Catalog: Estate Jewelry: Gold: Period (171)

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow”) a line from the love poem written by Rosemond Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem, and his designs became iconic. In this example, the word “moins” is represented by a minus sign set with a synthetic ruby. This is the first time we’ve seen a medaille d’amour incorporated into a larger pendant design that also features a rose and a heart. The pendant is stamped with French 18K marks and Augis’ maker’s mark. The pendant is sold with its chain which is not gold.

• Origin: France, ca. 1950s or early 60s
• Condition: excellent
• Dimensions: 3/4” x 5/8”
• Weight: 2.2 grams.

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is highlighted in black enamel. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst textured background paired with a bright-cut border in a style introduced in 1969. It is signed “A.A.” The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1975.
• Condition: excellent; sharp detail.
• Dimensions: 3/4” diameter (excluding bail and jump ring).
• Weight: 2.7 grams.
• Approximate Total Ruby Weight: .04 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a five rose cut diamonds and the word “moins” by a minus sign set with rectangular cut synthetic rubies.

In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example is in the original style with a “crêpe de chine” textured background and floral wreath border. The use of a rose cut diamond, the A. Augis signature and the patent mark indicates that this is an earlier example. The medium-large size is perfect for either a substantial chain or to wear as a bracelet charm. The pendant is fully stamped with French 18K gold marks.

• Origin: France, 1930.
• Condition: excellent; sharp detail.
• Dimensions: 7/8” diameter (excluding bail and jump ring).
• Weight: 6.5 grams.
• Approximate Total Gemstone Weight: diamond, .05 carat; ruby, .07 carat.

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is highlighted in black enamel.

In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst textured background paired with a bright-cut border in a style from the 1970s. It is signed “A.A.” The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1975.
• Condition: excellent; sharp detail.
• Dimensions: 13/16” diameter (excluding bail and jump ring).
• Weight: 2.6 grams.
• Approximate Total Ruby Weight: .04 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies.

In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example, signed A.A., is in the original style with a “crêpe de chine” textured background and floral wreath border. The use of a rose cut diamond, the Augis signature and the patent mark indicates that this is an earlier example. The small size is perfect for either a delicate chain or to wear as a charm on a bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1930.
• Condition: excellent; sharp detail.
• Dimensions: 5/8” diameter (excluding bail and jump ring).
• Weight: 2.8 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .03 carat.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a five rose cut diamonds and the word “moins” by a minus sign set with rectangular cut synthetic rubies.

In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example is in the original style with a “crêpe de chine” textured background and floral wreath border. The use of a rose cut diamond, the A. Augis signature and the patent mark indicates that this is an earlier example. The small size is particularly nice for wear as a pendant from a delicate chain. The pendant is fully stamped with French 18K gold marks.

• Origin: France, 1930.
• Condition: excellent; sharp detail.
• Dimensions: 9/16” diameter (excluding bail and jump ring).
• Weight: 2.0 grams.
• Approximate Total Gemstone Weight: diamond, .01 carat; ruby, .03 carat.

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is highlighted in black enamel. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst textured background paired with a bright-cut border in a style introduced in 1969. It is signed “A.A.” The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1975.
• Condition: excellent; sharp detail. Dimensions: 3/4” diameter (excluding bail and jump ring).
• Weight: 2.6 grams.
• Approximate Total Ruby Weight: .04 carat.

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. This example has the starburst textured background paired with a bright-cut border in a style introduced in 1969. It is signed “A.A.” The medium size is perfect for either a neck chain or a charm bracelet. The pendant is fully stamped with French 18K gold marks and with Augis’ maker’s mark.

• Origin: France, 1970.
• Condition: excellent; sharp detail.
• Dimensions: 11/16” diameter (excluding bail and jump ring).
• Weight: 2.2 grams.
• Approximate Total Ruby Weight: .04 carat.

A fine modernist 18K yellow gold ring set with an intricately carved aquamarine in the "forma livre" (free form) style. Haroldo Burle Marx was particularly known for his use of large gemstones, often fashioned by carving or tumbling rather than being faceted, a technique he invented in 1948. The color of this aquamarine is quite nice—almost a Prussian blue. The gold mounting is decorated with the fine florentined engraving often seen on Marx pieces. Some of Marx's rings are quite bulky, but the narrowness of this ring truly flatters the hand. The ring is an iconic piece and would be immediately recognizable by any Burle Marx collector. The interior of the shank is signed “Burle Marx” and is stamped “750” and “Ind. Bras”.

Marx worked in his native Brazil, but his only boutique was located at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create gifts for visiting heads of state and their wives including Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark and Indian Prime Minister Indira Gandhi. He was also a favored jeweler to Natalie Wood and Merle Oberon. On of his most important commissions was a gem-encrusted cross made for Pope John Paul II.

Origin: Brazil, ca. 1965. Condition: excellent, all original. Finger Size: 5-3/4”. Dimensions: crown, 1-1/16”; shank tapers to 5/32” at the back. Weight: 10.8 grams.

A nice man's ring featuring a large cat’s eye quartz cabochon. The stone has pronounced chatoyancy (the cat’s eye effect) with excellent color contrast. The interior of the shank is stamped “10K.”

• Origin: America, ca. 1960.
• Dimensions: cabochon, 13.7 x 11.4 mm; 5/8” wide at crown, tapering to 1/8” at the back of the shank.
• Finger Size: 12-1/4.
• Approximate Gemstone Weight: 7.4 carats.

Lovely Edwardian bar pin of 10K white laid over 10K yellow gold, beautifully worked in an ornate filigree and millegrained pattern, centering a 1-pt. round brilliant-cut diamond. The back is marked "10K" and also has a maker's mark.

Origin: America, circa 1910. Condition: excellent, all original. Size: 2-9/32" long.

A lovely 18K yellow gold hinged bangle bracelet in the Edwardian style, set with a row of fifteen well-matched oval brilliant cut blue sapphires in graduated sizes, flanked at either end with small rose cut diamonds. The sapphires have very nice medium-tone violetish-blue coloring with very good clarity. There are no indications of heat treatment. The bracelet is stamped with Italian hallmarks in use 1944-1968.

Origin: Alessandria, Italy, ca. 1950. Condition: excellent. Dimensions: 7/32" wide; 6-1/2" circumference. Approximate Total Gemstone Weight: sapphhire, 4.35 cts; diamond, .10 ct. Weight: 17.6 gr.

An exquisite English Art Nouveau 15K yellow gold pendant,centering a 5.02 carat pear shaped brilliant cut aquamarine with round brilliant pink tourmalines at either side, and suspending a free-hanging oval pink tourmaline. The gold surfaces are set with tiny seed pearls. The use of pastel gemstones is especially elegant and feminine and would have complemented the pale dress fabrics of the Edwardian era. The back of the pendant is engraved "JKM/JKC 1908/1909." It was likely a present to celebrate a first wedding anniversary. Marked 15Ct.

Origin: England, 1908. Condition: excellent, all original including pearl-set bail. Dimensions: 15/16" x 2". Weight: 4.8 grams. Approximate Total Gemstone Weight: aquamarine, 5.02 cts; pink tourmaline, .93.

An elegant and playful 18K gold “Lentil” pendant studded with an array of colored diamonds—pale blue, green, canary yellow and pink—each in a round brilliant-cut. The gold surface has a matte Russian finish that contrasts beautifully with the sparkle of the diamonds. Perret is one of the most acclaimed jewelry designers in America. He has won DeBeers’ diamond award twice, has been a consultant to Tiffany & Co. and has designed and manufactured a line of jewels for Mikimoto. He is most noted for his work with rare colored diamonds. The pendant looks best worn on a gold snake or wire chain. The back of the pendant is signed “Etienne Perret”, has the maker’s mark, and “18K”. Similar pendants are currently available from Perret, priced at approximately $1,200.

Origin: America, contemporary. Size: 17mm. Condition: excellent, a tiny scratch to the front surface visible upon very close inspection. Approximate Total Diamond Weight: .1 carat.

A very pretty vintage 18K gold fob charm in the Venetian Etruscan style. The sides of the charm are set with a row of oval cut citrines bordered at the top and bottom with rows of pink tourmaline, moonstone, citrine and amethyst cabochons. Exposed areas of the gold surface are enhanced with ornate twisted rope and rosette decoration. Tested and guaranteed 18K.

• Origin: Italy, ca. 1955
• Dimensions: 7/8” wide; 1-1/2” long excluding jump ring
• Weight: 13.5 grams
• Approximate Total Gemstone Weight: 8.4 carats

A high-quality 18K gold Etruscan-style Italian charm/pendant set with turquoise cabochons and concealing a hidden compartment in the bottom. The exposed gold surfaces are decorated with twisted wirework and beading, and the top shoulder has an unusual “horn” decoration that we’ve never seen before. Etruscan charms with compartments are very rare. The jump ring is marked “750” for 18K and the charm is tested and guaranteed 18K.

• Origin: Italy, ca 1955
• Condition: excellent
• Dimensions: 1-1/4 wide x 1-1/2 high (excluding jump ring)>/li>
• Weight: 14.6 grams

A large Etruscan style 18K gold fob/charm/pendant set with large dark blue topaz. We’ve never seen one of these charms set with deep blue gemstones before. The gold surfaces are covered in ornate bead and twisted wire decoration. The pendant opens in the middle to reveal a secret compartment. The bail is stamped for 18K gold and also has French import marks.

• Origin: Italy, ca. 1955
• Condition: excellent
• Dimensions: 1-1/8” diameter, 1-1/2” height (excluding jump ring)
• Approximate Total Topaz Weight: 32.8 carats
• Weight: 24.3 grams

An unusual 18K gold Etruscan-style Italian charm/pendant featuring four citrines on the sides, a large sugarloaf cabochon carnelian at the bottom, and an fluted chalcedony bead at the top. The gold surfaces have a brushed finish accented with twisted wirework appliques. The color combinations of the gemstones is particularly appealing. Tested and guaranteed 18K.

• Origin: Italy, ca 1955
• Condition: excellent
• Dimensions: 1-1/2” high; 3/4” wide
• Weight: 15.2 grams
• Approximate Total Gemstone Weight: citrine, 1.5 carats; carnelian, 7.4 carats