Catalog (2475)

A stunning 18K white gold and blue sapphire ring from the "Paris Nouvelle Vague" collection launched by Cartier in 1999. The collection was inspired by the dynamism of the City of Paris. The ring is designed as an unending double spiral of white gold with one loop extended into an oval. The band crosses over at the top and is set with a row of eleven vivid pure blue round brilliant-cut sapphires. The interior of the shank is signed "Cartier" and is marked "750" for 18K gold and "55" for the size. It is also marked with the serial number 34958B" and with "tete d'aigle" marks for 18K gold. The ring is presented in its original red leather and suede fitted box imprinted Cartier and includes the original matching outer box. This ring is no longer available at Cartier.

Origin: France, ca. 1999. Condition: excellent. Finger Size: 7-1/2 to 8. Dimensions: width varies from 3/16" to 3/8". Weight: 15.3 grams. Approximate Total Gemstone Weight: sapphire, 1.06 carats.

A sterling silver vermouth dispenser in the form of a watering can by Cartier. When tipped, the dispenser lightly sprinkles a drip or two of vermouth into the glass for the perfect martini. The bottom is marked “Sterling” and is signed “Cartier”. These watering cans were made for Cartier’s New York store.

Origin: America, ca. 1950. Condition: very good, two tiny dings barely noticeable in raking light. Size: 3” tall. Weight: 52.0 gr.

A sterling silver vermouth dispenser in the form of a watering can by Cartier. When tipped, the dispenses sprinkles a drip or two of vermouth into the glass for the perfect martini. The bottom is marked “Cartier Sterling.” These cans were made specifically for Cartier’s New York store.

Origin: America, ca. 1950. Condition: very good, a very minor ding on the bottom rim and on the spill guard at the top. Dimensions: 3” tall. Weight: 51.2 gr.

A sterling silver vermouth dispenser in the form of a watering can by Cartier. When tipped, the dispenser lightly sprinkles a drip or two of vermouth into the glass for the perfect martini. The bottom is marked “Sterling” and is signed “Cartier”. These watering cans were made for Cartier’s New York store.

• Origin: America, ca. 1950
• Condition: very good, a few tiny dings visible only in raking light
• Dimensions: 3” tall
• Weight: 52.0 grams

A witty sterling silver vermouth dispenser in the form of a watering can by Cartier. When tipped, the dispenser lightly sprinkles just a drip of vermouth into the glass for the perfect martini. The bottom is marked "Sterling" and is signed "Cartier".

Origin: France, ca. 1955. Condition: excellent. Size: 3" tall. Weight: 49.1 gr.

A sterling silver vermouth dispenser in the form of a watering can by Cartier. When tipped, the dispenser lightly sprinkles just a drip of vermouth into the glass for the perfect martini. The bottom is marked “Sterling” and is signed “Cartier”. These watering cans were made for Cartier’s New York flagship store.

Origin: America, ca. 1955. Condition: excellent. Size: 3” tall. Weight: 48.8 grams.

A vintage 18K yellow gold turtle brooch set with rubies by Cartier. The turtle’s shell is formed as interwoven wide ribbons of textured gold, the intersections prong-set with round brilliant-cut rubies. The eyes are also set with small rubies. Parts of the gold have a Florentine finish while others are smooth, creating very pleasing contrast. The rubies are of very fine quality, with strongly saturated color and eye-clean clarity. The reverse side of the pin is worked in a trellis pattern. The back is marked with “Cartier 18K” and has a serial number. The pin could easily be converted to a pendant by adding a bail under the head.

• France, circa 1965
• Excellent condition
• 1-7/16 x 1"
• 15.2 grams
• Ruby, .44 carat

An interesting pair of cufflinks carved from pieces of coral and shaped as koi. Each fish has the distinctive ruffled tail fins that are typical of the species. The fronts are joined with silvered chains to the backs which are simple pieces of coral branch. The color is very nice and is completely natural.

Origin: Southeast Asia, ca. 2000. Condition: excellent. Size: 7/8” x 1/2”.

Hand carved giltwood letter "G", unusual for being an italic letter and for the sides having contrasting black sand paint decoration. Gilt letters and numbers from 19th century trade signs have great graphic appeal and offer a fun opportunity to try to put together your name or initials.

Origin: American, 19th century. Condition: very good, all original surface, 40% wear to the black paint along the sides. Size: 7-3/4" high.

Hand carved giltwood letter "C". Gilt letters and numbers from 19th century trade signs have great graphic appeal and offer a fun opportunity to try to put together your name or initials.

Origin: American, 19th century. Condition: excellent, all original surface. Size: 6-1/4" high.

Hand carved giltwood letter "O". Gilt letters and numbers from 19th century trade signs have great graphic appeal and offer a fun opportunity to try to put together your name or initials.

Origin: American, 19th century. Condition: excellent, all original surface. Size: 7-3/4" high.

Cast iron boot scrape in the form of a Scottie in its original blue paint. The two long spikes that hold the boot scrape in the ground are marked "Copyrighted 1927 By Household Patent Co. Morristown, PA." The company made a variety of metal products such as weather vanes and boot scrapes. Excellent condition; about 5% paint loss; the back side has remnants of old fabric-based adhesive tape that could be removed. 10" wide; 15.5" tall.

A nice man's ring featuring a large cat’s eye quartz cabochon. The stone has pronounced chatoyancy (the cat’s eye effect) with excellent color contrast. The interior of the shank is stamped “10K.”

• Origin: America, ca. 1960.
• Dimensions: cabochon, 13.7 x 11.4 mm; 5/8” wide at crown, tapering to 1/8” at the back of the shank.
• Finger Size: 12-1/4.
• Approximate Gemstone Weight: 7.4 carats.

Fantastic pottery double-handled urn decorated in an underglaze blue floral transfer and clobbered with overglaze iron red, yellow and purple pigments. The effect is much like chintz china, but with stronger coloring. The bottom bears the mark used by Cauldon Potteries from 1905 to 1920. The form and size of this vase, combined with its rich coloring, makes for a truly stunning piece of Staffordshire pottery.

Origin: Staffordshire, England, circa 1913. Condition: mint. Size: 13-1/4” tall.

Wonderful pottery candlestick decorated in an underglaze blue floral transfer and clobbered with overglaze iron red, yellow, and purple pigments. The effect is much like chintz china, but with stronger coloring. The bottom is marked with the registration number indicating the piece was designed in 1913 and bears the mark used by Cauldon Potteries from 1905 to 1920. It is also marked "Grip", probably referring to the very uncommon form. It is a very unusual and striking pattern.

Origin: Staffordshire, England, ca. 1913. Condition: mint. Size: 6-1/4” tall; base, 2-3/4” x 4”.

Elegant sterling silver lettuce fork in Reed & Barton's "Chambord" pattern, designed in 1909. The reverse is marked with Reed & Barton's hallmark and "Pat. Nov. 9,'09."

Origin: America, circa 1909. Condition: near mint. Size: 9-1/2" long.

A beautiful 18K white gold start pendant set with diamonds and sapphires from Chanel’s haute joaillerie “Comete” collection. Coco Chanel’s first jewelry designs were based on celestial themes and when the house re-entered the luxury jewelry business they reinvented many of her early designs. This star pendant features four round brilliant diamonds and three blue sapphires in different fancy cuts—square, marquise and pear. The diamonds are G color with VS1 clarity. The sapphires are B5/5 color and eye-clean clarity. The different shapes and apparently random arrangement of the gemstones was intended to mimic the placement of stars in the galaxies. The back of the pendant is signed “Chanel”, has the serial number “7E1232” and has appropriate 18K gold hallmarks. The chain clasp is also signed and marked. The original retail price of this pendant was $5,100.

Origin: France, ca. 2000. Condition: excellent. Size: pendant, 5/8” x 3/4"; chain, 16” long. Weight: 9.0 grams. Approximate Total Gemstone Weight: diamond, .25 ct; sapphire, .25 ct.

A superb lampwork pansy and snake paperweight by Charles Kaziun, Jr. The design features two of Kaziun's most iconic design elements from the 1950s and 60s. The pansy is a beautiful indigo color with lampwork upper petals and millefiore cane lower petals. The snake is worked in orange and yellow stripes with a black head and bulging yellow eyes. The whole is set against an uncommon sulfur-yellow jasper ground and is finished with a 6/1 faceted design. A gold foil bee, serving as Kaziun's signature, appears on one of the pansy's leaves. A gold foil "K" appears underneath the ground.

Origin: America, ca. 1955. Condition: excellent, no chips or scratches. Dimensions: 2-5/8" diameter.