Catalog: Estate Jewelry: Gold: Victorian (266)

A delightful ring converted from a French 18K rose and green gold and ruby stick pin. The design shows a pair of ruby cherries hanging from a pair of green gold leaves (the photos are upside down). The rubies have a nice red color the perfect shade of juicy, ripe cherries. The 18K gold design is mounted on a 14K gold band.

Cherries are rife with symbolism ranging from the eternal soul to female sexuality. This ring would also be great for someone from Michigan!

Size: 6-1/2 (can easily be sized up or down). Dimensions: crown, 1/2" diameter. Weight: 1.7 gr. Approximate Total Ruby Weight: .06 ct.

A pretty ring converted from a French 18K rose and yellow gold and ruby stick pin. The design shows a detailed rose gold snake curled around a yellow gold flower. The serpent's head is set with an antique cushion cut ruby of rich red color. The 18K gold snake is mounted on a 14K gold band.

In Victorian times, the snake was used to represent never-ending love. Prince Albert gave a snake ring to Queen Victoria on the occasion of their marriage.

Size: 6-1/2 (can easily be sized up or down). Dimensions: snake, 11/16" x 3/8". Weight: 1.9 gr. Approximate Total Ruby Weight: .04 ct.

A beautiful ring converted from an antique French stick pin. The ring features an 18K gold and platinum crown set with natural pearls and sparkling rose cut diamonds around a bright royal blue sapphire. The sapphire has an almost velvety appearance. The gemstone crown is attached to a 14K yellow gold band. The delicate style of this ring makes it perfect for wearing as a stacking ring or for a young lady's first gemstone ring.

Finger Size: 6-1/2 (can easily be sized). Dimensions: crown, 7/16" x 7/16" (11x11mm). Weight: 2.1 gr. Approximate Gesmtone Weight: sapphire, .28 ct; diamond, .04 ct.

A beautiful 18K gold fancy-link long chain necklace. The links are fashioned in an ornate Renaissance revival style. The chain can be worn at full length, or the clasp can be attached to an open link partway down the necklace and a pendant suspended from the final link. The necklace is marked twice with French 18K marks and an illegible maker’s mark.

Origin: France, ca. 1900. Condition: excellent. Dimensions: 30-1/2” long. Weight: 18.3 grams.

Lovely late Victorian enameled 14K yellow gold stickpin in the form of a four-leaf clover. Half of each petal is decorated in shaded enamel and the other halves are set with minute seed pearls. The stickpin has the twisted stem that generally indicates an early date. Tested and guaranteed 14K gold.

Origin: America, ca. 1880. Condition: excellent, no enamel damage, all original. Size: head, 7/16” x 7/16”; 2-15/32” overall length. Weight: 1.5 grams.

A wonderful Art Nouveau stickpin depicting a native American warrior chief in 14K yellow gold. The man’s beautifully detailed face is surrounded by long hair and a feather war bonnet, the band centered by a small bead-set old European cut diamond. A quiver of arrows is slung across the chest. The pin is marked “14K” and has the maker’s mark for Krementz.

Origin: America, ca. 1890. Condition: excellent, sharp details. Size: head, 11/16” x 3/8”; overall length, 2-1/2”. Weight: 1.8 grams.

A spectacular example of Austro-Hungarian Renaissance Revival jewelry from the period 1876-1918, this necklace features a central pendant drop in the form of a leaping stag suspended by pearl-enhanced chains from a neckchain of sapphire- and ruby-set plaques. The necklace is enameled throughout in shades of opaque white and black, and translucent green, red and purple. The stag is decorated with realistic shaded brown and gold enamels. The stag is set with a sapphire- and ruby-encrusted saddle. The neckchain has alternating wing-shaped plaques set with rubies and decorated green and white enamels, and buckle-shaped plaques set with oval sapphires enhanced with red and white enamels. The backs of the pendant and chain are also enameled. Exposed areas of silver are lightly engraved.

• Origin: Austria-Hungary (likely Vienna), ca. 1880.
• Condition: excellent; all original; only the faintest of wear to enamels on the high points of the stag (visible under magnification).
• Dimensions: necklace length, 15-1/2"; pendant, 1-1/2" wide x 2-1/2" long (including the pearl chains).
• Weight: 29.8 grams.
• Approximate Total Gemstone Weight: sapphire, 3.03 carats; ruby, 1.58 carats.

A very fine French Belle Epoque 18K yellow gold brooch set with diamonds, blue sapphires and demantoid garnets around a central sugarloaf cabochon 3.59-carat peridot. The demantoids exhibit the desirable horsetail inclusions characteristic of Russian stones. The combination of blue sapphires and the bright grassy green of the demantoids and peridot is very pleasing. All the smaller stones are old mine cuts. Six small rose-cut diamonds are collet-set in silver. The back retains the original c-clasp and extended pinstem which is fully stamped with French "tete d'aigle" hallmarks for 18K gold and with an illegible goldsmith's mark.

Origin: France, ca. 1890. Condition: excellent, all original. Size: 2" x 19/32". Weight: 6.8 grams. Approximate Total Gemstone Weight: diamond, .15 carat; sapphire, .4 carat; demantoid, .46 carat; peridot, 3.59 carats.

Exquisite and extraordinarily rare French Napoleon III 18K yellow gold and silver locket set with rose-cut diamonds and an en plein enamel plaque. The locket is essentially of geometric shield form relieved at the upper corners with finely chased applied clusters of roses and foliage, and at the bottom with an ornate volute. The shield form, flanked with two arches of rose cut diamonds set in silver, is suspended from a diamond-set urn motif in the Louis XVI style, and itself suspends a rose cut diamond in a pinched collet setting. The locket is very much in the style of the Parisian Belle Epoque master jeweler Eugene Fontenay and his enamelist Eugene Richet.

The front cover features an oval plaque decorated with an en plein enameled scene of two cherubs in a Watteau-like pose. One of the cherubs, however, is special. He has white feathered wings and a quiver of arrows. He represents Amor (aka Cupid or Eros), son of Venus (Aphrodite). He is commonly considered the god of love, but more accurately was the god of desire and erotic love.

The back cover features a beveled glass cover conforming to the shield form enclosing a bed of silk. The interior includes two glass-covered compartments. The bail is stamped with the "tete d'aigle" mark for 18K gold and bears an unidentified master goldsmith's mark.

Origin: France, ca. 1870. Condition: very fine; the glass of one interior compartment is cracked, but seems secure in its frame. Dimensions: 1-1/2" x 2-5/8" (excluding jump ring). Approximate Total Diamond Weight: 1.15 carats.

A fine French Victorian 18K gold and shaded enamel pin featuring an image of Raphael's "Madonna della Seggiola". The enamel scene of Mary, Jesus and John the Baptist is beautifully executed with great attention to detail. The gold background is stippled for added texture and a little sparkle. The reverse retains the original pinstem and clasp, both marked with French 18K stamps. There is also a partially visible maker's mark. This piece could easily be converted to a pendant with the addition of a bail at the top.

• Origin: France, ca. 1860
• Condition: excellent; no enamel damage
• Dimensions: 1-1/8" diameter
• Weight: 4.75 grams

An elegant bracelet composed of open links ornately decorated in a pattern of acanthus leaves alternating with blue sapphire oval cabochons. The sapphires do not show indication of heat treatment. Each link is slightly curved, so the bracelet lies nicely on the wrist. The clasp is masterfully constructed to be invisible once closed. Like most Portuguese gold jewelry of the era, it’s quite heavy for its size. The bracelet is stamped with 19.2K gold marks used in the city of Oporto, 1887-1937.

• Origin: Portugal, ca 1900
• Condition: excellent
• Dimeions: 1/2" wide; 7-3/4” long
• Weight: 23.2 grams
• Approximate Total Sapphire Weight: 3.36 carats

An early Victorian 14K yellow gold locket enhanced with a pretty design of painted enamel roses and taille d'epargne tracery. The exposed gold surfaces are further decorated with engraving. The back cover has a style of engine-turned engraving usually found only in the late Georgian or very early Victorian periods. The interior retains both of the original glass covers and gold frames.

• Origin: America, ca. 1840
• Condition: excellent; no enamel damage; a pinpoint ding to the back cover
• Dimensions: 1-1/16" x 1-1/2" (excluding jump ring)
• Weight: 8.2 grams

An intricately designed 14K yellow gold chain comprised of a double row of reeded oval links enhanced at regular intervals with engraved acanthus leaf plaques. The chain is from the late Georgian or early Victorian period, and is completely handmade. The clasp is a large bolt, reeded to match the links. The individual links are open enough that the chain could be used to hang charms. Tested and guaranteed 14K.

• Origin: America, ca 1845
• Condition: excellent
• Dimensions: 20-1/2" long; 7/16" wide
• Weight: 28.1 grams

A lovely 14K gold Edwardian long chain set at regular intervals with round brilliant cut amethysts in collet settings. The necklace is completed with a dog clip clasp. The chain can be worn at is full 52-1/2” length, our doubled and worn at 26-1/4”. The amethysts have excellent color and brilliance. Tested and guaranteed 14K.

• Origin: America, ca. 1900
• Condition: excellent
• Dimensions: 52-1/2” long
• Weight: 16.4 grams
• Approximate Total Amethyst Weight: 5.6 carats

A heavy classic belcher chain link necklace in 12K yellow gold. The chain is heavy and solid enough to suspend any of the heavier Victorian lockets or large pendants. It also looks stylish worn simply as a chain. The lobster claw clasp is a replacement and is 14K. The chain itself tests 12K.

Origin: England, ca. 1900. Condition: excellent. Length: 22-5/8" long. Weight: 17.7 grams.

A gorgeous enameled pansy, worked in several shades of purple and lavender is featured in this ring converted from a Victorian earring. The enamel has a soft velvety appearance and is accented at the center with a small pearl. The pansy is set on a sturdy 14K gold split shank. Pansies are generally associated with remembrance, but in Victorian flower symbology, they also carried the sentiment, "Think of me." So whether you're in love or just feeling nostalgic, this ring is perfect!

Origin: America, ca. 1900.

Condition: converted; no enamel damage; excellent condition.

Dimensions: crown, 3/4" x 11/16".

Finger Size: 7 1/4.

A fun piece of sporting jewelry depicting a crossed pair of croquet mallets and a coral ball inside the wicket. The banded agate stone is black with a single white line and has never been engraved. Croquet became fashionable among the English elite in 1856 when when the first book of croquet rules was published and the All England Croquet Club was formed at Wimbledon. The fob is stamped “10 ct.”

• Origin: England, ca. 1860
• Condition: excellent
• Dimensions: 3/4” x 9/16” x 1-1/4 (excluding jump rings)
• Weight: 5.0 grams.

A wonderful, finely detailed 18K gold pendant / brooch featuring a cat surrounded by an ivy-covered wood wreath. The cat has bright emerald eyes and wears a platinum collar with an old European cut diamond at the front. The pendant is finely engraved to represent the cat’s fur and the wood and foliage textures of the frame. Even the back is engraved in a wood texture. Cat jewelry is extremely difficult to find—this example is one of the two best we have had in the last 20 years. Stamped “15 Ct.”

• Origin: England, ca. 1870
• Condition: excellent
• Dimensions: 1-1/4” diameter
• Weight: 18.8 grams
• Approximate Total Gemstone Weight: emerald, .02 carat; diamond, .05 carat