Catalog (2428)

An elegant second standard (800/1000 pour silver) French tastevin. Rather than the typical "perles" and fluted "godrons," the bowl is decorated with repousse grape leaves, berries and shells in the 18th century style. This treatment is sometimes seen in tastevins made by Parrod, one of the most influential makers of tastevins in the 19th and 20th centuries. The single snake handle, thought to represent the snake from the Garden of Eden reminding drinkers of temptation, has an unusually well-detailed head. The tastevin is fully hallmarked and has an illegible maker's mark, possibly Parrod's.

• Origin: France, ca. 1925
• Condition: excellent, sharp detail
• Dimensions: 3-1/4" x 4-1/4" x 15/15"
• Weight: 55.9 grams

A set of 12 gorgeous Art Deco sterling silver coffee spoons decorated on both sides with guilloche enamels. Each spoon is worked in a different shade of translucent enamel over an engraved background. The spoons are presented in their original velvet-lined box. Each spoon is hallmarked for the Watson Co.

Origin: America, circa 1935. Condition: excellent, the dark purple spoon has a 1/16" flake to the enamel at one edge, the box shows normal wear appropriate to the age. Size: 4-1/4" long.

Very nice Chinese export porcelain tea pot in Canton decoration. The slightly tapered drum-shaped body is decorated with typical Canton scenes of islands, bridges, boats, etc. and is accented with a raincloud border along the top edge. The lid, spout and handle are also decorated with typical motifs. The color is very nice with terrific clarity and depth. Likewise, the body is of nice color.

Origin: China, circa 1820. Condition: excellent, no chips or cracks. Size: 6-1/2” tall to top of finial; 8-1/8” wide from spout to handle.

A handsome pair of 18K yellow gold double-sided cufflinks from the era of Napoleon III. The navette-shaped faces are simply decorated with interlaced swirls. The faces are joined by chains. The cufflinks are stamped with French "tete de cheval" hallmarks for 18K.

Origin: France, ca. 1860. Condition: excellent, sharp detail. Size: 3/4" x 5/16". Weight: 6.0 gr.

A handsome pair of 18K white gold cufflinks, the faces set with octagonal mother-of-pearl plaques centered by small square blue sapphires. The mother-of-pearl surfaces are finely crosshatched to match the engraving of the gold at the corners. The faces are joined by chains. Marked "18Ct."

Origin: England, ca. 1930. Condition: excellent. Size: 7/16" x 7/16". Weight: 7.0 grams

A handsome pair of double-faced cufflinks set with turquoise in 14K yellow gold. The turquoise stones have fine color and nicely arranged matrix. The bar connectors are marked “14K” and have an unidentified maker’s mark “D”.

Origin: America, ca. 1910. Condition: excellent, all original. Dimensions: 5/8” x 3/8”. Weight: 8.3 gr.

A nice pair of 14K yellow gold and ruby cufflinks, the round faces accented with engraved lines and a stippled finish that suggests a quilted design. The intersections of the engraved lines are set with round brilliant-cut rubies. The backs are marked "14K". We have seen matching cufflinks, set with rubies or with sapphires, stamped with Tiffany's retailer mark, so it's likely they were made by one of the higher-level Newark jewelers.

Origin: America, ca. 1955. Condition: excellent. Dimensions: 5/8" diameter. Weight: 10.2 gr. Approximate Total Gemstone Weight: .14 ct.

An elegant second standard (800/1000 pure silver) French tastevin. Rather than the typical "perles" and fluted "godrons", the bowl of this tastevin is decorated with repousse grape leaves and berries in the 18th century style. This treatment is the classic Dijonais interpretation of the form. The handle is in the tradition form of two entwined snakes grasping an apple in their mouths, thought to remind drinkers of temptation and sin. The tastevin is fully hallmarked and has an unidentified maker's mark (EE with a plumb bob).

• France, ca. 1925
• Condition: excellent, sharp detail, a small porosity blemish (1/4") under the rim on one side
• Dimensions: 3-1/4" x 4-3/16" x 1"
• Weight: 55.7 grams

A nice Victorian 14K yellow gold watch fob in the form of a pair of dolphin-like fish facing one another. The bodies are scaly and they have ornate flowing gills in the classical manner. The oval seal is engraved with a four-letter monogram and also T. E. Co. 1918. The fob retains its original reeded jump ring. Tested and guaranteed 14K.

Origin: America, ca. 1918. Condition: excellent, all original, sharp detail. Weight: 4.7 grams. Size: 1-5/8” x 1”.

A nice man's ring featuring a large cat’s eye quartz cabochon. The stone has pronounced chatoyancy (the cat’s eye effect) with excellent color contrast. The interior of the shank is stamped “10K.”

• Origin: America, ca. 1960.
• Dimensions: cabochon, 13.7 x 11.4 mm; 5/8” wide at crown, tapering to 1/8” at the back of the shank.
• Finger Size: 12-1/4.
• Approximate Gemstone Weight: 7.4 carats.

A delightfully fun 14K yellow gold ring featuring a perky bunny rabbit standing on his hind legs. The ring was created from a vintage lapel pin with the addition of a 14K gold shank. The back of the rabbit is marked "14K."

• Origin: America, ca. 1970
• Condition: excellent
• Dimensions: rabbit, 7/8" x 1/2"
• Finger Size: 6 1/2
• Weight: 4.3 grams

A wonderful sterling silver trout set in Towle's 1884 "Arlington" pattern. The handles are decorated in the repousse style with a profusion of roses and foliage. The decoration lends itself to being mixed with many of the repousse patterns from the Baltimore area. It is the blade of the trout knife, wonderfully decorated with an engraved trout leaping into the air after biting a lure (the entire casting rod in the background), that really sets these servers apart. Complete Victorian services included fish sets, but trout servers are extremely uncommon. They are a bit smaller than regular fish servers and have a slightly different shape. Towle, in particular, seems to have been fond of the form. The backs are stamped with Towle's hallmark and the retailer's mark "H. G. Shupp".

Origin: America, ca. 1890. Condition: excellent, light surface wear, a small bend at the tip of the knife's upper lip. Size: fork, 8-1/8" long; knife, 10-1/4". Weight: 140.5 grams.

A heavy pair of mid-century 14K yellow gold dome cufflinks in a Florentine finish, each centering a gypsy-set round brilliant cut citrine. The gemstones are medium slightly brownish orangy-yellow in color and constrast nicely with the surrounding gold. The toggle backs are marked “14K”.

Origin: America, ca. 1960. Condition: excellent. Size: 5/8” diameter; 3/8” deep. Weight: 14.0 grams. Approximate Total Gemstone Weight: 2.0 carats.

A handsome pair of 18K yellow gold cufflinks worked in the Etruscan Revival style with applied bead rosettes. The spherical faces are attached by chains to baton backs, also decorated with applied bead rosettes. The gold surfaces have a slight matte finish. The cufflinks are hallmarked with the French “hibou” import mark.

Ca. 1940. Condition: excellent, each sphere has an intentional vent hole and one sphere has a second small hole original to the casting; neither the vents nor the extra hole are distracting. Size: spheres, 7/16” diameter; batons, 3/16” x 15/16”. Weight: 5.0 grams.

A lovely Art Nouveau 18K yellow gold floral pendant. The flowers are represented by small rose cut diamonds and a round brilliant ruby. The gold foliage is finely engraved in a naturalistic pattern. The brooch suspends a drop-shaped natural pearl with fine luster. The ruby, though small, has fine red color and excellent clarity. The pendant is suspended from its bale with a double chain. Fully stamped with French 18K gold hallmarks.

Origin: France, ca. 1900. Condition: excellent, all original. Size: 1-9/32” wide; 1-3/8” long (not including chain); 2-1/4” long (including chain). Weight: 4.1 grams. Approximate Total Gemstone Weight: ruby, .16 ct; diamond, .10 ct.

A lovely pair of 14K yellow gold earrings in a swirling foliate pattern set with pearls. The pearls, ranging 4.5-6mm, have cream body color with rose overtones. The surfaces are smooth and have fine luster. Tested and guaranteed 14K.

Origin: America, ca. 1960. Condition: excellent. Dimensions: 1” x 7/8”. Weight: 8.0 gr.

A lovely double-sided 18K yellow gold and crystal “porte-photo” (photo locket), the gold rim accented with small blue sapphires. The bail is attached to a screw mechanism that allows the gold frame to expand for access to the inside of the locket. Porte-photos were often used to display a “public” photo one side and a more private keepsake on the other. They’re usually very simple; a design of this type is uncommon. These pieces are becoming increasingly difficult to find. The bail is stamped with French 18K marks.

Origin: France, ca. 1890. Condition: excellent, no chips or cracks to crystal. Dimensions: 1-1/8” diameter (excluding bail).

A classic pair of Art Deco chrysoprase cufflinks set in 14K yellow gold. The chrysoprase have very good yellowish-green color and are cut in high-domed cabochons. The faces are connected by chains. Tested and guaranteed 14K.

Origin: America, ca. 1930. Condition: excellent, all original. Dimensions: 3/8” diameter. Weight: 7.1 gr.

A lovely two-sided 18K gold and crystal photo locket by Parisian jeweler Charles Garnier. This style of locket became popular in the latter half of the 19th century and was revived from time to time up through the Edwardian era. NOTE: The pale green interior is used only for photographic purposes. The lockets were worn with a photograph showing from each side or with a single photograph on the front and a memento of some sort (a lock of hair or a pressed flower) on the back. The crystals are held in place with a gold border decorated in the bound-reed motif in the Louis XVI style. The bail is stamped with the maker’s mark for Garnier.

Origin: France, 1924-28. Condition: excellent, all original. Dimensions: 1-1/16” diameter (excluding bail and jump ring).

A lovely double-sided 18K gold and crystal locket, the gold rim elegantly decorated with a bound reed design in the Louis XVA style. The round faceted crystal covers are suspended in a diamond-shaped open frame. The locket is cleverly constructed with a hidden screw mechanism that allows the gold frame to expand so the crystal covers can be removed for adding or changing the locket's contents. Double-sided porte-photos were often used to display a photo on one side and a tiny lock of hair, a pressed flower or some other memento on the back. They could also be used to display a "public" photo on one side and a more private image on the other. These lovely little pieces have become increasingly difficult to find. Fully stamped with French hallmarks.

Origin: France, ca. 1890. Condition: excellent, no chips or cracks to crystal. Size: 1-5/16" x 1-5/16" (excluding bail).

A very nice Victorian 15K yellow gold ring featuring three beautifully colored spessartite garnets separated by rows of seed pearls. These garnets are not the typical murky reddish stones, but brighter orangey-red with nice fire. The gold surfaces are elegantly engraved in a floral motif that goes all the way around the shank. The ring was expertly sized at some point, keeping the hallmarks intact, and with matching engraving. Fully hallmarked for Birmingham, 1868.

Origin: England, 1868. Condition: excellent. Dimensions: crown 5/16” wide, tapering to 3/32” at the back of the shank. Finger Size: 7-1/2. Weight: 2.0 gr. Approximate Total Gemstone Weight: 1.6 cts.

A very elegant Art Deco cranberry-cut-to-clear crystal cocktail shaker. The glass is very clear and quite heavy. The style of cutting suggests Val Saint-Lambert as the most likely maker. The shaker is finished with a silverplate strainer and cap.

Origin: probably Belgium, ca. 1925. Condition: excellent, no chips or cracks, very minor plating loss on cap. Dimensions: 9" tall.

A very pretty 14K gold and pink sapphire solitaire ring. The oval brilliant-cut sapphire has a nice raspberry pink color that shows well in the high cathedral-style setting. The sapphire has very good clarity and does not show indications of any heat or other treatment. The shank is enhanced with white gold floral elements on either side of the sapphire. The interior of the shank is marked “14K”. The ring would be perfect as a colored stone engagement ring.

Origin: America, ca. 1920. Condition: excellent. Finger Size: 6-1/2. Weight: 2.3 gr. Approximate Total Sapphire Weight: .61 ct.

A very fine pair of late Victorian 14K yellow gold cufflinks, the round faces featuring almandite garnets. The faces are decorated with a foliate border. The gold surface has the semi-matte Russian finish sometimes found on better jewels of the period. The beanback connectors are marked 14K.

Origin: America, ca. 1900. Condition: excellent, sharp detail. Dimensions: 9/16" diameter. Weight: 5.4 gr. Approximate Total Gemstone Weight: 2.6 cts.

A fantastic figural sterling silver and stag horn graduated jigger, each cup in the form of a whisky barrel. The barrels are fully detailed with engraved staves, raised hoops, and bung holes. The jigger is finished with a polished stag horn handle in an amber shade. The portions are well-made with good weight and detail. The ferrule is marked "Sterling" and also has serial numbers and an indistinct maker's mark

• Origin: America, ca. 1920
• Condition: excellent, a 1/8" pinpoint on the the bung hole of the larger barrel
• Dimensions: 4-1/8" wide; 7" long

A perfect way to wear a little of the Gilded Age right on your own hand! The lovely navette shape is slimming on the finger and can even be worn on the middle or index finger. The ring has a delicate appearance but enough length to make a statement. The warm glow of medium-toned center ruby contrasts beautifully with the sparkle of the four diamonds (I/SI2) surrounding it. The yelow gold shake is set with a four additional rubies flanking the navette. The interior of the shank is marked "14K."

Origin: America, ca. 1915. Condition: excellent. Finger Size: 5-1/4 (easily sized up or down several notches). Dimensions: 3/4" long. Weight: 4.2 gr. Approximate Total Gemstone Weight: diamond, .20 ct; ruby, .40 ct.

An antique green jadeite Pi pendant suspended on a knotted silk cord embroidered with seed pearls and strung with a jadeite bead, finished with a contemporary 14K yellow gold bail. In traditional Chinese belief, the Pi (sometimes spelled "Bi") represents the heavenly deities and the central hole allows souls to access Heaven. The Pi has medium-light green color with moderate mottling, medium grain and medium translucency. The jade bead is darker color and is more opaque. The pendant was salvaged from a ca. 1900 antique necklace that was far too worn to be saved in its entirety. The jade is Type A (no treatment).

Origin: China, ca. 1900. Condition: excellent; no cracks or chips; the cord, pearls and bead are original. Dimensions: Pi diameter, 1"; overall length, 2-3/16" from top of bail.

NOTE: Other pieces created from the original antique necklace include Items #1350547, #1344595, and #1350553.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with rose cut diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, signed by Augis, is in one of the more ornate versions with a crepe de chine textured background enclosed in a lovely floral border. The use of a rose cut diamond, the Augis signature and the patent mark indicates that this is an earlier example. The size is perfect as a pendant on a delicate chain or as a charm on a bracelet. Fully marked with 18K gold marks, and Augis’ maker’s mark.

Origin: France, ca. 1925. Condition: excellent. Dimensions: 5/8” x 15/16” (from top of bail). Weight: 2.9 gr. Approximate Total Gemstone Weight: diamond, .01 ct; ruby, .05 ct.

A nice smaller-size pyramidal Etruscan style 18K yellow gold fob charm set with carnelian and dyed green chalcedony cabochons. The gold surfaces are finely decorated with beading and wirework in the antique Etruscan manner. The original jump ring is stamped with Italian 18K hallmarks.

Origin: Italy, ca. 1960. Condition: excellent. Size: 1” long (excluding jump ring) x 3/4” Weight: 6.5 grams.

A very fine 14K gold stickpin in the form of a horse's head by Sloan & Co. They eye is set with a small ruby cabochon. The horse is entirely three-dimensional, worked with as much detail on the back as the front. The stick pin can easily be converted to a pendant or ring. The base of the neck is stamped with Sloan's 14K gold mark.

• Origin: America, ca. 1900.
• Dimensions: head, 7/8" 5/8"; overall length, 2 15/16".
• Weight: 3.1 grams.
• Condition: excellent.

A striking 14K yellow gold ring, the medallion depicting a yachting scene in engine-turned engraving of extraordinary quality. The scene depicts a yacht in the foreground with a more distant boat in the background. The design is completed with waves, seagulls and a lighthouse atop a rocky cliff. Originally an Edwardian blazer button, our jeweler added a 14K gold shank to make a wonderful seafaring ring. The back is stamped "14K" and has an unidetified American maker's mark.

• America, ca. 1910.
• Excellent condition, sharp detail.
• Dimensions: crown, 5/8" diameter.
• Finger Size: 6-1/4.
• Weight: 4.3 grams.

A fabulous Art Nouveau 14K gold ring set with a round brilliant cut peridot flanked by seed pearls. The gem is set in a distinctly Gothic revival quatrefoil design. The gold surfaces are hand-finished and have a matte surface typical of Art Nouveau jewels. The peridot has excellent color and clarity that contrasts beautifully with the bright white pearls. Converted from a stickpin, the piece is now a gorgeous ring. The crown retains the original maker's mark for Shanley Jewelry Company, of the leading Art Nouveau jewelers in the U.S.

• America, ca. 1920.
• Condition: excellent; converted from a stickpin.
• Dimensions: crown, 5/8" x 5/8".
• Finger Size: 6-1/4.
• Weight: 2.6 grams.
• Approximate Total Peridot Weight: 1.61 carats.

A delightful set of six sterling silver Art Deco cocktail picks with finials in the form of the Devil. The little naked figure grasps a flaming torch in one upraised hand and his tail is replaced by the business end of the cocktail pick. No doubt, the picks were intended to remind one, rather tongue in cheek, of the sin of drinking! Each pick is fully hallmarked for Barker Brothers Silver Ltd. The picks are presented in their original velvet- and silk-lined fitted case.

• Origin: Birmingham, England, 1929.
• Condition: picks are excellent; box is very good with minor discoloration to the velvet lining.
• Dimensions: picks, 3-17/32” long.
• Weight: 26.8 grams.

A lovely pair of French Victorian 18K gold earrings set with sapphires and rose cut diamonds. Each earring features a prong-set blue sapphire surrounded by a cluster of ten rose cut diamonds, bead-set in an engraved background. The backs are finished with a hand-pierced gallery. The sapphires and diamonds have particularly good color and clarity for the period. This style of earrings was popular in the 1850's when popular hairstyles that covered the ears rendered large earrings irrelevant. Smaller earrings, "dormeuses" ("sleepers") were worn to keep the piercings open while awaiting the inevitable return of grander styles. Stamped with French 18K marks.

• Origin: France, ca. 1855.
• Condition: very good, all original, a minor repair to one earwire.
• Dimensions: 3/8" x 9/16" (from top of earwire).
• Weight: 2.4 grams.
• Approximate Total Gemstone Weight: sapphire, .38 carat; diamond, .10 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example maintains the “crêpe de chine” textured background, but pairs it with the simple beveled border used in the 1950s. The use of a rose cut diamond and the A-Augis signature suggest the earlier part of that period. The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1950.
• Condition: excellent; sharp detail.
• Dimensions: 13/16” diameter (excluding bail and jump ring).
• Weight: 3.5 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .06 carat.

An elegant Art Deco panel-cut crystal perfume bottle in the "Frise Verte" pattern by Baccarat. The sides are cut in an austere panel design adorned at the shoulder with a band of cameo etched floral decoration in green. The geometric cameo pattern contrasts handsomely with simplicity of the panel cutting. The bottle's lip is also overlaid in green. The bottom is cut with a 24-ray star and the stopper is lapidary cut. The pattern appears in Baccarat's 1916 catalogue.

• Origin: France, ca. 1916.
• Dimensions: 6 1/4" tall.
• Condition: excellent; no chips or cracks.