Catalog (2449)

A handsome pair of Edwardian yellow gold cufflinks, the faces formed from barbell-shaped batons of green serpentine. The stone has an attractive semi-opaque pale green color flecked with black specks. Serpentine was often used as a substitute for jade. The gold backs are marked “9Ct”.

Origin: England, ca. 1900. Condition: excellent. Size: faces, 7/8" long. Weight: 4.8 grams.

A superb Victorian Art Nouveau baby rattle, the handle carved from a large piece of mother-of-pearl and adorned on either side with a gorgeous Art Nouveau lady's head worked in sterling silver and finished with three silver bells. Although unsigned, the particulars of the design are very similar to a known Unger design. Marked "Sterling".

Origin: America, ca. 1895. Condition: excellent except for the bells which show considerable wear from a toothing child. Size: 4-1/2" long.

An elegant Art Nouveau ring converted from an antique French 18K gold stickpin. The gold clover is decorated with small natural pearls on each leaf arranged around a small bright green emerald. The stem is worked in platinum and is set with a small mine-cut diamond for a little added sparkle. The 18K gold and platinum clover is attached to a 14K yellow gold band.
Finger Size: 6-1/2 (can easily be sized). Clover Dimensions: 1/2" x 1/2". Weight: 1.7 gr.

A delightful French Art Deco cocktail pick set in the form of a carved rosewood cat arching his back to hiss at a little chrome snail. A wooden rack holds six chrome cocktail picks, each topped with a snail. All are presented on a macassar ebony base. Sets such as these were used in French homes as well as on the bar counters at cafes.

• Origin: France, ca. 1935.
• Condition: excellent, all original, one pick has very minor plating wear visible on close inspection.
• Dimensions: 5-7/8" x 3-1/4" x 4" high.

A lovely set of twelve sterling silver demitasse spoons presented in their original fitted velvet and silk box. The design features a scroll of acanthus leaves along the stem with an asymmetrical shell at the handle. The backs are stamped “Sterling” (prior to 1915), American silver was not required to bear a maker’s mark. The pattern is nearly identical to Knowles’ “King” pattern. The spoons are presented in their original velvet and silk fitted box from Hamilton & Diesinger of Philadelphia (1895-1900).

• Origin: America, ca. 1895
• Condition: spoons are excellent except one which has a tiny ding right at the tip of the bowl; sharp detail; no monogram; box is functional, but has significant wear. One of the 2 latches is broken at the top of the latch.
• Dimensions: spoons, 3-7/16” long
• Weight: 77.2 grams

A very rare cobalt blue version of the Santa Claus or Belsnickel bottle created around 1900 by Monroe Gandy Husted of the Husted-Hall Mold Works in Bridgeton, NJ. The bottle was blown into a three-part mold. This example retains the original quatrefoil-shaped front label showing a snow-covered mountain cabin surrounded by a holly leaf border. The clear bottles have an embossed “M.G. Husted” signature, but the cobalt bottles do not, leading some to suspect the blue versions were reproductions. The original label and the wear marks on the basal rim clearly indicate an early date. Husted died in 1923, so it’s likely that these bottles were made in the years following his death, up to the 1930s.

• Origin: America, 1923-38
• Condition: excellent, no chips or cracks, original paper label intact
• Height: 12-1/4”

A pretty 14K yellow gold brooch designed as a cluster of leaves, each accented with a collet-set round ruby. The leaf surfaces have stippled and Florentine finishes for nice contrast. The back is marked “14K” and also has an illegible maker’s mark.

• Origin: America, ca. 1960
• Condition: excellent, all original
• Dimensions: 1-7/8” x –1-1/8”
• Approximate Total Gemstone Weight: .15 carat
• Weight: 6.0 grams

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated medical dosages into your favorite cocktail. The syringe originally cost $10. The syringe is accompanied by an illustrated instruction card and the original fitted box.

• Origin: America, 1967-70
• Condition: excellent, no monograms or dings,two wear spots to the top outer surface of the box
• Dimensions: 6-1/4” long

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated doses for your medical cocktails. The syringe originally cost $10. The syringe is presented in its original fitted box and is accompalied by the illustrated instruction card.

• Origin: Amerca, ca 1967-70
• Condition: excellent, no monograms or dings; box in mint condition
• Dimensions: 6-1/4” long.

Handsome 14K yellow gold and sterling silver brooch signed by David Yurman. The center hexagon is set with a hematite cabochon above a collet-set round brilliant-cut pink sapphire, and is flanked with by rope-twist extensions highlighted with 14K gold banding. The back is signed “D. Yurman 14K Sterling”.

Origin: America, ca. 1995. Condition: excellent, all original. Size: 3-5/16” x 1”. Weight: 16.0 grams. Approximate Total Gemstone Weight: hematite, 13.36 carats; pink sapphire, .2 carat.

A delightful bronze dresser mirror, the entire frame ornately decorated in the form of two Pierrot figures and a smiling man-in-the-moon. Pierrot was a originally a Comedia dell’Arte character, but in the 18th century, he and the moon became inextricably linked in the French children’s song, “Au Claire de la Lune.” There are a few variations of this mirror; this is the most ornate, with the intricately beveled glass. The detailing of the figures is excellent.

Origin: France, ca. 1900. Condition: excellent, all original; the glass has very light tarnishing typical of old silvered mirrors. Dimensions: 4-3/4” x 8-1/2”.

19th century cast iron figure of an angel raising a laurel wreath above her head and holding a ship's anchor. Obviously intended as a symbol of the wishes for a sailor's safe return from the sea, the plaque was probably used to decorate the wall of a sailor's home in an Atlantic coast seaport.

Origin: America, circa 1860s. Condition: excellent, light rusting on surface. Size: 14" tall.

Lovely Victorian 18K yellow gold cufflinks featuring small seed pearls set in a diamond-shaped mounting. The faces are connected to the torpedo backs with beautifully crafted chains. The faces are marked “18CT” and the chains have an additional hallmark that is illegible.

Origin: probably England, circa 1900. Condition: excellent. Size: faces, 3/8” x ½”. Weight: 5.25 grams.

Fantastic pottery double-handled urn decorated in an underglaze blue floral transfer and clobbered with overglaze iron red, yellow and purple pigments. The effect is much like chintz china, but with stronger coloring. The bottom bears the mark used by Cauldon Potteries from 1905 to 1920. The form and size of this vase, combined with its rich coloring, makes for a truly stunning piece of Staffordshire pottery.

Origin: Staffordshire, England, circa 1913. Condition: mint. Size: 13-1/4” tall.

Elegant 14K yellow gold and pearl brooch in a modern bouquet design. The four pearl "flowers" are set atop golden stems that are tied with a swirling gold ribbon. Each pearl is 5.5 mm and has the wonderful white body color with silvery overtones characteristic if Mikimoto pearls. The nacre is thick and the skins are very smooth. The back is marked with Mikimoto's hallmark and "K14".

Origin: Japan, circa 1970. Condition: excellent, all original. Size: 1-5/8" x 1-1/8". Weight: 6.0 grams.

A very nice Victorian watch fob chain of woven hair accented with 14K yellow gold fittings. The weaving is very nicely done from hair in a soft chestnut color. The center of the chain features a paneled gold fitting from which is suspended a gold-mounted pendant drop with acorns and leaves. Hairwork jewelry was a cottage industry and was made both as memorial jewelry and as love tokens. Each end of the chain is finished with gold fittings, as well. A contemporary gold filled chain has been added to the back to transform the fob chain into an 18” long necklace.

Origin: America, ca. 1860. Condition: excellent. Size: 18” long (with extension); 12-1/2” long (without extension).

A classic late Victorian 14K yellow gold curb link chain bracelet with collet-set oval amethyst stations. The amethysts have nicely saturated violet color. Marked 14K.

• America, circa 1900
• 9 1/2" long
• Excellent condition
• 6.75 grams
• Approximate Total Amethyst Weight: 3.66 carats

A Victorian shell cameo depicting Aurora/Eos, goddess of the dawn set in a 14K gold frame decorated in the Etruscan taste withe beads and rosettes. The goddess is shown with her chief attribute, a pair of feathered wings in her hair (not to be confused with Psyche who has butterfly wings). The back retains the original pinstem and folding bail, but the clasp is an old replacement. Tested and guaranteed 14K.

• America, ca. 1870
• Excellent condition; no cracks to shell; replaced clasp
• 1-11/16" x 1-5/16"
• 7.4 grams