Catalog: Estate Jewelry: Gold: Victorian (279)

A lovely late Victorian 18K gold locket, the front and back covers worked in a stippled texture with engine-turned engraving along the borders. The front is further enhanced with a spray of vivid blue forget-me-nots and green foliage. In Victorian flower language, forget-me-nots symbolized true love or the desire to be remembered—either one a very fitting sentiment for a locket. The back cover has a monogram reserve that was never engraved. The interior retains the original frames and glass on both sides. The bail is stamped with French 18K gold marks.

• Origin: France, ca. 1890
• Condition: excellent, enamel intact
• Dimensions: 7/8” x 1-1/4” (excluding bail)
• Weight: 6.4 grams

A fine Victorian 18K yellow gold locket of modified kite shape in the Etruscan Revival style. The gold surfaces have a matte finish and are enhanced with a variety of ropetwist and beaded decorations in a sort of laced corset design. The back of the locket conceals a glass-covered compartment for a photo or hair. The locket door has a period “VBR” monogram.

Origin: America, ca. 1870. Condition: excellent, no dings. Dimensions: 1-1/4” x 2-1/16” long (including jump ring). Weight: 12.9 gr.

A gorgeous early Victorian demi-parure consisting of a brooch and pair of earrings. Concave round white chalcedony discs are encircled in 18K yellow gold settings accented with black enamel. The center of each chalcedony disc is set with a delicately carved coral flower reminiscent of a pansy, which is, in turn, set with a natural half-pearl in a star-shaped gold mounting. The strong color contrast is very attractive. The earrings, especially, show the translucent quality of the chalcedony to great effect. The brooch retains the original extended pinstem and c-clasp, and the earrings retain their original wires and c-clasps. Tested and guaranteed 18K gold.

Ca. 1840. Condition: excellent, all original, no damage. Size: brooch, 1-5/16” diameter; earrings, 13/16” diameter, 1-3/8” long to top of earwire.

A phenomenal Victorian 18K yellow gold brooch in the Etruscan Revival taste. The brooch features a large azurite-malachite cabochon weighing more than 60 carats. The natural fissures, and blue and green color mottling is striking, especially against the richness of the gold. The setting is one of the best Etruscan frames we’ve seen, befitting a minerological specimen that would have been considered extravagantly exotic (probably originating in Afghanistan). The stone is set in a collet surrounded with a border of beaded rosettes flanked on either side with delicate twisted wire. The frame is decorated at compass points with shell motifs outlined with twisted wirework. Cyma scrolls and graduated beading fill the space between the shells. The surface of the gold has the slightly matte bloomed finish that lends the appearance of antiquity to the better Etruscan pieces. The back of the brooch retains the original c-clasp and extended pinstem. Tested and guaranteed 18K gold.

Origin: America or England, ca. 1860. Condition: excellent, the border has two of the tiny rosettes and a tiny portion of one cyma scroll missing, but these are noticeable only upon very close inspection. Size: 2” x 1-11/16”. Weight: 19.75 grams.

A fine French Victorian 18K gold and shaded enamel pin featuring an image of Raphael's "Madonna della Seggiola". The enamel scene of Mary, Jesus and John the Baptist is beautifully executed with great attention to detail. The gold background is stippled for added texture and a little sparkle. The reverse retains the original pinstem and clasp, both marked with French 18K stamps. There is also a partially visible maker's mark. This piece could easily be converted to a pendant with the addition of a bail at the top.

• Origin: France, ca. 1860
• Condition: excellent; no enamel damage
• Dimensions: 1-1/8" diameter
• Weight: 4.75 grams

A pair of fine shakudo ornaments originally mounted in Victorian times as a pair of cuff buttons, and then re-imagined by our jeweler as an elegant split-chain pendant necklace. The two plaques feature a court lady and gentleman in Meiji-period costume. After the collapse of the feudal Samurai system in Imperial Japan, Europeans collected old sword and armor fittings such as these to set as jewelry. The mountings and chain are 14K.

• Japan, ca 1890.
• Excellent condition, sharp detail and finish.
• Dimensions: each plaque, 15/16" x 13/32"; total pendant length, 2"; total necklace length, 18-1/2".
• 13.8 grams.

An elegant Victorian snowflake pendant worked in 14K yellow gold and set with old mine cut diamonds. The overall effect is very delicate with a lot of sparkle. The center diamond is approximate .33 carat and is graded as I/J, I1; the other diamonds, each .10 carat are I/J color and SI1/2 clarity. The pendant has a folding bail and retains the original pinstem which disappears nicely when being worn as a pendant. The back is marked “14K.”

• Origin: America, ca. 1890
• Condition: excellent
• Dimensions: 1-1/4” diameter
• Approximate Total Diamond Weight: 1.53 carats
• Weight: 7.5 grams

A pretty Victorian 14K gold locket, the cover featuring a lion rampant with a shield. The edges of the locket are worked in an ornate rococo design that is mirrored on the large suspension ring. The interior retains the original glass cover and frame insert. The back is engraved with a period “WWW” monogram. Tested and guaranteed 14K.

• Origin: America, ca. 1890
• Condition: excellent; sharp detail
• Dimensions: locket diameter 1”; overall length, 2”
• Weight: 10.7 grams

A wonderful 18K yellow gold and Essex crystal stick pin dating from the reign of Emperor Napoleon III. The head features a reverse-carved crystal decorated with a scene of a horse and rider jumping over a stone wall in a grassy field. The coloring is very finely done in pale shades. Essex crystals—especially those with sporting themes—were very popular in England and the United States. Occasionally, they were made in France, as well. French examples can often be identified by the use of a gold background under the crystal instead of the mother-of-pearl more frequently used in the US and England. The back of the gold mounting is stamped with the “tete d’aigle” hallmark for 18K gold and also with an illegible goldsmith’s mark.

Origin: France, ca. 1870. Condition: excellent, no damage or wear to the crystal. Size: overall length, 2-15/16”; head, 11/16” diameter. Weight: 5.0 grams.

A handsome gentleman’s ring, the front in the form of a horseshoe encircling an onyx cameo carved to depict a steeplechase scene of a jockey and horse leaping over a fence. Interestingly, the carver chose not to polish the black onyx background, perhaps to lend a more masculine feel to the design. The shank is finished in a reeded pattern. Tested and guaranteed 18K.

• Origin: probably, France, ca. 1900
• Condition: excellent
• Dimensions: crown, 3/4" wide tapering to 3/16” at the back
• Finger Size: 10
• Weight: 6.2 grams.

A lovely pair of Victorian earrings worked in 14K yellow, rose and green gold depicting a mother bird watching over her nest of three tiny eggs. The bird is nicely three-dimensional for added interest. The design is simply finished with a zigzag border. Tested and guaranteed 14K.

• Origin: America, ca. 1870
• Condition: excellent, earwires are replacements
• Dimensions: 5/8” diameter (excluding wires)
• Weight: 5.2 grams

A fine Victorian 14K gold mesh and onyx cameo bracelet. The center cameo depicts a classical youth flanked by four maidens, all in Greek or Roman attire. The cameos are nicely carved with good detail. The clasp is concealed by the male cameo. A heavy gold mesh makes up the remainder of the bracelet. The gold has a slight rose tint that contrasts nicely with the black and white of the cameos. The tongue of the clasp is stamped "14K."

• Origin: America, ca. 1890.
• Dimensions: 7 5/8" long; 13/16" wide.
• Weight: 34.5 grams.
• Condition: excellent; no damage to cameos; all original except the safety chain added at a later date (easily removed).

An early Victorian 14K yellow gold locket enhanced with a pretty design of painted enamel roses and taille d'epargne tracery. The exposed gold surfaces are further decorated with engraving. The back cover has a style of engine-turned engraving usually found only in the late Georgian or very early Victorian periods. The interior retains both of the original glass covers and gold frames.

• Origin: America, ca. 1840
• Condition: excellent; no enamel damage; a pinpoint ding to the back cover
• Dimensions: 1-1/16" x 1-1/2" (excluding jump ring)
• Weight: 8.2 grams

A nice pair of mid-Victorian earrings worked in chocolate brown lava set with pearls in 14K yellow gold. The earrings are designed as two acorns flanking an elongated amphora form surmounted by a lady’s head. The girandole arrangement (three elements suspended from a single element at the top) is relatively rare among lava earrings. Archaeological Revival lava jewelry from Pompeii was a very prized souvenir of a wealthy visitor’s Grand Tour through Italy due to the ongoing excavations there that accelerated in the late 1860s. The small pearls are natural and have excellent color and luster. Tested and guaranteed 15K gold.

• Italy & England, ca 1870
• Condition: excellent, no chips
• Dimensions: 3/4” wide; 1-15/16” long
• Weight: 5.8 grams

A lovely Victorian starburst pendant worked in 14K yellow gold and set with an old mine cut diamond at the center. Stars in Victorian jewelry symbolized guidance and wisdom. Most Victorian starbursts have straight rays, but the Art Nouveau-influenced curlicue design of this example makes it especially nice. The diamond at the center has good brilliance, I/J color and VS1 clarity. The pendant retains the original brooch fitting, as well, but it is very well hidden when being worn as a pendant. Tested and guaranteed 14K (the newer bail is marked 10K).

• Origin: America, ca 1890
• Condition: excellent
• Dimensions: 1-1/8” diameter
• Approximate Diamond Weight: .35 carat
• Weight: 4.3 grams

A handsome Victorian gentleman's ring in a substantial 14K gold setting. The ring features a masculine brown smoky quartz with flashes of goldish-orange brilliance. The setting is enhanced with ornate strapwork against a stippled background. The setting holds the stone well above the finger and the overall look is very weighty. The interior of the shank is stamped "14k."

• Origin: America, ca. 1900.
• Condition: excellent; sharp detail.
• Finger Size: 10-1/4.
• Dimensions: 3/4" wide at crown, tapering to 3/16" wide at back of shank.
• Weight: 13.8 grams.
• Approximate Total Gemstone Weight: 9.44 carats.

A lovely Victorian ring featuring a center red spinel flanked by a pair of oval blue spinels, all bordered in old European cut diamonds. The gemstones are intensely colored with excellent clarity. The ring likely dates to around 1876, when jewelry in patriotic colors enjoyed a resurgence for the American Centennial. Tested and guaranteed 14K. This ring would make a stunning and unique engagement ring!

• Origin: America, ca. 1876.
• Finger Size: 5.
• Dimensions: crown, 3/8" x 1/2".
• Weight: 2.5 grams.
• Approximate Total Gemstone Weight: red spinel, .58 carat; blue spinel, .53 carat; diamond, .20 carat.
• Condition: excellent.

A lovely pair of Victorian 14K gold earrings featuring a rose gold lily with green gold foliage against a yellow gold background. The flower petals and leaves are stippled for added texture. The edges are finished with ornate beading, rope-twists, and appliqués. In Victorian floriography, lilies represented virtue or purity, though in Queen Victoria’s personal floriography, the white lily represented “majesty.” The earrings appear to have been converted from a pair of cuff buttons with the addition of ear wires. Tested and guaranteed 14K.

• Origin: America or England, ca. 1850
• Condition: excellent
• Dimensions: 11/16” x 11/16”; 15/16” long from top of earwire
• Weight: 6.9 grams