Catalog (2449)

Elegant Victorian sterling silver serving dish with intricate repousse and pierced sides. The sides are finished off with a cyma-curve border punctuated at compass points with baroque shell motifs. The bottom is fully hallmarked for London, 1891-92, and has the maker’s mark “WC”. The piece is quite heavy and is of the very good quality.

Origin: England, 1891-92. Condition: excellent, no dings, no monogram. Size: 9” x 6-1/2” x 1-3/8” high. Weight: 177.5 grams.

A elegant brooch worked in 18K yellow gold filigree centering a round brilliant-cut amethyst surrounded by natural seed pearls. The amethyst’s collet is enhanced with millegraining, as is the remainder of the filigree work. The edge is finished with a border of wirework rosettes. The quality of workmanship is superb. Filigree of this delicacy is usually only seen in platinum. The amethyst is moderately pale with a slightly pinkish tint. The back of the pin is marked “18Kt”, and there is an indistinct mark on the original c-clasp. The brooch could easily be converted for wear as a pendant.

• Origin: England, ca. 1900
• Condition: excellent, all original
• Dimensions: 1-1/8” x 1-1/8” on the diagonal; 7/8" x 7/8" on the square
• Weight: 4.7 grams
• Approximate Amethyst Weight: .68 carat.

Rare Staffordshire spaniel head bank. The spaniel is highlighed with copper lustre spots and a copper luster neck chain/padlock.

Origin: England, last quarter 19th century. Condition: Mint, except for 3/8" flake on the bottom of the foot rim (not visible from the top or side); appropriate glaze crazing for the age. Size: 4-1/4" tall.

Wonderful 7-piece toleware spice set comprised of a handled tray, four spice tins, and two spice tins with sifter tops. Two of the regular tin lids are decorated with a red and yellow pomegranate design; one has a red, yellow and green strawberry design; and one has a red, yellow and green tulip and flower design. The sifter lids are simply decorated with yellow and red arcs. The sides of all the tins are decorated with a squiggly yellow line, as are the sides of the tray. The handle of the tray is decorated with green foliage.

Origin: American, probably central Pennsylvania, 19th century. Condition: excellent; all the tins have wear to the lower third where they rub against the sides of the tray; all original finish with appropriate alligatoring; the lid of one tin is a bit loose, but all the others are very tight. Size: tray--5.5" x 8" x 4" tall; tins--2-7/8" tall x 2-5/8" diam.

Very nice pair of early toggle-back 14K yellow gold cufflinks, each set with an old European cut diamond. The edges of the faces have a foliate design surrounded a textured center featuring a ribbed collet-set diamond. The stones are very nice quality with excellent clarity and bright color. The backs marked 14K.

Origin: America, ca. 1940. Condition: excellent. Size: 11/16" diameter. Weight: 10.5 grams. Approximate Total Diamond Weight: .25 carat.

Beautiful Mikimoto 18K yellow gold and pearl brooch. Opposing swirls of gold surround a cluster of five Mikimoto pearls, ranging from 5 to 6 millimeters. The quality of the pearls is excellent (estimated at AA quality), with very high luster and a bright white body color and rosé overtones. The back is marked with Mikimoto’s hallmark and “750” for 18K gold.

Origin: Japan, ca. 1990. Condition: excellent, all original. Size: 1-27/32” x 13/16”. Weight: 8.5 grams.

Lovely signed Mikimoto flower-form brooch in 18K yellow gold set with pearls. The flower petals are made up of very fine quality 6-6.5mm pearls, estimated at AA. The nacre is thick and very lustrous. The body color is white with green/rose overtones. The back of the pin is marked with Mikimoto’s hallmark and the gold content.

Origin: Japan, ca. 1990. Condition: mint. Size: 2-1/8” x 1-1/8”. Weight: 6.5 grams.

A very nice sterling silver pincushion and sewing box by Tiffany & Co. The pierced sterling silver walls enclose a sewing box (or jewelry box) with two hinged tops that serve as pincushions. The current dark purple velvet is a replacement, but is placed over the original box structure. The pierced handle has an area that can be monogrammed (never been monogrammed). The whole is raised on bun feet. The bottom is marked with the Tiffany hallmark in use 1902-07.

Origin: America, 1902-07. Condition: excellent, velvet replaced, never monogrammed. Size: 6-7/8” x 3-1/2” x 4-1/2” tall.

A lovely 14K yellow gold round brooch featuring a reverse-carved intaglio of a marlin or swordfish. The fish, recently hooked, is pictured leaping high above the waves. The crystal is nicely painted and retains its bright coloring. The crystal is set in a sunburst frame. Essex crystals first became popular during the Victorian era and usually featured sporting animals such as horses, foxes and fish, or domestic pets. They continued to be popular through the Edwardian period, but few were made after World War II. The back of the pin is marked “14K” and has the maker’s name “Crossroads”.

Origin: America, ca. 1940s. Condition: excellent, all original. Size: 1-7/32” diameter. Weight: 8.5 grams.

A lovely footed sterling silver salver in the George III style. The salver is perfect for use as a wine coaster, as the size will accomodate a magnum or a champagne bottle. The scalloped stepped border is elegantly decorated with acanthus leaves and gadrooning. The shell-shaped feet are flanked by acanthus leaf returns. Marcus & Co. was one of the most exclusive jewelers in America and was one of the few companies to give Tiffany any serious competition. They did not make their own silver, but retailed high-end makers such as Gorham, Frank Smith, Whiting, etc. The bottom is marked with Marcus’ retail mark, “Sterling” and the pattern number 1928.

Origin: America, 1918-27. Condition: excellent, normal wear and some staining on surface (could be buffed), sharp details, no dings or monograms. Size: 7-7/8” diameter; 1-1/16” high. Weight: 296.0 grams.

Nice Art Deco brass cocktail shaker in the form of a wine bottle. The bottle separates at the shoulders to reveal the strainer and the lip of the bottle removes for pouring. The bottom of the shaker is indented just as a glass wine bottle is. We’ve had many figural cocktail shakers, but this is the first bottle we’ve had.

Origin: probably America, ca. 1935. Condition: untouched patina, a couple of ding nears the bottom edge and another at the shoulder. Size: 3” diameter; 12” tall.

A beautiful Art Nouveau panel-cut crystal vase, the surface completely etched in a swirling design of flowers resembling columbines. The etching is highlighted with soft gilt details that bring out the depth of the pattern. The rim of the vase is finished in a sawtooth pattern derived from the shapes of the engraved blossoms. Although often attributed to Moser, this style of engraving with gilt highlights is typical of the Art Nouveau designs from the great Bohemian glasshouse Harrach. The quality of the crystal itself, as well as the workmanship, easily illustrates why Harrach was considered a primary competitor to Moser.

Origin: Bohemia, ca. 1910. Condition: excellent, no chips or cracks, gilding intact. Size: 14-1/2” tall.

A delightful Japanese silver and patinated steel short watch fob suspending a heart shaped locket decorated with gold and silver shakudo style inlay. One side of the locket is decorated with a beautifully worked iris and foliage, while the other side has a pair of inlaid swallows. The interior is engraved, either with the maker’s name or with an affectionate inscription. This is a most unusual adaptation of the Western imagery of the heart as a love token with the late 19th century Japanese aesthetic.

Origin: Japan, ca. 1900. Condition: excellent, all original, patination intact. Size: overall, 5-5/8” long; heart, 11/16” x 21/32”. Weight: 17.5 grams.

An extremely rare sterling silver ladle for serving warm alcohol-based punch. The globe-form bowl is the traditional shape for toddy ladles. Today, the ladle could be used for various sauces or beverages such as egg nog—or even a toddy! The straight handle is ornamented with simple turnings before swelling to an olive-shaped terminal decorated with bright-cut floral engraving. The back of the terminal has a period three-letter monogram engraved in a matching style. The inner and outer surfaces of the bowl are heavily stippled and gilt. The back of the handle bears the retailer’s mark “J E Caldwell”. The style indicates this is an early piece of sterling, probably made just after the sterling standard was introduced in America by Tiffany.

Origin: America, ca. 1865. Condition: excellent, all original gilding. Size: 8-3/4” long. Weight: 113.0 grams.

A very fine Nailsea-Stourbridge green bottle glass paperweight with a foiled flower pot design. A large central petunia-type flower arises on a slender stem from the well-formed pot, and is surrounded with two additional circlets of smaller flowers, four to each layer. This example is particularly nice with a good, clear gather of glass and a fine shape. The bottom has the rough pontil.

Origin: England, mid-19th century. Condition: excellent, very light surface wear. Size: 4" diameter; 4-3/4" tall.

A lovely Art Nouveau enameled pin worked in 18K gold. The ornate multi-curved frame encloses a trio of grape leaves decorated with translucent enamel suspending a cluster of grapes formed from small pearls. The pin has a very delicate and elegant look. In the Victorian language of flowers, the grape symbolized "charity." Mark 10K.

Origin: America, ca. 1900. Condition: excellent, no enamel damage, all original. Dimensions: 15/16” x 7/8”. Weight: 2.9 grams.

A lovely Christmas bouquet paperweight by Perthshire. The weight features a colorful bouquet of holly leaves, a red poinsettia and mistletoe surrounded by ring of red, white and green complex canes, all against an opaque snow white ground. The base is embedded with a signature/date cane. The paperweight is finished with 5/1 faceting.

Origin: Scotland, 1996. Condition: excellent, no roughnesses. Dimensions: 3" diameter; 2" high.

A sweet good luck charm in the form of a 14K gold wishbone entwined with a branch of bright blue enameled forget-me-nots. In Victorian flower language, forget-me-nots represented remembrance. Combined with the wishbone, a piece such of this might have been given as a farewell gift. Stamped with the maker's mark for Winthrop Manufacturing Co (Attleboro, MA).

NOTE: The pendant is shown with a 16" 14K gold chain available for an additional $125.

• Origin: America, ca. 1910.
• Condition: perfect enamel; original pinstem and clasp were removed and replaced with a hidden bail by our jeweler.
• Dimensions: 1-5/8" x 1/2".
• Weight:2.7 grams.

A delicate Art Nouveau 10K gold pin featuring a pansy decorated with translucent violet, pink and cream enameled. The flower center and a bud are set with small seed pearls. The brooch retains its original pinstem and clasp stamped "10K." In Victorian flower language, the pansy conveyed the meaning "Think of me." Small pins such as this were popular gifts for new brides.

• Origin: America, ca 1910
• Condition: very good; a small enamel flake to the tip of one petal (superficial only and does not affect the color)
• Dimensions: 3/4" x 1-1/8"
• Weight 2.5 grams.

An Art Deco pendant or charm displaying four playing cards each with the pip for an ace worked in black or red enamel. Four aces is an unbeatable hand in poker unless an opponent has a flush. The bottom edge of the charm is engraved “Réussité” (“Success”). The charm and the original jump ring are stamped with French 18K guarantee marks.

• Origin: France, ca. 1930
• Condition: excellent, no enamel damage
• Dimensions: 1/2" x 11/16” excluding jump ring
• Weight: 2.2 grams

Very nice Victorian shakudo pin featuring a wonderful scene of Mt. Fuji. The foreground shows two quail, worked in gold, foraging amidst incredibly detailed wildflowers. The snow on the peak of Mt. Fuji is picked out in silver. The entire pin is beautifully patinated. After the samurai system in Japan ended, highly skilled swordmakers turned to jewelry as a way of continuing their centuries-old skills. The pin retains its original pinstem and clasp.

Origin: Japan, ca. 1870. Condition: excellent, all original. Size: 2-1/8" x 5/8".

An elegant set of 12 sterling silver nut or mint dishes in Gorham's 1900 "Cromwell" pattern. The sides are decorated with an elegant pierced pattern that accents the scrolled rim with shell ends. The dishes are hallmarked by Gorham with the date mark for 1927.

Origin: America, 1927. Condition: excellent, no monograms. Size: 3-7/8" x 2-1/2" x 1-3/16" high. Total Weight: 258.0 grams.

A delightful late Victorian or Edwardian pendant in the form of a poodle jumping through a hoop. The wonderfully detailed poodle is cast in sterling silver and the hoop is 14K gold. The dog is fully three-dimensional, and the eyes are set with small pyrope garnets. The pendant is marked “14K Sterling.”

• Origin: America, ca. 1910
• Condition: excellent
• Dimensions: 1-9/16” x 3/8” x 1-1/4”
Weight: 11.2 grams

Terrific chair mat or small round rug hooked in a pattern of two white cats with large blue eyes and big red bows against a field of blue-grey surrounded by a burgundy and black double border. Hooked on a burlap foundation with wool and cotton. Very good condition, except for some discoloration and wear to the black border. 15" diameter. American, probably New England, 19th century.

Fascinating watercolor set in the form of a 1930's automobile with working wheels. The top lifts to reveal containers for paints and water; an area for mixing; and a storage compartment for brushes. The back of the car is embossed "Betel Motor Car/Patent No. 75086/Open & Close Type/BF".

Origin: England, circa 1930. Condition: some budding young artist decided to decorate the car with some black paint, which could be removed by polishing the brass; the surface is untouched; no dents or missing parts. Approximately 10" x 5" x 3.75" high.

Superb early Gorham lady’s purse, the exterior decorated in the Aesthetic taste. The surface is matte-finished and accented with areas of matte-finished and glossy parcel gilding. Each side features a triangular area of engraving representing what appears to be a bough of olive branches with olives. The purse’s beveled edges are glossy and are decorated simply with rows of bright-cut engraving. The purse opens with a push on the thumbpiece to reveal an interior divided into three compartments and lined with the original teal blue silk shantung. The purse retains its original chain. The inside rim of the purse is marked with the earliest form of Gorham’s lion-anchor-G hallmark, along with the pattern number “210”, “Sterling” and the date letter for 1871.

Origin: America, 1871. Condition: excellent, a small ding in the engraved area on one side (visible in raking light), all original, the silk lining with almost no wear. Size: 3-1/2” wide, 2-1/2” high, 1-1/2” thick, 11” chain. Weight: 68.0 grams.

Elegant signed Mikimoto brooch of 14K yellow gold with pearls. The pearls, ranging from 5 to 5.5mm are of the quality that only Mikimoto can produce. The body color is a bright white with silver overtones. The lustre is exceptional. The design is a sort of abstract flower basket design. The back is marked with Mikimoto's shell hallmark.

Origin: Japan, circa 1950s. Condition: excellent, all original. Size: 1-3/8" x 1-1/4". Weight: 7.0 grams.

Very fine pair of George VI sterling silver master salt dishes. The salts are raised on paw feet surmounted by lion masks. The everted rims are gadrooned. The salts retain the original cobalt blue glass liners. The salts are identical, but were made in different years by the same silversmith. One has the date mark for 1936 and the other for 1939. The only difference is that glass liner in one is a little thicker than the other.

Origin: London. Condition: excellent, all original, no dings or monograms. Size: 2-7/8" diameter; 1-1/2" tall. Weight: 202.0 grams (silver only).

Very nice vintage South Jersey glass paperweight featuring a frit design of an ivy-covered blue cross against an opaque white ground. The foreground has a wave-like frit design. The opaque ground is most unusual in a South Jersey weight. The crown rises quite high into a pronounced cowlick more typical of New England weights. The bottom has a pontil mark and slight basal concavity, and there is an incised line around the periphery at the top edge of the opaque ground.

Origin: America, ca. 1900. Condition: excellent, very light surface scratching as expected. Size: 3-1/4” diameter; 2-1/4” tall.

Superb sterling silver powder box covered with beautiful floral repousse decoration. The design features a dense covering of daisies, chrysanthemums and roses surrounding a pair of rococo reserves framed with assymetrical scrolls. Neither of the reserves has ever been monogrammed. The decoration is really excellent and is of a quality that would rival the best of the repousse decorators. The interior retains the original gilding. The bottom is marked with Gorham’s late 19th century mark and has the date code for 1894. It is also marked with the pattern number “735”.

Origin: America, 1894. Condition: excellent, the concealed inside lip of the lid has some bends that are not at all visible when the lid is in place. Size: 4” diameter; 3-1/8” high. Weight: 145.5 grams.

A handsome set of four sterling silver salt dips with cobalt blue glass liners. The silver walls are intricately pierced in the 18th century style and are raised on scrolled feet. The salts have fitted cobalt blue glass liners. The salts are fully hallmarked for Birmingham, 1934 and have an unidentified maker’s mark “WA” in a shield.

Origin: England, 1924. Condition: excellent, no dings, cracks or chips. Size: 2-3/16” x 1-11/16” x 1-1/4” tall. Silver Weight: 74.0 grams.

A very fine Edo period Japanese mixed-metal brooch depicting a crane standing underneath flowering cherry trees alongside a rushing stream. The gold and silver details glisten against the coppery background. The back retains the original extended pinstem and c-clasp.

This type of work, sometimes mistakenly called “shakudo”, derives from the decorations used for samurai armor. After the demise of the samurai system in the 19th century, artisans who made mixed-metal decorations for armor turned to jewelry-making. These pieces became very popular in Europe and America when Japan was opened to trade.

Origin: Japan, ca. 1865. Size: 1” x 1-1/8”.

Very nice, heavy pair of 18K yellow gold cufflinks that resemble a link taken from a large chain. One cross-end is fixed, but the other is hinged so the cufflinks can pass through the hole. These cufflinks look very stylish streamlined appearance when being worn. Tested and guaranteed 18K gold.

Origin: America, ca. 1940. Condition: excellent, all original. Size: 15/16” x 3/4". Weight: 14.0 grams.

A very good cut glass vase by Clark in the "Iris" pattern. The lower third and the flared rim are cut with elongated hobstars flanked by mitred triangles of strawberry diamond cutting enhanced with fans; and the neck is cut with panels of printies alternating with notched prisms. The base is cut with a 20-point hobstar and has Clark’s script acid signature. The pattern is either "Iris" or a variant of “American Beauty”. The cutting is very precise and the polish is excellent.

Origin: America, ca. 1900. Condition: excellent, a small nick to only one tooth at the rim. Size: 10-1/4” tall.

A fine sterling silver gravy ladle in the 1892 “Richelieu” patterns by Tiffany & Co. This is one of Tiffany’s great early patterns and is very sought after today. It is distinguished by shell motifs at the handle and pendant bellflowers that lead down the stem. The flattened bowl is elegantly gadrooned to match the scalloped edge. The back is marked with Tiffany’s hallmark in use 1891-1902.

Origin: America, ca. 1895. Condition: excellent, sharp details, no monogram. Size: 7-3/8” long. Weight: 83.5 grams.

A fine boxed set of 12 sterling silver demitasse spoons in Gorham's 1896 "Maryland" pattern. The fronts of the handles are decorated scrolls, shells and pendant bouquets, while the backs are accented with simple scrolling and a shell motif near the bowls. The bowls are parcel gilt. This is a particularly lovely pattern--ornate, but not over the top. The spoons are presented in their original fitted box, the inside lid of which is marked with the logo of Gorham's New York City retail store. Each spoon is stamped with an older Gorham hallmark and the patent date.

Origin: America, ca. 1900. Condition: excellent, all original, no monograms. Size: 4-1/16" long. Weight: 104.5 grams.

A wonderful Victorian ironstone footed fruit compote decorated in an underglaze blue floral pattern. Distinctly Asian in flavor, the pattern depicts prunus blossoms and peonies surrounded by rocky outcroppings, foliage and hovering butterflies. The edges are finished in a diaper border. Either end has a leafy handle, heavily accented with gilding similar in style to that found on Old Paris porcelains. The overall shape and use of gilding suggests an early date. The bottom is marked with F. Morley & Co.’s underglaze stamp.

Origin: England, ca. 1845. Condition: excellent, no chips or cracks, there are three small glaze misses near the upper rim, original gilding intact. Size: 12-1/2” x 9” x 5-5/8” tall.

A fascinating Victorian brooch set in 14K yellow gold. The octagonal plaque with canted corners appears to be made of opaque black glass and is inset with an ornate glass design worked in the pietra dura method. The translucent design is backed with gold foil to create a subtle glittery effect. The setting is very simple and does not detract from the more important enamel work. Tested and guaranteed 14K gold.

Origin: Europe, possibly Switzerland, ca. 1850. Condition: excellent, all original, very light surface scratching visible with a loupe. Size: 1-1/8" x 3/4".

A very fine Imperial Russian lacquer box by Vishniakov. The lid is decorated with a winter scene showing an empty troika, still tethered to its horse, located just outside a snow-covered log building. The scene is beautifully detailed. The interior is lacquered in the dark rust shade characteristic of Vishniakov.

Origin: Russia, ca. 1880. Condition: the top shows considerably alligatoring, but no paint loss; two of the top corners have flakes (visible in photos); the interior has wear to the finish. Size: 5-3/4" x 3-7/8" x 1-11/16".

A very attractive pair of Victorian 14K yellow gold bean-back cufflinks finished in the softly bloomed “Russian” finish popular in pieces from the Art Nouveau era. The oval faces are simply finished with a beaded border and are star-set with small round brilliant cut rhodolite garnets. The stones have a very pleasing strongly purplish-red hue, easily mistaken for ruby. The backs are marked “14K”.

Origin: America, ca. 1900. Condition: excellent. Size: 3/4” x 9/16”. Weight: 6.8 grams.

A very good Victorian 14K yellow gold stickpin in the Art Nouveau taste. The top of the pin is in the shape of a horse’s head completed with beautiful enameling. The eye is set with a small round cut ruby. The head is superimposed over a gold horseshoe studded with small old European cut diamonds. The gemstones, though small, are very good quality and provide a nice amount of sparkle. The back is marked “14K”.

Origin: America, ca. 1900. Condition: excellent, no enamel damage. Size: overall length, 2-13/32”; head, 5/8” x 5/8”. Weight: 2.5 grams.

A handsome chartreuse-cut-to-clear low bowl cut with a ring of printies near the lip and another ring of overlapping printies lower on the sides. Unsigned, but almost certainly Val St. Lambert.

Origin: Belgium, ca. 1920. Condition: no chips or cracks. Size: 9" diameter; 2-3/8" high.

A handsome pair of Edwardian yellow gold cufflinks, the faces formed from barbell-shaped batons of green serpentine. The stone has an attractive semi-opaque pale green color flecked with black specks. Serpentine was often used as a substitute for jade. The gold backs are marked “9Ct”.

Origin: England, ca. 1900. Condition: excellent. Size: faces, 7/8" long. Weight: 4.8 grams.

A superb Victorian Art Nouveau baby rattle, the handle carved from a large piece of mother-of-pearl and adorned on either side with a gorgeous Art Nouveau lady's head worked in sterling silver and finished with three silver bells. Although unsigned, the particulars of the design are very similar to a known Unger design. Marked "Sterling".

Origin: America, ca. 1895. Condition: excellent except for the bells which show considerable wear from a toothing child. Size: 4-1/2" long.

An elegant Art Nouveau ring converted from an antique French 18K gold stickpin. The gold clover is decorated with small natural pearls on each leaf arranged around a small bright green emerald. The stem is worked in platinum and is set with a small mine-cut diamond for a little added sparkle. The 18K gold and platinum clover is attached to a 14K yellow gold band.
Finger Size: 6-1/2 (can easily be sized). Clover Dimensions: 1/2" x 1/2". Weight: 1.7 gr.

A delightful French Art Deco cocktail pick set in the form of a carved rosewood cat arching his back to hiss at a little chrome snail. A wooden rack holds six chrome cocktail picks, each topped with a snail. All are presented on a macassar ebony base. Sets such as these were used in French homes as well as on the bar counters at cafes.

• Origin: France, ca. 1935.
• Condition: excellent, all original, one pick has very minor plating wear visible on close inspection.
• Dimensions: 5-7/8" x 3-1/4" x 4" high.

A lovely set of twelve sterling silver demitasse spoons presented in their original fitted velvet and silk box. The design features a scroll of acanthus leaves along the stem with an asymmetrical shell at the handle. The backs are stamped “Sterling” (prior to 1915), American silver was not required to bear a maker’s mark. The pattern is nearly identical to Knowles’ “King” pattern. The spoons are presented in their original velvet and silk fitted box from Hamilton & Diesinger of Philadelphia (1895-1900).

• Origin: America, ca. 1895
• Condition: spoons are excellent except one which has a tiny ding right at the tip of the bowl; sharp detail; no monogram; box is functional, but has significant wear. One of the 2 latches is broken at the top of the latch.
• Dimensions: spoons, 3-7/16” long
• Weight: 77.2 grams

A very rare cobalt blue version of the Santa Claus or Belsnickel bottle created around 1900 by Monroe Gandy Husted of the Husted-Hall Mold Works in Bridgeton, NJ. The bottle was blown into a three-part mold. This example retains the original quatrefoil-shaped front label showing a snow-covered mountain cabin surrounded by a holly leaf border. The clear bottles have an embossed “M.G. Husted” signature, but the cobalt bottles do not, leading some to suspect the blue versions were reproductions. The original label and the wear marks on the basal rim clearly indicate an early date. Husted died in 1923, so it’s likely that these bottles were made in the years following his death, up to the 1930s.

• Origin: America, 1923-38
• Condition: excellent, no chips or cracks, original paper label intact
• Height: 12-1/4”

A pretty 14K yellow gold brooch designed as a cluster of leaves, each accented with a collet-set round ruby. The leaf surfaces have stippled and Florentine finishes for nice contrast. The back is marked “14K” and also has an illegible maker’s mark.

• Origin: America, ca. 1960
• Condition: excellent, all original
• Dimensions: 1-7/8” x –1-1/8”
• Approximate Total Gemstone Weight: .15 carat
• Weight: 6.0 grams

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated medical dosages into your favorite cocktail. The syringe originally cost $10. The syringe is accompanied by an illustrated instruction card and the original fitted box.

• Origin: America, 1967-70
• Condition: excellent, no monograms or dings,two wear spots to the top outer surface of the box
• Dimensions: 6-1/4” long

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated doses for your medical cocktails. The syringe originally cost $10. The syringe is presented in its original fitted box and is accompalied by the illustrated instruction card.

• Origin: Amerca, ca 1967-70
• Condition: excellent, no monograms or dings; box in mint condition
• Dimensions: 6-1/4” long.

Handsome 14K yellow gold and sterling silver brooch signed by David Yurman. The center hexagon is set with a hematite cabochon above a collet-set round brilliant-cut pink sapphire, and is flanked with by rope-twist extensions highlighted with 14K gold banding. The back is signed “D. Yurman 14K Sterling”.

Origin: America, ca. 1995. Condition: excellent, all original. Size: 3-5/16” x 1”. Weight: 16.0 grams. Approximate Total Gemstone Weight: hematite, 13.36 carats; pink sapphire, .2 carat.

A delightful bronze dresser mirror, the entire frame ornately decorated in the form of two Pierrot figures and a smiling man-in-the-moon. Pierrot was a originally a Comedia dell’Arte character, but in the 18th century, he and the moon became inextricably linked in the French children’s song, “Au Claire de la Lune.” There are a few variations of this mirror; this is the most ornate, with the intricately beveled glass. The detailing of the figures is excellent.

Origin: France, ca. 1900. Condition: excellent, all original; the glass has very light tarnishing typical of old silvered mirrors. Dimensions: 4-3/4” x 8-1/2”.

19th century cast iron figure of an angel raising a laurel wreath above her head and holding a ship's anchor. Obviously intended as a symbol of the wishes for a sailor's safe return from the sea, the plaque was probably used to decorate the wall of a sailor's home in an Atlantic coast seaport.

Origin: America, circa 1860s. Condition: excellent, light rusting on surface. Size: 14" tall.

Lovely Victorian 18K yellow gold cufflinks featuring small seed pearls set in a diamond-shaped mounting. The faces are connected to the torpedo backs with beautifully crafted chains. The faces are marked “18CT” and the chains have an additional hallmark that is illegible.

Origin: probably England, circa 1900. Condition: excellent. Size: faces, 3/8” x ½”. Weight: 5.25 grams.

Fantastic pottery double-handled urn decorated in an underglaze blue floral transfer and clobbered with overglaze iron red, yellow and purple pigments. The effect is much like chintz china, but with stronger coloring. The bottom bears the mark used by Cauldon Potteries from 1905 to 1920. The form and size of this vase, combined with its rich coloring, makes for a truly stunning piece of Staffordshire pottery.

Origin: Staffordshire, England, circa 1913. Condition: mint. Size: 13-1/4” tall.

Elegant 14K yellow gold and pearl brooch in a modern bouquet design. The four pearl "flowers" are set atop golden stems that are tied with a swirling gold ribbon. Each pearl is 5.5 mm and has the wonderful white body color with silvery overtones characteristic if Mikimoto pearls. The nacre is thick and the skins are very smooth. The back is marked with Mikimoto's hallmark and "K14".

Origin: Japan, circa 1970. Condition: excellent, all original. Size: 1-5/8" x 1-1/8". Weight: 6.0 grams.

A very nice Victorian watch fob chain of woven hair accented with 14K yellow gold fittings. The weaving is very nicely done from hair in a soft chestnut color. The center of the chain features a paneled gold fitting from which is suspended a gold-mounted pendant drop with acorns and leaves. Hairwork jewelry was a cottage industry and was made both as memorial jewelry and as love tokens. Each end of the chain is finished with gold fittings, as well. A contemporary gold filled chain has been added to the back to transform the fob chain into an 18” long necklace.

Origin: America, ca. 1860. Condition: excellent. Size: 18” long (with extension); 12-1/2” long (without extension).

A classic late Victorian 14K yellow gold curb link chain bracelet with collet-set oval amethyst stations. The amethysts have nicely saturated violet color. Marked 14K.

• America, circa 1900
• 9 1/2" long
• Excellent condition
• 6.75 grams
• Approximate Total Amethyst Weight: 3.66 carats

A Victorian shell cameo depicting Aurora/Eos, goddess of the dawn set in a 14K gold frame decorated in the Etruscan taste withe beads and rosettes. The goddess is shown with her chief attribute, a pair of feathered wings in her hair (not to be confused with Psyche who has butterfly wings). The back retains the original pinstem and folding bail, but the clasp is an old replacement. Tested and guaranteed 14K.

• America, ca. 1870
• Excellent condition; no cracks to shell; replaced clasp
• 1-11/16" x 1-5/16"
• 7.4 grams