Catalog: Estate Jewelry: Gold (1021)

A very rare pair of 18K yellow gold “Sputnik” earrings by H. Stern. This classic design features a golden dome studded with various colored gemstones including green tourmaline, pink tourmaline, almandite garnet, aquamarine, amethyst and citrine. Each piece of Sputnik jewelry has a unique appearance depending on the combination of gemstones used and even how they are arranged in relation to one another. This pair of earrings has brightly-colored stones in a very pleasing arrangement. Sputnik jewelry was created by H. Stern, Brazil’s largest dealer in colored gemstones, and was quite popular in the early years of the space race because of its perceived resemblance to the famed Soviet satellite. The earrings originally had posts which have been removed, leaving only the clips. Posts could be added again quite easily. The backs are signed by Stern and are marked “750” and “18K”.

Origin: Brazil, ca. 1960. Condition: excellent. Size: 1-1/16” diameter. Weight: 12.0 grams. Approximate Total Gemstone Weight: 12.37 carats (tourmaline, 4.25 cts; almandite garnet 2.87 cts; citrine, 2.75 cts; aquamarine, 1.40 cts; amethyst, 1.10 cts).

A fine Victorian 14K gold fob locket, the front cover worked in a deeply three dimensional design of a rose gold owl perched on a green gold branch. The eyes are set with garnet cabochons. The back cover has an engraved shield design that was never monogrammed. The hinged bail is engraved in a complimentary design. The interior of the locket retains its original frame and glass insert.

Origin: America, ca. 1870. Condition: excellent, sharp detail. Dimensions: 7/8" x 1-3/8" (not including jump ring). Weight: 13.7 grams.

Exquisite pair of Second Empire (Napoleon III) French 18K yellow gold earrings in the girandole style. The surmounts, each set with a single slightly flattened coral bead, suspend gold central elements, which suspend a fringe of coral, pearl and onyx beads. The earrings are marked with French 18K hallmarks.

Origin: Paris, circa 1850. Condition: excellent, all original. Size: 2-7/32" long. Weight: 6.0 grams.

A very handsome, heavy 18K yellow gold ring set with a rectangular cushion cut synthetic ruby. The angularity of the setting is particularly attractive. The use of synthetic rubies in the era immediately after World War II is very typical, and this ring would have been expensive. Such stones are often an unattractive, bright orangey-red color. This ruby has a deeper red color modified with a little purple for a very rich look. The stone is well cut, with very good brilliance. The interior of the shank is engraved "Y.M. 9 Decembre 1950", and the back of the shank is stamped with French 18K gold marks.

Finger Size: 8. Dimensions: crown, 15/32" x 3/4". Weight: 11.7 grams. Approximate Gemstone Weight: 1.64 ct.

A very pretty pair of Shakudo earrings in the form of partially folded fans. The dark metal surfaces are delicately enhanced with silver cranes amid gold plum blossoms, rocks and tree stumps. The crane was used in Japanese art to symbolize longevity. The fans are suspended from 18K rose gold wires. After the collapse of the feudal system in Japan, the artists who created elaborately decorated swords turned to jewelry as a way to express their creativity. Sometimes shakudo pieces were turned into jewelry with the addition of later mountings, but in this case the earring fittings appear to be original. It is also rather unusual for shakudo jewelry to have gold findings rather than silver.

Origin: Japan, ca. 1890. Condition: excellent, all original. Size: maximum width 11/16”; 1-11/16” long to top of earwire.

Exquisite Victorian sticking fashioned from 12K yellow gold, the head in the shape of a horseshoe prong-set with a double row of graduated rose-cut diamonds and cabochon rubies. One of the rubies is an old mine-cut and another is a rectangular cushion-cut. In both cases, the stones appear to be original, as the setting fits them perfectly. Perhaps the jeweler was more interested in matching color than specific cuts. This was not an uncommon practice in the era. Tested and guaranteed 12K gold.

Origin: probably England, circa 1880. Condition: very good, with wear to some of the outer prongs. Size: head, 5/8” x 9/16”, overall length, 2-7/16”. Weight: 2.5 grams. Approximate Total Gemstone Weight: diamond, .3 carat; ruby .5 carat.

A lovely vintage 14K yellow gold heart pendant pave-set with 62 round brilliant rubies by Tiffany & Co. The heart is slightly domed and shimmers in vibrant red. The workmanship is simply outstanding. The back has a folding bail and a pinstem so the piece can be worn as a pin or suspended on a chain. Marked “Tiffany & Co. 14K”.

Origin: America, ca. 1950. Condition: excellent, all original. Size: 7/8” x 15/16”. Weight: 6.7 grams. Approximate Total Gemstone Weight: 4.5 carats.

A very attractive pair of vintage 18K yellow gold star earrings by Tiffany & Co. The stars are slightly pulled out of shape, so the design has a sense of movement, and the legs are slightly faceted for a little extra shine. The earrings have Omega backs and the original posts, which could be removed for wear as clips. Each earring is signed "Tiffany & Co.", is marked "750" for 18K gold, and is dated 1983.

Origin: America, 1983. Condition: excellent, all original. Size: 13/16" x 7/8". Weight: 11.3 gr.

A stunning pair of late Victorian earrings in 18K yellow gold with diamonds, coral and onyx. The coral bead surmounts are punctuated with small collet-set diamonds and suspend gold buttercup settings, the tips accented with black enamel and holding oval cushion-cut diamonds, further suspending an enameled gold belt pave-set with rose-cut diamonds and flanked by a trio of red coral teardrops topped with small onyx beads. Everything about these earrings is of the very best quality. The diamonds are bright and well-cut, the gold settings are inventive, and the coral has the wonderful reddish hue of coral from the Italian coast near Naples. The earrings have threaded posts. Tested and guaranteed 18K gold.

Origin: France, ca. 1900. Condition: excellent. Size: 2-1/4” long. Approximate Total Diamond Weight: .54 carat. Weight: 11.0 grams.

A beautifully-designed Victorian ball locket enhanced with rose-cut diamonds. The two strap-like decorative elements on either side of the locket lift away, allowing the sphere to be unfolded into a locket accommodating six photos. The sphere is bisected by a band of rose-cut diamonds enhanced with engraving on either side. The original bail is set with rose-cut diamonds. As is typical of French jewels of the period, the diamonds are set in silver over the gold. Ball lockets with multiple panels are extremely rare, and this example is of particularly fine quality. Tested and guaranteed 18K.

Origin: France, ca. 1870. Dimensions: 7/8” diameter (excluding bail). Weight: 15.0 grams. Approximate Total Diamond Weight: .33 ct.

A fine modernist 18K yellow gold ring by Burle Marx set with an intricately carved amethyst in the “forma livre” (free form) style. Haroldo Burle Marx was particularly known for his use of large gemstones, often fashioned by carving or tumbling rather than faceting, a technique he invented in 1948. The color of the amethyst is deep purple and is nicely even throughout the stone. The gold surfaces are decorated with the fine florentined engraving typical of Marx’s pieces. The interior of the shank is signed “Burle Marx/750” and “Ind Bras/GB/791”.

Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create gifts for visiting heads of state and their wives, including Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark and Indian Prime Minister Indira Gandhi. He was also a favorite jeweler of Natalie Wood and Merle Oberon. One of his most important commissions was a gem-encrusted cross made for Pope John Paul II.

Origin: Brazil, ca. 1965. Condition: excellent, all original. Finger Size: 6-1/4. Dimensions: crown, 19 x 23 mm (3/4 x 29/32 in); shank tapers to 4 mm (5/32 in) at the back. Weight: 14.1 gr.

NOTE: We are also offering a matching pair of earrings (Item #1233381).

Fine Napoleon III 18K yellow gold pansy brooch, the upper large petals accented with a lacy pierced floral border and the lower petals with a row of alternating rose cut diamonds and antique cushion cut rubies. The gold surfaces have a matte finish that mimics the velvety texture of pansy blossoms. Delicate engraving brings out the veining on the lower petals. The diamonds and rubies are of fine color. In the Romantic language of flowers, the pansy was used to symbolize remembrance (the French word for pansy is the same as the word for thought). The diamond and ruby border is faintly heart-shaped, perhaps adding another layer of secret meaning. The back retains the original extended pinstem and c-clasp fully stamped with French 18K hallmarks.

Origin: France, ca. 1850. Condition: excellent, all original. Size: 1-3/8" x 1-7/32". Weight: 5.7 grams. Approximate Total Gemstone Weight: diamond, .37 ct; ruby, .72 ct.

Very nice Victorian 18K yellow gold stick pin in the form of a coiled snake. The head is set with an old European cut green tourmaline. The engraved detailing is very nice. The snake motif in Victorian jewelry, often used to represent eternal love, became popular after Prince Albert gave Queen Victoria a snake ring as her betrothal gift. Hallmarked with the French "tete de cheval" and an unidentified maker's mark.

Origin: France, circa 1850. Condition: all original, the pinstem has the usual bends that are not visible when being worn. Size: 2-15/32” overall length; snake, 1/2” x 1/2”. Weight: 1.5 grams.

An extraordinary modernist fringe necklace in 18K yellow gold and green tourmaline by the famed Brazilian modernist jeweler Haroldo Burle Marx. Burle Marx invented the technique of carving and tumbling forma livre ("free form") gemstones in 1948, and the technique became his signature. Most often, he used colorful stones native to Brazil—tourmalines, amethysts, aquamarines, citrines, etc. The tourmalines in this necklace are of the finest quality, with pure deep green coloring that contrasts beautifully with the gold mounting. Burle Marx never used pre-cast elements in his jewelry, and each piece was completely raised by hand from a gold ingot. All the plain gold links are accented with a brushed texture, and the links set with tourmalines have a contrasting florentined finish. The back of the clasp is stamped with Burle Marx's signature and 18K marks.

Burle Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create state gifts for the empresses of Japan and Iran, the queen of Denmark, and the prime minister of India, among others. In Hollywood circles, he was a favored jeweler to Natalie Wood and Mergle Oberon.

Origin: Brazil, ca. 1965. Condition: excellent, all original. Dimensions: 2-1/16" wide from the necklace line to the bottom of the central drop; overall necklace length, 16" (our jeweler can hand-make additional matching links to achieve your desired overall length.) Weight: 81.2 gr. Approximate Total Gemstone Weight: 57.58 cts.

NOTE: We also have a matching ring acquired from the same source (Item #1350545).

An outstanding Victorian Arts & Crafts long chain fashioned from a series of oval cut colored gemstones in graduating sizes, each bezel-set in 14K yellow gold and joined to one another with very delicate handmade gold links. The selection of stones includes amethyst, citrine, topaz, aquamarine, almandine garnet, hessonite grosularite garnet, pink tourmaline, green tourmaline, and smoky quartz. The chain is an amazing 78 inches (6-1/2 feet) long and can be worn draped around the neck at various lengths. Long chains without clasps and are difficult to wear around the wrist, but this example can be wound about ten times around the wrist for wear as a stunning bracelet. Tested and guaranteed 14K gold.

Origin: America, ca. 1890. Condition: excellent; all original. Dimensions: 78 inches long. Weight: 31.1 gr. Approximate Total Gemstone Weight: 94.6 cts.

A fine modernist 18K yellow gold ring by Burle Marx set with an intricately carved bi-color watermelon tourmaline in the "forma livre" (free form) style. Haroldo Burle Marx was particularly known for his use of large gemstones, often fashioned by carving or tumbling rather than faceting, a technique he invented in 1948. The colors of the tourmaline are nicely contrasting an dhighly saturated. The gold surfaces are decorated with the fine florentined engraving typical of Marx's pieces. The interior of the shank is signed "Burle Marx/18K" and "Ind Bras/GB/791".

Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create gifts for visiting heads of state and their wives, including Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark and Indian Prime Minister Indira Gandhi. He was also a favorite jeweler of Natalie Wood and Merle Oberon. One of his most important commissions was a gem-encrusted cross made for Pope John Paul II.

Origin: Brazil, ca. 1965. Condition: excellent, all original. Finger Size: 6-1/2. Dimensions: crown, 19 x 29 mm (11/16 x 1-1/8 in); shank tapers to 4 mm (5/32 in) at the back. Weight: 16.1 gr.

An exceptionally fine Victorian 18K yellow gold and turquoise locket in the Etruscan Revival taste. The outside of the sphere is encrusted with ornate wirework decoration against a stippled background. Small Persian turquoise cabochons, some set in star-shaped mountings, add a touch of color. The clasp is cleverly hidden to be nearly invisible when the ball is closed. Indistinctly marked; tested and guaranteed 18K.

Origin: England or America, ca. 1880. Condition: excellent, all original. Dimensions: 7/8" diameter (excluding bail). Weight: 11.2 grams.

A very fine and heavy vintage 14K yellow gold necklace by Tiffany & Co. The timeless braided design is enhanced by the gradual tapering of width from the center toward the clasp. The flat braided construction allows the necklace to life flat against the throat. This design has been reinvented several times over the years, and this piece likely dates from the 1960s. It is not currently available, but chains of similar weight are available from Tiffany in the $5,000 range. The clasp is marked “Tiffany & Co. 14K”.

Origin: America, ca. 1960. Condition: excellent, all original. Size: 16-1/4” long; 3/8” wide at center. Weight: 31.2 gr.

Handsome Victorian 10K yellow gold ring in the form of two lion’s claws grasping a large old European cut garnet. The detail in the setting is excellent and the gold has a slightly rosy tint that contrasts nicely with the red stone. The garnet has a lively red color and excellent clarity. The inside of the shank has a pair of monograms. Tested and guaranteed 10K gold.

Origin: America, ca. 1890. Condition: very good, sharp detail, slight wear to two prongs, but the stone is secure. Ring Size: 9-3/4. Approximate Gemstone Weight: 1.22 carats.

A fine pair of modernist 18K yellow gold earclips by Burle Marx set with intricately carved amethysts in the “forma livre” (free form) style. Haroldo Burle Marx was particularly known for his use of large gemstones, often fashioned by carving or tumbling rather than faceting, a technique he invented in 1948. The color of the amethyst is deep purple and is nicely even throughout the stones. The gold surfaces are decorated with the fine florentined engraving typical of Marx’s pieces. The backs of the earrings are signed “Burle Marx/750” and “Ind Bras/GB/791”. The earrings have clip mechanisms, but posts could easily be added without disturbing the integrity of the earrings.

Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create gifts for visiting heads of state and their wives, including Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark and Indian Prime Minister Indira Gandhi. He was also a favorite jeweler of Natalie Wood and Merle Oberon. One of his most important commissions was a gem-encrusted cross made for Pope John Paul II.

Origin: Brazil, ca. 1965. Condition: excellent, all original.

NOTE: We are also offering a matching ring (Item #1233380).

An outstanding Victorian lion's claw pendant mounted in 18K yellow god in the Etruscal Revival style. The mounting is covered with twisted rope, stippling and applied bead decoration, and is finished with a slightly matte surface. The quality of workmanship suggests the workshops of Rome as a likely place of origin. Lion's and tiger's claws were often brought back as souvenirs from hunting trips to Africa and India and were transformed into jewels. This claw is quite generously sized and is in very good condition, with a sharp point and no scaling. There is the natural splitting usually found on the inside of the curved edge. Tested and guaranteed 18K. French import hallmarks for 18K.

Origin: probably Italy, ca. 1860. Condition: excellent. Size: 1-5/8" (excluding remnants of chain) x 1-7/8". Weight: 9.1 gr.

NOTE: We will not ship this item outside the United States.

A fine pair of Victorian 18K yellow gold tassel earrings. The foxtail chains are suspended from bell-shaped surmounts with bands of engraved decoration and applied flowers worked in rose and green gold. Each foxtail chain ends in a small gold sphere. The earrings have an elegant look, without being too heavy for comfortable wear. The surmounts are marked with French “tete d’aigle” hallmarks for 18K gold.

Origin: France, ca. 1860. Condition: excellent, wires are replacements. Size: 1-3/8” long. Weight: 5.5 grams.

A lovely double-sided 18K yellow gold and beveled crystal porte-photo (“photo carrier”), the gold rim simply decorated with a bound reed design in the Louis XVI style. It is cleverly constructed with a hidden screw mechanism that allows the gold frame to expand so the crystal covers can be removed for adding or changing the contents. Double-sided porte-photos were often used to display a photo on one side and a tiny lock of hair or a memento such as a pressed flower on the other. They could also be used to display a "public" photo on one side and a more "private" photo on the reverse. They are usually round or oval; lozenge-shaped examples such as this are uncommon. These lovely little pieces are becoming increasingly difficult to find. The porte-photo is fully stamped with French 18K gold hallmarks.

Origin: France, ca. 1880. Condition: excellent; very minor surface scratching on crystal consistent with age. Size: 1-5/16” x 1-1/2” (excluding jump ring). Weight: 6.0 grams.

A rare pair of 18K yellow gold earclips in the Sputnik style by H Stern. The domes are bezel-set with round amethysts, citrines, aquamarines, green and pink tourmalines, and garnets. This design was created in the 1950s to highlight the range of colored gemstones available from the mines of Stern's native Brazil. It later came to be called "Sputnik" for its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance that relies on the particularly selection and placement of the gemstones for its overall look. This pair has strong, saturated colors in the stones. Each earring is marked for 18K and also has the early maker's mark for H Stern.

Origin: Brazil, ca. 1955. Condition: no dings or chips to stones. Dimensions: 11/16" diameter. Weight: 6.5 grams. Approximate Total Gemstone Weight: 4.86 cts.

A very fine 14K yellow gold mesh watch fob suspending a nicely detailed 14K Egyptian Revival Sphinx seal. Mesh fobs are most frequently gold-filled, but this example is solid 14K. The fittings at either end are beautifully engraved in a foliate pattern. The Sphinx seal depicts the regal creature in its traditional pose with wings swept back against the leonine flanks. Tested and guaranteed 14K.

Origin: America, ca. 1870. Condition: excellent, sharp detail, no engraving on seal. Dimesions: overall length, 6-1/8"; seal, 1 x 3/4". Weight: 30.0 grams.

A very wearable pair of 18K yellow gold earrings by Tiffany & Co. The classic design resembles bundles of rushes laid across one another and is suitable for daily wear. The quality of the finishing is very fine, as would be expected. The earrings retain their original omega clips, and posts could easily be added. The earrings are signed “Tiffany & Co. 750”.

Origin: America, ca. 1990. Condition: excellent. Size: 15/16” x 11/16”. Weight: 16.5 grams.

A striking 1950s extra-large bracelet charm by Van Cleef & Arpels. The charm is a fully-functional roulette wheel studded along the edge with collet-set round cut sapphires and emeralds. Under crystal dome, a tiny ruby bead serves as the marble. The moveable handle spins the dial, causing the ruby to skip along until if falls into one of the depressions on the wheel. Instead of numbers, however, the wheel is engraved “Je t’aime” (I love you…)/”Un Peu” (…a little)/”Beacoup” (…a lot)/”Passion” (…passionately)/”A La Folie” (…crazily)/”Pas Du Tout” (…not at all). The gemstones, as would be expected, are of the finest quality. A plain roulette wheel charm, without gemstones and engraved only with numbers, appears in a 1955 VCA print advertisement. The back is marked “Van Cleef et Arpels”, “Made In France” and has the serial number “16V507”. The maker’s mark appears on the bale. This piece can be worn on a heavy bracelet, but would be even more spectacular worn as a necklace.

Origin: France, ca. 1955. Condition: excellent, all original. Size: 1-7/16” diameter. Weight: 22.7 grams. Approximate Total Gemstone Weight: sapphire, 1.0 ct; emerald, .35 ct; ruby, .1 ct.

A stunning pair of 18K yellow gold earrings in the "Heliocoidal" pattern by lauded designed Michael Good. The earrings are constructed in the anticlastic raising technique in with the piece is formed from a sheet of gold and then twisted along all three dimensions to create an organic shape that Good refers to as "molten energy." Each piece is created entirely by hand and does not employ any machine made parts such as earwires or clasps. Older examples of Good's jewelry is difficult to find. Each earring is marked "750 M Good".

Origin: America, ca. 1987. Size: 2-7/8" long. Weight: 8.2 gr.

A nice vintage tie bar in a bamboo pattern by Tiffany & Co. The bar is worked in 14K yellow gold, and each end features a blue sapphire cabochon collet set in platinum. The small amount of platinum contrasts nicely with the deep blue of the sapphires. The bamboo design was reworked in the 1960's and became one of Tiffany's most successful sterling silver flatware designs. Its use in jewelry, however, is uncommon. The relatively short length works perfectly with the narrow width of today's ties. The back is marked "Tiffany & Co. 14K."

Origin: America, ca. 1945. Condition: excellent. Size: 1-15/16" long. Weight: 6.1 grams. Approximate Total Gemstone Weight: .34 ct.

A very pretty pair of Victorian 14K yellow gold earrings set with pearls and seed pearls. The main bodies hang freely from the surmounts, and the bottom edges suspend free-hanging pearls, providing a lot of movement when being worn. The delicate scroll work makes a nice counterpoint to the simplicity of the pearls. Tested and guaranteed 14K.

Origin: America, ca. 1870. Condition: excellent, all original. Dimensions: 5/8” x 1-3/4” long (from top of wire). Weight: 6.8 grams.

A beautiful 18K yellow gold bracelet featuring alternating flexible links set with cabochon blue sapphires and round brilliant cut diamonds. The collet-set sapphires, graded as medium-dark blue in color, have good clarity and show no signs of heat or other treatment. The diamonds, graded as SI2 clarity and J/K color, are bead-set in white gold. Tool marks on the reverse indicate that the bracelet is handmade. The box clasp is concealed under one of the sapphire links. Marked "18K" and with a serial number and unknown maker's mark.

Origin: America, ca. 1980. Condition: excellent. Size: 15/32" wide; 7-1/4" long. Weight: 33.4 grams. Approximate Total Gemstone Weight: sapphire, 25.84 carats; diamond, .54 carat.

A lovely 18K yellow gold ring and pearl ring by Tiffany & Co. The split shank is enhanced with a chain-link motif at the crown and is set with a single 7.5 mm Akoya cultured pearl. The pearl is of very fine quality with white body color and silver overtones—the shading most favored by Tiffany. The luster is is very good and the surface is excellent condition. The interior of the shank is stamped “750” and “Tiffany & Co.”.

Origin: America, ca. 2000. Condition: excellent. Finger Size: 8. Weight: 4.8 gr.

A striking pair of 18K yellow gold earrings accented with hardstone inlay by Angela Cummings for Tiffany & Co. Each slightly domed oval earring is set with polka-dots of carnelian, mother-of-pearl and onyx. Cummings pioneered the use of the mosaic technique in modern jewelry during her early years at Tiffany. These earrings were created in the early 1970s, before Tiffany began allowing Cummings to sign her designs with her own name. The backs are marked “Tiffany & Co. 750”.

Origin: America, ca. 1972. Size: 13/16” x 15/16”. Weight: 17.2 gr.

A lovely late Victorian 18K yellow gold locket, the cover enhanced with repousse decoration featuring a pair of race horse heads encircled by a wreath of roses. The wreath is tied at the back with a ribbon edged in milgrained platinum and studded with four small rosecut diamonds. The detailing of the design is very nice. The back of the locket has an ornate “SC” or “CS” monogram. The interior retains its original gold frames. Tested and guaranteed 18K.

Origin: America, ca. 1890. Condition: excellent, sharp detail. Size: 1-3/16” diameter. Weight: 10.8 grams.

A stunning 19K yellow gold enhancer pendant intended for a thick chain or a strang of beads by Elizabeth Locke. The oval pendant encloses a gorgeous labradorite cabochon glowing with the billowy blue color of the best labradorite. The central stone is accented at compass points by round brilliant-cut blue sapphires. The sapphires have a slightly violet tint and exceptional brilliance. The bail is hinged so the pendant can be slipped over a thick chain or onto a strand of beads or pearls. The interior of the bail is has Locke’s signature and is marked “19K”. The pendant is presented in its original Elizabeth Locke silk pouch. A similar pendant currently retails for $3,600.

Origin: America, ca. 2010. Condition: excellent. Size: 1-1/2” x 3/4”. Weight: 10.6 grams.

A very good Victorian 18K gold watch fob worked with yellow, green and rose gold in an ornate rose pattern and mounted with an oval faceted citrine. The blossoms and foliage completely encircle the domed mounting decorated with stippled engraving. The fob hangs from an ornate foliate scroll. The gemstone in a fob such as this would often have been engraved with a monogram for use as a letter seal, but this citrine was never engraved. Tested and guaranteed 18K.

Origin: America, ca. 1880. Condition: excellent, sharp detail. Dimensions: 3/4" x 5/8” x 1-1/4”. Weight: 9.1 grams. Approximate Total Gemstone Weight: citrine, 8.0 cts.