorian double belcher chain link necklace composed of interlocking double links in 14K gold. Substantial enough to be worn alone or suspending a large pendant or locket, the chain can also be worn wrapped three to four times around the wrist as a bracelet. The links are also open enough that the chain can suspend multiple smaller pendants or charms. Tested and guaranteed 14K gold.

• Origin: America, ca. 1890.
• Dimensions: 28” long.
• Weight: 18.2 grams.
• Condition: excellent, no repairs.

This substantial Victorian 14K gold chain can be worn alone as a statement piece or be used to suspend a heavy locket or pendant. Each link is reeded to add extra texture and shine. The links are open so the chain can be used to suspend a series of charms, if desired. The chain is completed with a spring ring clasp. The clasp is marked "14K" and the chain is tested and guaranteed 14K, as well.

• America, ca. 1880.
• Excellent condition.
• 22 3/4" long.
• 16.4 grams.

A classic Victorian fancy double belcher chain link necklace composed of interlocking fluted double links in 14K gold. The fluted shape of the links enhances the reflections in the gold, so the chain has a certain sparkly quality. Substantial enough to be worn alone or suspending a large pendant or locket, the chain can also be worn wrapped three to four times around the wrist as a bracelet. The links are also open enough that the chain can suspend multiple smaller pendants or charms. Tested and guaranteed 14K gold.

• Origin: America, ca. 1890.
• Dimensions: 28.5” long.
• Weight: 14.2 grams.
• Condition: excellent, no repairs.

A wonderful and extremely rare Victorian 15K rose gold brooch set with Scottish agate. The brooch is in the form of the 19th century Prince of Wales’ crown enclosing the traditional feathers in fleur-de-lys arrangement, over a banner with the legend “Ich Dien”. The feathers are set with jasper and bloodstone. The engraved decoration of the gold is first-rate. The back bears a registry mark, dating the brooch to 1891. In 1891, Queen Victoria’s eldest son, the future Edward VII, celebrated the fiftieth anniversary of his investitute as Prince of Wales. Due to his mother’s longevity, however, Edward was the first Prince of Wales to reach that mark. Agate jewelry set in gold is quite uncommon, and this is the only example we’ve found of this particular design. Tested and guaranteed 15K.

Origin: England, 1891. Condition: excellent, all original. Size: 1-5/16” x 1-1/4”. Weight: 6.0 grams.

A fine Victorian 18K yellow gold locket of modified kite shape in the Etruscan Revival style. The gold surfaces have a matte finish and are enhanced with a variety of ropetwist and beaded decorations in a sort of laced corset design. The back of the locket conceals a glass-covered compartment for a photo or hair. The locket door has a period “VBR” monogram.

Origin: America, ca. 1870. Condition: excellent, no dings. Dimensions: 1-1/4” x 2-1/16” long (including jump ring). Weight: 12.9 gr.

A lovely late Victorian 18K gold locket, the front and back covers worked in a stippled texture with engine-turned engraving along the borders. The front is further enhanced with a spray of vivid blue forget-me-nots and green foliage. In Victorian flower language, forget-me-nots symbolized true love or the desire to be remembered—either one a very fitting sentiment for a locket. The back cover has a monogram reserve that was never engraved. The interior retains the original frames and glass on both sides. The bail is stamped with French 18K gold marks.

• Origin: France, ca. 1890
• Condition: excellent, enamel intact
• Dimensions: 7/8” x 1-1/4” (excluding bail)
• Weight: 6.4 grams

A phenomenal Victorian 18K yellow gold brooch in the Etruscan Revival taste. The brooch features a large azurite-malachite cabochon weighing more than 60 carats. The natural fissures, and blue and green color mottling is striking, especially against the richness of the gold. The setting is one of the best Etruscan frames we’ve seen, befitting a minerological specimen that would have been considered extravagantly exotic (probably originating in Afghanistan). The stone is set in a collet surrounded with a border of beaded rosettes flanked on either side with delicate twisted wire. The frame is decorated at compass points with shell motifs outlined with twisted wirework. Cyma scrolls and graduated beading fill the space between the shells. The surface of the gold has the slightly matte bloomed finish that lends the appearance of antiquity to the better Etruscan pieces. The back of the brooch retains the original c-clasp and extended pinstem. Tested and guaranteed 18K gold.

Origin: America or England, ca. 1860. Condition: excellent, the border has two of the tiny rosettes and a tiny portion of one cyma scroll missing, but these are noticeable only upon very close inspection. Size: 2” x 1-11/16”. Weight: 19.75 grams.

A gorgeous early Victorian demi-parure consisting of a brooch and pair of earrings. Concave round white chalcedony discs are encircled in 18K yellow gold settings accented with black enamel. The center of each chalcedony disc is set with a delicately carved coral flower reminiscent of a pansy, which is, in turn, set with a natural half-pearl in a star-shaped gold mounting. The strong color contrast is very attractive. The earrings, especially, show the translucent quality of the chalcedony to great effect. The brooch retains the original extended pinstem and c-clasp, and the earrings retain their original wires and c-clasps. Tested and guaranteed 18K gold.

Ca. 1840. Condition: excellent, all original, no damage. Size: brooch, 1-5/16” diameter; earrings, 13/16” diameter, 1-3/8” long to top of earwire.

A fine French Victorian 18K gold and shaded enamel pin featuring an image of Raphael's "Madonna della Seggiola". The enamel scene of Mary, Jesus and John the Baptist is beautifully executed with great attention to detail. The gold background is stippled for added texture and a little sparkle. The reverse retains the original pinstem and clasp, both marked with French 18K stamps. There is also a partially visible maker's mark. This piece could easily be converted to a pendant with the addition of a bail at the top.

• Origin: France, ca. 1860
• Condition: excellent; no enamel damage
• Dimensions: 1-1/8" diameter
• Weight: 4.75 grams